1
Alberti LB, Grayson C, Kemp M. On painting. London: : Penguin Books 2004. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=674634
2
Barriault AB. Reading Vasari. London: : Philip Wilson 2005.
3
Baxandall M. Giotto and the orators: humanist observers of painting in Italy and the discovery of pictorial composition. Oxford: : Clarendon Press 1971.
4
Blunt A. Artistic theory in Italy, 1450-1600. Oxford: : Oxford University Press 1962.
5
Boase TSR. Giorgio Vasari: the man and the book. Princeton, New Jersey: : Princeton University Press 1971. https://ezproxy.lib.gla.ac.uk/login?url=https://doi.org/10.1515/9780691252223
6
Anderson EJ, Richards J, Jillox. Visible exports/imports: new research on medieval and Renaissance European art and culture. Newcastle upon Tyne: : Cambridge Scholars Publishing 2012.
7
Rubin PL. Giorgio Vasari: art and history. New Haven: : Yale University Press 1995.
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Vasari G, Bondanella JC, Bondanella PE. The lives of the artists. Oxford: : Oxford University Press 1998. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780191561122
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Vasari G, Bull G. Lives of the artists. London: : Penguin Books 1987. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=684535
10
Westfall CW. Painting and the Liberal Arts: Alberti’s View. Journal of the History of Ideas 1969;30. doi:10.2307/2708607
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Wilkins EH. On Petrarch’s Appreciation of Art. Speculum 1961;36:299–301. doi:10.2307/2847794
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Beckwith J. Early Christian and Byzantine art. 2d (integrated) ed. Harmondsworth, Eng: : Penguin Books 1979. https://ezproxy.lib.gla.ac.uk/login?url=https://www.aaeportal.com/?id=-14004
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Elsner J. Imperial Rome and Christian triumph: the art of the Roman Empire AD 100-450. Oxford: : Oxford University Press 1998.
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Jensen RM. Understanding early Christian art. London: : Routledge 2000. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9781135951702
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Krautheimer R. Early Christian and Byzantine architecture. 4th ed. New Haven: : Yale University Press 1992.
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Krautheimer R, American Council of Learned Societies. Rome: profile of a city, 312-1308. Princeton, New Jersey: : Princeton University Press 2000. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.30537
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Lowden J. Early Christian & Byzantine art. London: : Phaidon 1997.
18
Milburn RLP. Early Christian art and architecture. Aldershot: : Scolar Press 1988.
19
Campbell SJ, Cole MW, ProQuest (Firm). A new history of Italian Renaissance art. London: : Thames & Hudson 2017. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=5877945
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Hartt F, Wilkins DG. History of Italian Renaissance art: painting, sculpture, architecture. 7th ed. Upper Saddle River: : Prentice Hall 2011.
21
Kent DV. Cosimo de’ Medici and the Florentine Renaissance: the patron’s oeuvre. New Haven, Conn: : Yale University Press 2000.
22
Krautheimer R, Krautheimer-Hess T. Lorenzo Ghiberti. 2nd pbk. print. Princeton, NJ: : Princeton University Press 1990. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.30588
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Nichols T. Renaissance art: a beginnner’s guide. [Oxford]: : Oneworld Publications 2012. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1792230
24
Olson RJM. Italian Renaissance sculpture. London: : Thames and Hudson 1992.
25
Paoletti JT, Radke GM. Art in Renaissance Italy. Fourth edition. London: : Laurence King Publishing Ltd 2011.
26
Turner JS. Encyclopedia of Italian Renaissance & Mannerist art. London: : Macmillan 2000.
27
Welch ES. Art in Renaissance Italy, 1350-1500. [New ed.]. Oxford: : Oxford University Press 2000.
28
Sekules V. Medieval art. Oxford: : Oxford University Press 2001.
