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Alberti LB, Grayson C, Kemp M. On Painting. Penguin Books; 2004. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=674634
2.
Barriault AB. Reading Vasari. Philip Wilson; 2005.
3.
Baxandall M. Giotto and the Orators: Humanist Observers of Painting in Italy and the Discovery of Pictorial Composition. Vol Oxford-Warburg studies. Clarendon Press; 1971.
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Blunt A. Artistic Theory in Italy, 1450-1600. Vol Oxford paperbacks. Oxford University Press; 1962.
5.
Boase TSR. Giorgio Vasari: The Man and the Book. Vol 20. Princeton University Press; 1971. https://ezproxy.lib.gla.ac.uk/login?url=https://doi.org/10.1515/9780691252223
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Anderson EJ, Richards J, Jillox. Visible Exports/Imports: New Research on Medieval and Renaissance European Art and Culture. Cambridge Scholars Publishing; 2012.
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Rubin PL. Giorgio Vasari: Art and History. Yale University Press; 1995.
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Vasari G, Bondanella JC, Bondanella PE. The Lives of the Artists. Oxford University Press; 1998. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780191561122
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Vasari G, Bull G. Lives of the Artists. Penguin Books; 1987. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=684535
10.
Westfall CW. Painting and the Liberal Arts: Alberti’s View. Journal of the History of Ideas. 1969;30(4). doi:10.2307/2708607
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Wilkins EH. On Petrarch’s Appreciation of Art. Speculum. 1961;36(2):299-301. doi:10.2307/2847794
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Beckwith J. Early Christian and Byzantine Art. 2d (integrated) ed. Penguin Books; 1979. https://ezproxy.lib.gla.ac.uk/login?url=https://www.aaeportal.com/?id=-14004
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Elsner J. Imperial Rome and Christian Triumph: The Art of the Roman Empire AD 100-450. Vol Oxford history of art. Oxford University Press; 1998.
14.
Jensen RM. Understanding Early Christian Art. Routledge; 2000. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9781135951702
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Krautheimer R. Early Christian and Byzantine Architecture. 4th ed. Yale University Press; 1992.
16.
Krautheimer R, American Council of Learned Societies. Rome: Profile of a City, 312-1308. Princeton University Press; 2000. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.30537
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Lowden J. Early Christian & Byzantine Art. Vol Art&ideas. Phaidon; 1997.
18.
Milburn RLP. Early Christian Art and Architecture. Scolar Press; 1988.
19.
Campbell SJ, Cole MW, ProQuest (Firm). A New History of Italian Renaissance Art. Thames & Hudson; 2017. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=5877945
20.
Hartt F, Wilkins DG. History of Italian Renaissance Art: Painting, Sculpture, Architecture. 7th ed. Prentice Hall; 2011.
21.
Kent DV. Cosimo de’ Medici and the Florentine Renaissance: The Patron’s Oeuvre. Yale University Press; 2000.
22.
Krautheimer R, Krautheimer-Hess T. Lorenzo Ghiberti. Vol Princeton monographs in art and archaeology. 2nd pbk. print. Princeton University Press; 1990. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.30588
23.
Nichols T. Renaissance Art: A Beginnner’s Guide. Vol Beginner’s guides. Oneworld Publications; 2012. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1792230
24.
Olson RJM. Italian Renaissance Sculpture. Vol World of art. Thames and Hudson; 1992.
25.
Paoletti JT, Radke GM. Art in Renaissance Italy. Fourth edition. Laurence King Publishing Ltd; 2011.
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Turner JS. Encyclopedia of Italian Renaissance & Mannerist Art. Vol Grove encyclopedias of European art. Macmillan; 2000.
27.
Welch ES. Art in Renaissance Italy, 1350-1500. Vol Oxford history of art. [New ed.]. Oxford University Press; 2000.
28.
Sekules V. Medieval Art. Vol Oxford history of art. Oxford University Press; 2001.
29.
Rudolph C, ed. A Companion to Medieval Art: Romanesque and Gothic in Northern Europe. Vol 14. Second edition. John Wiley & Sons, Inc; 2019. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1002/9781119077756
30.
