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L. B. Alberti, C. Grayson, and M. Kemp, On painting. London: Penguin Books, 2004 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=674634
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A. B. Barriault, Reading Vasari. London: Philip Wilson, 2005.
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M. Baxandall, Giotto and the orators: humanist observers of painting in Italy and the discovery of pictorial composition, vol. Oxford-Warburg studies. Oxford: Clarendon Press, 1971.
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A. Blunt, Artistic theory in Italy, 1450-1600, vol. Oxford paperbacks. Oxford: Oxford University Press, 1962.
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T. S. R. Boase, Giorgio Vasari: the man and the book, vol. 20. Princeton, New Jersey: Princeton University Press, 1971 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://doi.org/10.1515/9780691252223
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E. J. Anderson, J. Richards, and Jillox, Visible exports/imports: new research on medieval and Renaissance European art and culture. Newcastle upon Tyne: Cambridge Scholars Publishing, 2012.
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P. L. Rubin, Giorgio Vasari: art and history. New Haven: Yale University Press, 1995.
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G. Vasari, J. C. Bondanella, and P. E. Bondanella, The lives of the artists. Oxford: Oxford University Press, 1998 [Online]. Available: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780191561122
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G. Vasari and G. Bull, Lives of the artists. London: Penguin Books, 1987 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=684535
[10]
C. W. Westfall, ‘Painting and the Liberal Arts: Alberti’s View’, Journal of the History of Ideas, vol. 30, no. 4, Oct. 1969, doi: 10.2307/2708607.
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E. H. Wilkins, ‘On Petrarch’s Appreciation of Art’, Speculum, vol. 36, no. 2, pp. 299–301, Apr. 1961, doi: 10.2307/2847794.
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J. Beckwith, Early Christian and Byzantine art, 2d (integrated) ed. Harmondsworth, Eng: Penguin Books, 1979 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://www.aaeportal.com/?id=-14004
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J. Elsner, Imperial Rome and Christian triumph: the art of the Roman Empire AD 100-450, vol. Oxford history of art. Oxford: Oxford University Press, 1998.
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R. M. Jensen, Understanding early Christian art. London: Routledge, 2000 [Online]. Available: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9781135951702
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R. Krautheimer, Early Christian and Byzantine architecture, 4th ed. New Haven: Yale University Press, 1992.
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R. Krautheimer and American Council of Learned Societies, Rome: profile of a city, 312-1308. Princeton, New Jersey: Princeton University Press, 2000 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.30537
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J. Lowden, Early Christian & Byzantine art, vol. Art&ideas. London: Phaidon, 1997.
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R. L. P. Milburn, Early Christian art and architecture. Aldershot: Scolar Press, 1988.
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S. J. Campbell, M. W. Cole, and ProQuest (Firm), A new history of Italian Renaissance art. London: Thames & Hudson, 2017 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=5877945
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F. Hartt and D. G. Wilkins, History of Italian Renaissance art: painting, sculpture, architecture, 7th ed. Upper Saddle River: Prentice Hall, 2011.
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D. V. Kent, Cosimo de’ Medici and the Florentine Renaissance: the patron’s oeuvre. New Haven, Conn: Yale University Press, 2000.
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R. Krautheimer and T. Krautheimer-Hess, Lorenzo Ghiberti, 2nd pbk. print., vol. Princeton monographs in art and archaeology. Princeton, NJ: Princeton University Press, 1990 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.30588
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T. Nichols, Renaissance art: a beginnner’s guide, vol. Beginner’s guides. [Oxford]: Oneworld Publications, 2012 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1792230
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R. J. M. Olson, Italian Renaissance sculpture, vol. World of art. London: Thames and Hudson, 1992.
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J. T. Paoletti and G. M. Radke, Art in Renaissance Italy, Fourth edition. London: Laurence King Publishing Ltd, 2011.
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J. S. Turner, Encyclopedia of Italian Renaissance & Mannerist art, vol. Grove encyclopedias of European art. London: Macmillan, 2000.
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E. S. Welch, Art in Renaissance Italy, 1350-1500, [New ed.]., vol. Oxford history of art. Oxford: Oxford University Press, 2000.
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V. Sekules, Medieval art, vol. Oxford history of art. Oxford: Oxford University Press, 2001.
