Alberti, L.B., Grayson, C. and Kemp, M. (2004) On painting. London: Penguin Books. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=674634.
Anderson, E.J., Richards, J., and Jillox (2012) Visible exports/imports: new research on medieval and Renaissance European art and culture. Newcastle upon Tyne: Cambridge Scholars Publishing.
Barnhart, R.M. (1997) Three thousand years of Chinese painting. New Haven, Conn: Yale University Press.
Barriault, A.B. (2005) Reading Vasari. London: Philip Wilson.
Baxandall, M. (1971) Giotto and the orators: humanist observers of painting in Italy and the discovery of pictorial composition. Oxford: Clarendon Press.
Beckwith, J. (1979) Early Christian and Byzantine art. 2d (integrated) ed. Harmondsworth, Eng: Penguin Books. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://www.aaeportal.com/?id=-14004.
Biennial Hamad Bin Khalifa Symposium on Islamic Art and Culture (2015) God is the light of the heavens and the Earth: light in Islamic art and culture. Edited by J. Bloom and S. Blair. New Haven, Connecticut: Yale University Press, in association with Qatar Foundation, Virginia Commonwealth University, and Virginia Commonwealth University School of the Arts in Qatar.
Bloom, J. and Blair, S. (1997) Islamic arts. London: Phaidon.
Blunt, A. (1962) Artistic theory in Italy, 1450-1600. Oxford: Oxford University Press.
Boase, T.S.R. (1971) Giorgio Vasari: the man and the book. Princeton, New Jersey: Princeton University Press. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://doi.org/10.1515/9780691252223.
Brewer, J. (2013) The pleasures of the imagination: English culture in the eighteenth century. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1154337.
Bryson, N. (1990) Looking at the overlooked: four essays on still life painting. London: Reaktion Books. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1582282.
Büttner, N. (2006) Landscape painting: a history. 1st ed. New York: Abbeville Press Publishers.
Camille, M. (1996) Gothic art: glorious visions. Upper Saddle River, N.J.: Prentice Hall.
Campbell, S.J., Cole, M.W., and ProQuest (Firm) (2017) A new history of Italian Renaissance art. London: Thames & Hudson. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=5877945.
Chakrabarty, J., Bhattacharyya, D.C. and Saraswati, S.K. (1983) Aspects of Indian art and culture. Calcutta: RDDHI.
Cherry, D. (2005) Art : history : visual : culture. Malden, MA: Blackwell Pub.
Clunas, C. (2009) Art in China. 2nd ed. Oxford: Oxford University Press.
Craske, M. (1997) Art in Europe, 1700-1830: a history of the visual arts in an era of unprecedented urban economic growth. Oxford: Oxford University Press.
Crow, T.E. (1985) Painters and public life in eighteeth century Paris. New Haven, Conn: Yale University Press.
Crow, T.E. (1995) Emulation: making artists for revolutionary France. New Haven: Yale University Press.
D’Alleva, A. (2006) Look!: the fundamentals of art history. 2nd ed. Upper Saddle River, N.J.: Prentice Hall.
Davis-Weyer, C. and Medieval Academy of America (1986) Early medieval art 300-1150: sources and documents. Toronto: University of Toronto Press in association with the Medieval Academy of America.
Eisenman, S. et al. (2011) Nineteenth century art: a critical history. Fourth edition. London: Thames & Hudson.
Elsner, J. (1998) Imperial Rome and Christian triumph: the art of the Roman Empire AD 100-450. Oxford: Oxford University Press.
Frisch, T.G. (1987) Gothic art, 1140-c.1450: sources and documents. Toronto: University of Toronto.
Gage, J. (1993) Colour and culture: practice and meaning from antiquity to abstraction. [London]: Thames and Hudson.
Gonzalez, V., Institute of Ismaili Studies, and Ebooks Corporation Limited (2001) Beauty and Islam: aesthetics in Islamic art and architecture. London: I.B. Tauris in association with the Institute of Ismaili Studies, London. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=676757.
Grabar, O. (no date) The formation of Islamic art. Revised and enlarged edition. New Haven: Yale University Press. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://www.aaeportal.com/?id=-15223.
Grootenboer, H. (2005) The rhetoric of perspective: realism and illusionism in seventeenth-century Dutch still-life painting. Chicago, Ill: University of Chicago Press.
Hallett, M. and Paul Mellon Centre for Studies in British Art (1999) The spectacle of difference: graphic satire in the age of Hogarth. New Haven, Conn: Yale University Press.
Harris, J. (2001) The new art history: a critical introduction. London: Routledge. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://www.taylorfrancis.com/books/9780203466780.
Hartt, F. and Wilkins, D.G. (2011) History of Italian Renaissance art: painting, sculpture, architecture. 7th ed. Upper Saddle River: Prentice Hall.
Hatcher, E.P. (1999) Art as culture: an introduction to the anthropology of art. 2nd ed. Westport, Conn: Bergin & Garvey.
Hoock, H. (2003) The King’s artists: the Royal Academy of Arts and the politics of British culture, 1760-1840. Oxford: Clarendon Press.
Jensen, R.M. (2000) Understanding early Christian art. London: Routledge. Available at: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9781135951702.
Kent, D.V. (2000) Cosimo de’ Medici and the Florentine Renaissance: the patron’s oeuvre. New Haven, Conn: Yale University Press.
Kjellgren, E. and Metropolitan Museum of Art (New York, N.Y.) (2014) How to read Oceanic art. New York: Metropolitan Museum of Art.
Krautheimer, R. (1992) Early Christian and Byzantine architecture. 4th ed. New Haven: Yale University Press.