Petzold A. Romanesque Art. Vol Perspectives. H.N. Abrams; 1995.
31.
Davis-Weyer C, Medieval Academy of America. Early Medieval Art 300-1150: Sources and Documents. Vol Medieval Academy reprints for teaching. University of Toronto Press in association with the Medieval Academy of America; 1986.
32.
Camille M. Gothic Art: Glorious Visions. Vol Perspectives. Prentice Hall; 1996.
33.
Frisch TG. Gothic Art, 1140-c.1450: Sources and Documents. Vol Medieval Academy reprints for teaching. University of Toronto; 1987.
34.
Brewer J. The Pleasures of the Imagination: English Culture in the Eighteenth Century. Routledge; 2013. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1154337
35.
Craske M. Art in Europe, 1700-1830: A History of the Visual Arts in an Era of Unprecedented Urban Economic Growth. Vol Oxford history of art. Oxford University Press; 1997.
36.
Crow TE. Painters and Public Life in Eighteeth Century Paris. Yale University Press; 1985.
37.
Crow TE. Emulation: Making Artists for Revolutionary France. Yale University Press; 1995.
38.
Eisenman S, Crow TE, Lukacher B, Nochlin L, Phillips D, Pohl FK. Nineteenth Century Art: A Critical History. Fourth edition. Thames & Hudson; 2011.
39.
Hallett M, Paul Mellon Centre for Studies in British Art. The Spectacle of Difference: Graphic Satire in the Age of Hogarth. Yale University Press; 1999.
40.
Hoock H. The King’s Artists: The Royal Academy of Arts and the Politics of British Culture, 1760-1840. Vol Oxford historical monographs. Clarendon Press; 2003.
41.
Monks S, Barrell J, Hallett M. Living with the Royal Academy: Artistic Ideals and Experiences in England, 1768-1848. Vol British art : global contexts. Ashgate; 2013.
42.
Pears I, Paul Mellon Centre for Studies in British Art. The Discovery of Painting: The Growth of Interest in the Arts in England 1680-1768. Vol Studies in British art. Published for the Paul Mellon Centre for Studies in British Art by Yale University Press; 1988.
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Solkin DH. Art in Britain 1660-1815. Vol Pelican history of art. Yale University Press; 2015.
44.
Solkin DH, Paul Mellon Centre for Studies in British Art, Courtauld Institute Galleries. Art on the Line: The Royal Academy Exhibitions at Somerset House, 1780-1836. Yale University Press; 2001.
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Solkin DH, Paul Mellon Centre for Studies in British Art. Painting for Money: The Visual Arts and the Public Sphere in Eighteenth-Century England. Published for the Paul Mellon Centre for the Studies in British Art by Yale University Press; 1993.
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Büttner N. Landscape Painting: A History. 1st ed. Abbeville Press Publishers; 2006.
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Sonnabend M, Whiteley J, Rümelin C, Lorrain C, Ashmolean Museum. Claude Lorrain: The Enchanted Landscape. Ashmolean Museum in association with Lund Humphries; 2011.
48.
Warnke M. Political Landscape: The Art History of Nature. Vol Essays in art and culture. Reaktion Books; 1994. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1582751
49.
Wood CS. Albrecht Altdorfer and the Origins of Landscape. Revised and expanded second edition. Reaktion Books; 2014. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1644070
50.
Bryson N. Looking at the Overlooked: Four Essays on Still Life Painting. Vol Essays in art and culture. Reaktion Books; 1990. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1582282
51.
Grootenboer H. The Rhetoric of Perspective: Realism and Illusionism in Seventeenth-Century Dutch Still-Life Painting. University of Chicago Press; 2005.
52.
Rathbone EE, Shackelford GTM, Phillips Collection, Museum of Fine Arts (Boston). Impressionist Still Life. Phillips Collection in association with Harry N. Abrams; 2001.
53.
Sander J, Städtische Galerie im Städelschen Kunstinstitut Frankfurt am Main, Öffentliche Kunstsammlung Basel, Hessisches Landesmuseum (Darmstadt). The Magic of Things: Still-Life Painting, 1500-1800. Hatje Cantz Verlag; 2008.