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C. Rudolph, Ed., A companion to Medieval art: Romanesque and Gothic in Northern Europe, Second edition., vol. 14. Hoboken, NJ: John Wiley & Sons, Inc, 2019 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1002/9781119077756
[30]
A. Petzold, Romanesque art, vol. Perspectives. New York: H.N. Abrams, 1995.
[31]
C. Davis-Weyer and Medieval Academy of America, Early medieval art 300-1150: sources and documents, vol. Medieval Academy reprints for teaching. Toronto: University of Toronto Press in association with the Medieval Academy of America, 1986.
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M. Camille, Gothic art: glorious visions, vol. Perspectives. Upper Saddle River, N.J.: Prentice Hall, 1996.
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T. G. Frisch, Gothic art, 1140-c.1450: sources and documents, vol. Medieval Academy reprints for teaching. Toronto: University of Toronto, 1987.
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J. Brewer, The pleasures of the imagination: English culture in the eighteenth century. London: Routledge, 2013 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1154337
[35]
M. Craske, Art in Europe, 1700-1830: a history of the visual arts in an era of unprecedented urban economic growth, vol. Oxford history of art. Oxford: Oxford University Press, 1997.
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T. E. Crow, Painters and public life in eighteeth century Paris. New Haven, Conn: Yale University Press, 1985.
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T. E. Crow, Emulation: making artists for revolutionary France. New Haven: Yale University Press, 1995.
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S. Eisenman, T. E. Crow, B. Lukacher, L. Nochlin, D. Phillips, and F. K. Pohl, Nineteenth century art: a critical history, Fourth edition. London: Thames & Hudson, 2011.
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M. Hallett and Paul Mellon Centre for Studies in British Art, The spectacle of difference: graphic satire in the age of Hogarth. New Haven, Conn: Yale University Press, 1999.
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H. Hoock, The King’s artists: the Royal Academy of Arts and the politics of British culture, 1760-1840, vol. Oxford historical monographs. Oxford: Clarendon Press, 2003.
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S. Monks, J. Barrell, and M. Hallett, Living with the Royal Academy: artistic ideals and experiences in England, 1768-1848, vol. British art : global contexts. Farnham, Surrey: Ashgate, 2013.
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I. Pears and Paul Mellon Centre for Studies in British Art, The discovery of painting: the growth of interest in the arts in England 1680-1768, vol. Studies in British art. New Haven, Conn: Published for the Paul Mellon Centre for Studies in British Art by Yale University Press, 1988.
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D. H. Solkin, Art in Britain 1660-1815, vol. Pelican history of art. [New Haven, Connecticut]: Yale University Press, 2015.
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D. H. Solkin, Paul Mellon Centre for Studies in British Art, and Courtauld Institute Galleries, Art on the line: the Royal Academy exhibitions at Somerset House, 1780-1836. New Haven, Conn: Yale University Press, 2001.
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D. H. Solkin and Paul Mellon Centre for Studies in British Art, Painting for money: the visual arts and the public sphere in eighteenth-century England. New Haven, Conn: Published for the Paul Mellon Centre for the Studies in British Art by Yale University Press, 1993.
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N. Büttner, Landscape painting: a history, 1st ed. New York: Abbeville Press Publishers, 2006.
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M. Sonnabend, J. Whiteley, C. Rümelin, C. Lorrain, and Ashmolean Museum, Claude Lorrain: the enchanted landscape. Oxford: Ashmolean Museum in association with Lund Humphries, 2011.
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M. Warnke, Political landscape: the art history of nature, vol. Essays in art and culture. London: Reaktion Books, 1994 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1582751
[49]
C. S. Wood, Albrecht Altdorfer and the origins of landscape, Revised and Expanded second edition. London, [England]: Reaktion Books, 2014 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1644070
[50]
N. Bryson, Looking at the overlooked: four essays on still life painting, vol. Essays in art and culture. London: Reaktion Books, 1990 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1582282
[51]
H. Grootenboer, The rhetoric of perspective: realism and illusionism in seventeenth-century Dutch still-life painting. Chicago, Ill: University of Chicago Press, 2005.
[52]
E. E. Rathbone, G. T. M. Shackelford, Phillips Collection, and Museum of Fine Arts (Boston), Impressionist still life. New York: Phillips Collection in association with Harry N. Abrams, 2001.