29
Rudolph C, editor. A companion to Medieval art: Romanesque and Gothic in Northern Europe. Second edition. Hoboken, NJ: : John Wiley & Sons, Inc 2019. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1002/9781119077756
30
Petzold A. Romanesque art. New York: : H.N. Abrams 1995.
31
Davis-Weyer C, Medieval Academy of America. Early medieval art 300-1150: sources and documents. Toronto: : University of Toronto Press in association with the Medieval Academy of America 1986.
32
Camille M. Gothic art: glorious visions. Upper Saddle River, N.J.: : Prentice Hall 1996.
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Frisch TG. Gothic art, 1140-c.1450: sources and documents. Toronto: : University of Toronto 1987.
34
Brewer J. The pleasures of the imagination: English culture in the eighteenth century. London: : Routledge 2013. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1154337
35
Craske M. Art in Europe, 1700-1830: a history of the visual arts in an era of unprecedented urban economic growth. Oxford: : Oxford University Press 1997.
36
Crow TE. Painters and public life in eighteeth century Paris. New Haven, Conn: : Yale University Press 1985.
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Crow TE. Emulation: making artists for revolutionary France. New Haven: : Yale University Press 1995.
38
Eisenman S, Crow TE, Lukacher B, et al. Nineteenth century art: a critical history. Fourth edition. London: : Thames & Hudson 2011.
39
Hallett M, Paul Mellon Centre for Studies in British Art. The spectacle of difference: graphic satire in the age of Hogarth. New Haven, Conn: : Yale University Press 1999.
40
Hoock H. The King’s artists: the Royal Academy of Arts and the politics of British culture, 1760-1840. Oxford: : Clarendon Press 2003.
41
Monks S, Barrell J, Hallett M. Living with the Royal Academy: artistic ideals and experiences in England, 1768-1848. Farnham, Surrey: : Ashgate 2013.
42
Pears I, Paul Mellon Centre for Studies in British Art. The discovery of painting: the growth of interest in the arts in England 1680-1768. New Haven, Conn: : Published for the Paul Mellon Centre for Studies in British Art by Yale University Press 1988.
43
Solkin DH. Art in Britain 1660-1815. [New Haven, Connecticut]: : Yale University Press 2015.
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Solkin DH, Paul Mellon Centre for Studies in British Art, Courtauld Institute Galleries. Art on the line: the Royal Academy exhibitions at Somerset House, 1780-1836. New Haven, Conn: : Yale University Press 2001.
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Solkin DH, Paul Mellon Centre for Studies in British Art. Painting for money: the visual arts and the public sphere in eighteenth-century England. New Haven, Conn: : Published for the Paul Mellon Centre for the Studies in British Art by Yale University Press 1993.
46
Büttner N. Landscape painting: a history. 1st ed. New York: : Abbeville Press Publishers 2006.
47
Sonnabend M, Whiteley J, Rümelin C, et al. Claude Lorrain: the enchanted landscape. Oxford: : Ashmolean Museum in association with Lund Humphries 2011.
48
Warnke M. Political landscape: the art history of nature. London: : Reaktion Books 1994. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1582751
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Wood CS. Albrecht Altdorfer and the origins of landscape. Revised and expanded second edition. London, [England]: : Reaktion Books 2014. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1644070
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Bryson N. Looking at the overlooked: four essays on still life painting. London: : Reaktion Books 1990. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1582282
51
Grootenboer H. The rhetoric of perspective: realism and illusionism in seventeenth-century Dutch still-life painting. Chicago, Ill: : University of Chicago Press 2005.
52
Rathbone EE, Shackelford GTM, Phillips Collection, et al. Impressionist still life. New York: : Phillips Collection in association with Harry N. Abrams 2001.
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Sander J, Städtische Galerie im Städelschen Kunstinstitut Frankfurt am Main, Öffentliche Kunstsammlung Basel, et al. The Magic of things: still-life painting, 1500-1800. Ostfildern [Germany]: : Hatje Cantz Verlag 2008.