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Bloom J, Blair S. Islamic Arts. Vol Art&ideas. Phaidon; 1997.
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Biennial Hamad Bin Khalifa Symposium on Islamic Art and Culture. God Is the Light of the Heavens and the Earth: Light in Islamic Art and Culture. (Bloom J, Blair S, eds.). Yale University Press, in association with Qatar Foundation, Virginia Commonwealth University, and Virginia Commonwealth University School of the Arts in Qatar; 2015.
56.
Gonzalez V, Institute of Ismaili Studies, Ebooks Corporation Limited. Beauty and Islam: Aesthetics in Islamic Art and Architecture. I.B. Tauris in association with the Institute of Ismaili Studies, London; 2001. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=676757
57.
Grabar O. The Formation of Islamic Art. Revised and enlarged edition. Yale University Press https://ezproxy.lib.gla.ac.uk/login?url=https://www.aaeportal.com/?id=-15223
58.
Barnhart RM. Three Thousand Years of Chinese Painting. Vol The culture&civilization of China. Yale University Press; 1997.
59.
Clunas C. Art in China. Vol Oxford history of art. 2nd ed. Oxford University Press; 2009.
60.
Mason PE, Dinwiddie D. History of Japanese Art. 2nd ed. Pearson Prentice Hall; 2005.
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Screech T. Obtaining Images: Art, Production and Display in Edo Japan. Reaktion Books; 2012.
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Chakrabarty J, Bhattacharyya DC, Saraswati SK. Aspects of Indian Art and Culture. RDDHI; 1983.
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Cherry D. Art : History : Visual : Culture. Blackwell Pub; 2005.
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D’Alleva A. Look!: The Fundamentals of Art History. 2nd ed. Prentice Hall; 2006.
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Gage J. Colour and Culture: Practice and Meaning from Antiquity to Abstraction. Thames and Hudson; 1993.
66.
Harris J. The New Art History: A Critical Introduction. Routledge; 2001. https://ezproxy.lib.gla.ac.uk/login?url=https://www.taylorfrancis.com/books/9780203466780
67.
Hatcher EP. Art as Culture: An Introduction to the Anthropology of Art. 2nd ed. Bergin & Garvey; 1999.
68.
Kjellgren E, Metropolitan Museum of Art (New York, N.Y.). How to Read Oceanic Art. Vol How to read. Metropolitan Museum of Art; 2014.
69.
Leach ER. Culture & Communication: The Logic by Which Symbols Are Connected : An Introduction to the Use of Structuralist Analysis in Social Anthropology. Cambridge University Press; 1976. https://ezproxy.lib.gla.ac.uk/login?url=https://doi.org/10.1017/CBO9780511607684
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Perkins M, Morphy H. The Anthropology of Art: A Reader. Vol Blackwell anthologies in social and cultural anthropology. Blackwell Pub; 2006.
71.
Panofsky E. Meaning in the Visual Arts: Papers in and on Art History. Doubleday Anchor Books; 1955.
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Panofsky E, Peake JJS. Idea: A Concept in Art Theory. 2nd corrected ed. Harper and Row; 1975.
73.
Pollock G. Vision and Difference: Feminism, Femininity, and Histories of Art. Vol Routledge classics. Routledge; 1988.
74.
Preziosi D. Rethinking Art History: Meditations on a Coy Science. Yale University Press; 1989. https://ezproxy.lib.gla.ac.uk/login?url=https://www.aaeportal.com/?id=-18651
75.
Preziosi D, ed. The Art of Art History: A Critical Anthology. Second edition. Oxford University Press; 2009. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=453635
76.
Tilly C. Material Culture and Text: The Art of Ambiguity. Vol Material cultures. Routledge; 1991.
77.
Tilley CY. Metaphor and Material Culture. Vol Social archaeology. Blackwell Publishers; 1999.
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Townsend RF, Pope EI, Art Institute of Chicago. Indian Art of the Americas at the Art Institute of Chicago. First edition. The Art Institute of Chicago; 2016.
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Willett F. African Art: An Introduction. Vol World of art. Thames & Hudson; 1971.