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J. Sander, Städtische Galerie im Städelschen Kunstinstitut Frankfurt am Main, Öffentliche Kunstsammlung Basel, and Hessisches Landesmuseum (Darmstadt), The Magic of things: still-life painting, 1500-1800. Ostfildern [Germany]: Hatje Cantz Verlag, 2008.
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J. Bloom and S. Blair, Islamic arts, vol. Art&ideas. London: Phaidon, 1997.
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Biennial Hamad Bin Khalifa Symposium on Islamic Art and Culture, God is the light of the heavens and the Earth: light in Islamic art and culture. New Haven, Connecticut: Yale University Press, in association with Qatar Foundation, Virginia Commonwealth University, and Virginia Commonwealth University School of the Arts in Qatar, 2015.
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V. Gonzalez, Institute of Ismaili Studies, and Ebooks Corporation Limited, Beauty and Islam: aesthetics in Islamic art and architecture. London: I.B. Tauris in association with the Institute of Ismaili Studies, London, 2001 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=676757
[57]
O. Grabar, The formation of Islamic art, Revised and Enlarged edition. New Haven: Yale University Press [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://www.aaeportal.com/?id=-15223
[58]
R. M. Barnhart, Three thousand years of Chinese painting, vol. The culture&civilization of China. New Haven, Conn: Yale University Press, 1997.
[59]
C. Clunas, Art in China, 2nd ed., vol. Oxford history of art. Oxford: Oxford University Press, 2009.
[60]
P. E. Mason and D. Dinwiddie, History of Japanese art, 2nd ed. Upper Saddle River, N.J.: Pearson Prentice Hall, 2005.
[61]
T. Screech, Obtaining images: art, production and display in Edo Japan. London: Reaktion Books, 2012.
[62]
J. Chakrabarty, D. C. Bhattacharyya, and S. K. Saraswati, Aspects of Indian art and culture. Calcutta: RDDHI, 1983.
[63]
D. Cherry, Art : history : visual : culture. Malden, MA: Blackwell Pub, 2005.
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A. D’Alleva, Look!: the fundamentals of art history, 2nd ed. Upper Saddle River, N.J.: Prentice Hall, 2006.
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J. Gage, Colour and culture: practice and meaning from antiquity to abstraction. [London]: Thames and Hudson, 1993.
[66]
J. Harris, The new art history: a critical introduction. London: Routledge, 2001 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://www.taylorfrancis.com/books/9780203466780
[67]
E. P. Hatcher, Art as culture: an introduction to the anthropology of art, 2nd ed. Westport, Conn: Bergin & Garvey, 1999.
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E. Kjellgren and Metropolitan Museum of Art (New York, N.Y.), How to read Oceanic art, vol. How to read. New York: Metropolitan Museum of Art, 2014.
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E. R. Leach, Culture & communication: the logic by which symbols are connected : an introduction to the use of structuralist analysis in social anthropology. Cambridge: Cambridge University Press, 1976 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://doi.org/10.1017/CBO9780511607684
[70]
M. Perkins and H. Morphy, The anthropology of art: a reader, vol. Blackwell anthologies in social and cultural anthropology. Malden, MA: Blackwell Pub, 2006.
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E. Panofsky, Meaning in the visual arts: papers in and on art history. New York: Doubleday Anchor Books, 1955.
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E. Panofsky and J. J. S. Peake, Idea: a concept in art theory, 2nd corrected ed. New York: Harper and Row, 1975.
[73]
G. Pollock, Vision and difference: feminism, femininity, and histories of art, vol. Routledge classics. London: Routledge, 1988.
[74]
D. Preziosi, Rethinking art history: meditations on a coy science. New Haven: Yale University Press, 1989 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://www.aaeportal.com/?id=-18651
[75]
D. Preziosi, Ed., The art of art history: a critical anthology, Second edition. Oxford: Oxford University Press, 2009 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=453635
[76]
C. Tilly, Material culture and text: the art of ambiguity, vol. Material cultures. London: Routledge, 1991.
[77]
C. Y. Tilley, Metaphor and material culture, vol. Social archaeology. Oxford: Blackwell Publishers, 1999.
[78]
R. F. Townsend, E. I. Pope, and Art Institute of Chicago, Indian art of the Americas at the Art Institute of Chicago, First edition. Chicago, Illinois: The Art Institute of Chicago, 2016.
[79]
F. Willett, African art: an introduction, vol. World of art. London: Thames & Hudson, 1971.