1.
Alberti, L.B., Grayson, C., Kemp, M.: On painting. Penguin Books, London (2004).
2.
Barriault, A.B.: Reading Vasari. Philip Wilson, London (2005).
3.
Baxandall, M.: Giotto and the orators: humanist observers of painting in Italy and the discovery of pictorial composition. Clarendon Press, Oxford (1971).
4.
Blunt, A.: Artistic theory in Italy, 1450-1600. Oxford University Press, Oxford (1962).
5.
Boase, T.S.R.: Giorgio Vasari: the man and the book. Princeton University Press, Princeton, New Jersey (1971).
6.
Anderson, E.J., Richards, J., Jillox: Visible exports/imports: new research on medieval and Renaissance European art and culture. Cambridge Scholars Publishing, Newcastle upon Tyne (2012).
7.
Rubin, P.L.: Giorgio Vasari: art and history. Yale University Press, New Haven (1995).
8.
Vasari, G., Bondanella, J.C., Bondanella, P.E.: The lives of the artists. Oxford University Press, Oxford (1998).
9.
Vasari, G., Bull, G.: Lives of the artists. Penguin Books, London (1987).
10.
Westfall, C.W.: Painting and the Liberal Arts: Alberti’s View. Journal of the History of Ideas. 30, (1969). https://doi.org/10.2307/2708607.
11.
Wilkins, E.H.: On Petrarch’s Appreciation of Art. Speculum. 36, 299–301 (1961). https://doi.org/10.2307/2847794.
12.
Beckwith, J.: Early Christian and Byzantine art. Penguin Books, Harmondsworth, Eng (1979).
13.
Elsner, J.: Imperial Rome and Christian triumph: the art of the Roman Empire AD 100-450. Oxford University Press, Oxford (1998).
14.
Jensen, R.M.: Understanding early Christian art. Routledge, London (2000).
15.
Krautheimer, R.: Early Christian and Byzantine architecture. Yale University Press, New Haven (1992).
16.
Krautheimer, R., American Council of Learned Societies: Rome: profile of a city, 312-1308. Princeton University Press, Princeton, New Jersey (2000).
17.
Lowden, J.: Early Christian & Byzantine art. Phaidon, London (1997).
18.
Milburn, R.L.P.: Early Christian art and architecture. Scolar Press, Aldershot (1988).
19.
Campbell, S.J., Cole, M.W., ProQuest (Firm): A new history of Italian Renaissance art. Thames & Hudson, London (2017).
20.
Hartt, F., Wilkins, D.G.: History of Italian Renaissance art: painting, sculpture, architecture. Prentice Hall, Upper Saddle River (2011).
21.
Kent, D.V.: Cosimo de’ Medici and the Florentine Renaissance: the patron’s oeuvre. Yale University Press, New Haven, Conn (2000).
22.
Krautheimer, R., Krautheimer-Hess, T.: Lorenzo Ghiberti. Princeton University Press, Princeton, NJ (1990).
23.
Nichols, T.: Renaissance art: a beginnner’s guide. Oneworld Publications, [Oxford] (2012).
24.
Olson, R.J.M.: Italian Renaissance sculpture. Thames and Hudson, London (1992).
25.
Paoletti, J.T., Radke, G.M.: Art in Renaissance Italy. Laurence King Publishing Ltd, London (2011).
26.
Turner, J.S.: Encyclopedia of Italian Renaissance & Mannerist art. Macmillan, London (2000).
27.
Welch, E.S.: Art in Renaissance Italy, 1350-1500. Oxford University Press, Oxford (2000).
28.
Sekules, V.: Medieval art. Oxford University Press, Oxford (2001).
29.
Rudolph, C. ed: A companion to Medieval art: Romanesque and Gothic in Northern Europe. John Wiley & Sons, Inc, Hoboken, NJ (2019).
30.
Petzold, A.: Romanesque art. H.N. Abrams, New York (1995).
31.
Davis-Weyer, C., Medieval Academy of America: Early medieval art 300-1150: sources and documents. University of Toronto Press in association with the Medieval Academy of America, Toronto (1986).
32.
Camille, M.: Gothic art: glorious visions. Prentice Hall, Upper Saddle River, N.J. (1996).
33.
Frisch, T.G.: Gothic art, 1140-c.1450: sources and documents. University of Toronto, Toronto (1987).
34.
Brewer, J.: The pleasures of the imagination: English culture in the eighteenth century. Routledge, London (2013).
35.
Craske, M.: Art in Europe, 1700-1830: a history of the visual arts in an era of unprecedented urban economic growth. Oxford University Press, Oxford (1997).
36.
Crow, T.E.: Painters and public life in eighteeth century Paris. Yale University Press, New Haven, Conn (1985).
37.
Crow, T.E.: Emulation: making artists for revolutionary France. Yale University Press, New Haven (1995).
38.
Eisenman, S., Crow, T.E., Lukacher, B., Nochlin, L., Phillips, D., Pohl, F.K.: Nineteenth century art: a critical history. Thames & Hudson, London (2011).
39.
Hallett, M., Paul Mellon Centre for Studies in British Art: The spectacle of difference: graphic satire in the age of Hogarth. Yale University Press, New Haven, Conn (1999).
40.
Hoock, H.: The King’s artists: the Royal Academy of Arts and the politics of British culture, 1760-1840. Clarendon Press, Oxford (2003).
41.
Monks, S., Barrell, J., Hallett, M.: Living with the Royal Academy: artistic ideals and experiences in England, 1768-1848. Ashgate, Farnham, Surrey (2013).
42.