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Bloom J, Blair S. Islamic arts. London: : Phaidon 1997.
55
Biennial Hamad Bin Khalifa Symposium on Islamic Art and Culture. God is the light of the heavens and the Earth: light in Islamic art and culture. New Haven, Connecticut: : Yale University Press, in association with Qatar Foundation, Virginia Commonwealth University, and Virginia Commonwealth University School of the Arts in Qatar 2015.
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Gonzalez V, Institute of Ismaili Studies, Ebooks Corporation Limited. Beauty and Islam: aesthetics in Islamic art and architecture. London: : I.B. Tauris in association with the Institute of Ismaili Studies, London 2001. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=676757
57
Grabar O. The formation of Islamic art. Revised and enlarged edition. New Haven: : Yale University Press https://ezproxy.lib.gla.ac.uk/login?url=https://www.aaeportal.com/?id=-15223
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Barnhart RM. Three thousand years of Chinese painting. New Haven, Conn: : Yale University Press 1997.
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Clunas C. Art in China. 2nd ed. Oxford: : Oxford University Press 2009.
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Mason PE, Dinwiddie D. History of Japanese art. 2nd ed. Upper Saddle River, N.J.: : Pearson Prentice Hall 2005.
61
Screech T. Obtaining images: art, production and display in Edo Japan. London: : Reaktion Books 2012.
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Chakrabarty J, Bhattacharyya DC, Saraswati SK. Aspects of Indian art and culture. Calcutta: : RDDHI 1983.
63
Cherry D. Art : history : visual : culture. Malden, MA: : Blackwell Pub 2005.
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D’Alleva A. Look!: the fundamentals of art history. 2nd ed. Upper Saddle River, N.J.: : Prentice Hall 2006.
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Gage J. Colour and culture: practice and meaning from antiquity to abstraction. [London]: : Thames and Hudson 1993.
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Harris J. The new art history: a critical introduction. London: : Routledge 2001. https://ezproxy.lib.gla.ac.uk/login?url=https://www.taylorfrancis.com/books/9780203466780
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Hatcher EP. Art as culture: an introduction to the anthropology of art. 2nd ed. Westport, Conn: : Bergin & Garvey 1999.
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Kjellgren E, Metropolitan Museum of Art (New York, N.Y.). How to read Oceanic art. New York: : Metropolitan Museum of Art 2014.
69
Leach ER. Culture & communication: the logic by which symbols are connected : an introduction to the use of structuralist analysis in social anthropology. Cambridge: : Cambridge University Press 1976. https://ezproxy.lib.gla.ac.uk/login?url=https://doi.org/10.1017/CBO9780511607684
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Perkins M, Morphy H. The anthropology of art: a reader. Malden, MA: : Blackwell Pub 2006.
71
Panofsky E. Meaning in the visual arts: papers in and on art history. New York: : Doubleday Anchor Books 1955.
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Panofsky E, Peake JJS. Idea: a concept in art theory. 2nd corrected ed. New York: : Harper and Row 1975.
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Pollock G. Vision and difference: feminism, femininity, and histories of art. London: : Routledge 1988.
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Preziosi D. Rethinking art history: meditations on a coy science. New Haven: : Yale University Press 1989. https://ezproxy.lib.gla.ac.uk/login?url=https://www.aaeportal.com/?id=-18651
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Preziosi D, editor. The art of art history: a critical anthology. Second edition. Oxford: : Oxford University Press 2009. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=453635
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Tilly C. Material culture and text: the art of ambiguity. London: : Routledge 1991.
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Tilley CY. Metaphor and material culture. Oxford: : Blackwell Publishers 1999.
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Townsend RF, Pope EI, Art Institute of Chicago. Indian art of the Americas at the Art Institute of Chicago. First edition. Chicago, Illinois: : The Art Institute of Chicago 2016.
79
Willett F. African art: an introduction. London: : Thames & Hudson 1971.