Pears, I., Paul Mellon Centre for Studies in British Art: The discovery of painting: the growth of interest in the arts in England 1680-1768. Published for the Paul Mellon Centre for Studies in British Art by Yale University Press, New Haven, Conn (1988).
43.
Solkin, D.H.: Art in Britain 1660-1815. Yale University Press, [New Haven, Connecticut] (2015).
44.
Solkin, D.H., Paul Mellon Centre for Studies in British Art, Courtauld Institute Galleries: Art on the line: the Royal Academy exhibitions at Somerset House, 1780-1836. Yale University Press, New Haven, Conn (2001).
45.
Solkin, D.H., Paul Mellon Centre for Studies in British Art: Painting for money: the visual arts and the public sphere in eighteenth-century England. Published for the Paul Mellon Centre for the Studies in British Art by Yale University Press, New Haven, Conn (1993).
46.
Büttner, N.: Landscape painting: a history. Abbeville Press Publishers, New York (2006).
47.
Sonnabend, M., Whiteley, J., Rümelin, C., Lorrain, C., Ashmolean Museum: Claude Lorrain: the enchanted landscape. Ashmolean Museum in association with Lund Humphries, Oxford (2011).
48.
Warnke, M.: Political landscape: the art history of nature. Reaktion Books, London (1994).
49.
Wood, C.S.: Albrecht Altdorfer and the origins of landscape. Reaktion Books, London, [England] (2014).
50.
Bryson, N.: Looking at the overlooked: four essays on still life painting. Reaktion Books, London (1990).
51.
Grootenboer, H.: The rhetoric of perspective: realism and illusionism in seventeenth-century Dutch still-life painting. University of Chicago Press, Chicago, Ill (2005).
52.
Rathbone, E.E., Shackelford, G.T.M., Phillips Collection, Museum of Fine Arts (Boston): Impressionist still life. Phillips Collection in association with Harry N. Abrams, New York (2001).
53.
Sander, J., Städtische Galerie im Städelschen Kunstinstitut Frankfurt am Main, Öffentliche Kunstsammlung Basel, Hessisches Landesmuseum (Darmstadt): The Magic of things: still-life painting, 1500-1800. Hatje Cantz Verlag, Ostfildern [Germany] (2008).
54.
Bloom, J., Blair, S.: Islamic arts. Phaidon, London (1997).
55.
Biennial Hamad Bin Khalifa Symposium on Islamic Art and Culture: God is the light of the heavens and the Earth: light in Islamic art and culture. Yale University Press, in association with Qatar Foundation, Virginia Commonwealth University, and Virginia Commonwealth University School of the Arts in Qatar, New Haven, Connecticut (2015).
56.
Gonzalez, V., Institute of Ismaili Studies, Ebooks Corporation Limited: Beauty and Islam: aesthetics in Islamic art and architecture. I.B. Tauris in association with the Institute of Ismaili Studies, London, London (2001).
57.
Grabar, O.: The formation of Islamic art. Yale University Press, New Haven.
58.
Barnhart, R.M.: Three thousand years of Chinese painting. Yale University Press, New Haven, Conn (1997).
59.
Clunas, C.: Art in China. Oxford University Press, Oxford (2009).
60.
Mason, P.E., Dinwiddie, D.: History of Japanese art. Pearson Prentice Hall, Upper Saddle River, N.J. (2005).
61.
Screech, T.: Obtaining images: art, production and display in Edo Japan. Reaktion Books, London (2012).
62.
Chakrabarty, J., Bhattacharyya, D.C., Saraswati, S.K.: Aspects of Indian art and culture. RDDHI, Calcutta (1983).
63.
Cherry, D.: Art : history : visual : culture. Blackwell Pub, Malden, MA (2005).
64.
D’Alleva, A.: Look!: the fundamentals of art history. Prentice Hall, Upper Saddle River, N.J. (2006).
65.
Gage, J.: Colour and culture: practice and meaning from antiquity to abstraction. Thames and Hudson, [London] (1993).
66.
Harris, J.: The new art history: a critical introduction. Routledge, London (2001).
67.
Hatcher, E.P.: Art as culture: an introduction to the anthropology of art. Bergin & Garvey, Westport, Conn (1999).
68.
Kjellgren, E., Metropolitan Museum of Art (New York, N.Y.): How to read Oceanic art. Metropolitan Museum of Art, New York (2014).
69.
Leach, E.R.: Culture & communication: the logic by which symbols are connected : an introduction to the use of structuralist analysis in social anthropology. Cambridge University Press, Cambridge (1976).
70.
Perkins, M., Morphy, H.: The anthropology of art: a reader. Blackwell Pub, Malden, MA (2006).
71.
Panofsky, E.: Meaning in the visual arts: papers in and on art history. Doubleday Anchor Books, New York (1955).
72.
Panofsky, E., Peake, J.J.S.: Idea: a concept in art theory. Harper and Row, New York (1975).
73.
Pollock, G.: Vision and difference: feminism, femininity, and histories of art. Routledge, London (1988).
74.
Preziosi, D.: Rethinking art history: meditations on a coy science. Yale University Press, New Haven (1989).
75.
Preziosi, D. ed: The art of art history: a critical anthology. Oxford University Press, Oxford (2009).
76.
Tilly, C.: Material culture and text: the art of ambiguity. Routledge, London (1991).
77.
Tilley, C.Y.: Metaphor and material culture. Blackwell Publishers, Oxford (1999).
78.
Townsend, R.F., Pope, E.I., Art Institute of Chicago: Indian art of the Americas at the Art Institute of Chicago. The Art Institute of Chicago, Chicago, Illinois (2016).
79.
Willett, F.: African art: an introduction. Thames & Hudson, London (1971).