Krautheimer, R. and American Council of Learned Societies (2000) Rome: profile of a city, 312-1308 [electronic resource]. Princeton, New Jersey: Princeton University Press. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.30537.
Krautheimer, R. and Krautheimer-Hess, T. (1990) Lorenzo Ghiberti [electronic resource]. 2nd pbk. print. Princeton, NJ: Princeton University Press. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.30588.
Leach, E.R. (1976) Culture & communication: the logic by which symbols are connected : an introduction to the use of structuralist analysis in social anthropology. Cambridge: Cambridge University Press. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://doi.org/10.1017/CBO9780511607684.
Lowden, J. (1997) Early Christian & Byzantine art. London: Phaidon.
Mason, P.E. and Dinwiddie, D. (2005) History of Japanese art. 2nd ed. Upper Saddle River, N.J.: Pearson Prentice Hall.
Milburn, R.L.P. (1988) Early Christian art and architecture. Aldershot: Scolar Press.
Monks, S., Barrell, J. and Hallett, M. (2013) Living with the Royal Academy: artistic ideals and experiences in England, 1768-1848. Farnham, Surrey: Ashgate.
Nichols, T. (2012) Renaissance art: a beginnner’s guide. [Oxford]: Oneworld Publications. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1792230.
Olson, R.J.M. (1992) Italian Renaissance sculpture. London: Thames and Hudson.
Panofsky, E. (1955) Meaning in the visual arts: papers in and on art history. New York: Doubleday Anchor Books.
Panofsky, E. and Peake, J.J.S. (1975) Idea: a concept in art theory. 2nd corrected ed. New York: Harper and Row.
Paoletti, J.T. and Radke, G.M. (2011) Art in Renaissance Italy. Fourth edition. London: Laurence King Publishing Ltd.
Pears, I. and Paul Mellon Centre for Studies in British Art (1988) The discovery of painting: the growth of interest in the arts in England 1680-1768. New Haven, Conn: Published for the Paul Mellon Centre for Studies in British Art by Yale University Press.
Perkins, M. and Morphy, H. (2006) The anthropology of art: a reader. Malden, MA: Blackwell Pub.
Petzold, A. (1995) Romanesque art. New York: H.N. Abrams.
Pollock, G. (1988) Vision and difference: feminism, femininity, and histories of art. London: Routledge.
Preziosi, D. (1989) Rethinking art history: meditations on a coy science. New Haven: Yale University Press. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://www.aaeportal.com/?id=-18651.
Preziosi, D. (ed.) (2009) The art of art history: a critical anthology. Second edition. Oxford: Oxford University Press. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=453635.
Rathbone, E.E. et al. (2001) Impressionist still life. New York: Phillips Collection in association with Harry N. Abrams.
Rubin, P.L. (1995) Giorgio Vasari: art and history. New Haven: Yale University Press.
Rudolph, C. (ed.) (2019) A companion to Medieval art: Romanesque and Gothic in Northern Europe. Second edition. Hoboken, NJ: John Wiley & Sons, Inc. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1002/9781119077756.
Sander, J. et al. (2008) The Magic of things: still-life painting, 1500-1800. Ostfildern [Germany]: Hatje Cantz Verlag.
Screech, T. (2012) Obtaining images: art, production and display in Edo Japan. London: Reaktion Books.
Sekules, V. (2001) Medieval art. Oxford: Oxford University Press.
Solkin, D.H. (2015) Art in Britain 1660-1815. [New Haven, Connecticut]: Yale University Press.
Solkin, D.H. and Paul Mellon Centre for Studies in British Art (1993) Painting for money: the visual arts and the public sphere in eighteenth-century England. New Haven, Conn: Published for the Paul Mellon Centre for the Studies in British Art by Yale University Press.
Solkin, D.H., Paul Mellon Centre for Studies in British Art, and Courtauld Institute Galleries (2001) Art on the line: the Royal Academy exhibitions at Somerset House, 1780-1836. New Haven, Conn: Yale University Press.
Sonnabend, M. et al. (2011) Claude Lorrain: the enchanted landscape. Oxford: Ashmolean Museum in association with Lund Humphries.
Tilley, C.Y. (1999) Metaphor and material culture. Oxford: Blackwell Publishers.
Tilly, C. (1991) Material culture and text: the art of ambiguity. London: Routledge.
Townsend, R.F., Pope, E.I., and Art Institute of Chicago (2016) Indian art of the Americas at the Art Institute of Chicago. First edition. Chicago, Illinois: The Art Institute of Chicago.
Turner, J.S. (2000) Encyclopedia of Italian Renaissance & Mannerist art. London: Macmillan.
Vasari, G., Bondanella, J.C. and Bondanella, P.E. (1998) The lives of the artists. Oxford: Oxford University Press. Available at: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780191561122.
Vasari, G. and Bull, G. (1987) Lives of the artists. London: Penguin Books. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=684535.
Warnke, M. (1994) Political landscape: the art history of nature. London: Reaktion Books. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1582751.
Welch, E.S. (2000) Art in Renaissance Italy, 1350-1500. [New ed.]. Oxford: Oxford University Press.
Westfall, C.W. (1969) ‘Painting and the Liberal Arts: Alberti’s View’, Journal of the History of Ideas, 30(4). Available at: https://doi.org/10.2307/2708607.
Wilkins, E.H. (1961) ‘On Petrarch’s Appreciation of Art’, Speculum, 36(2), pp. 299–301. Available at: https://doi.org/10.2307/2847794.
Willett, F. (1971) African art: an introduction. London: Thames & Hudson.
Wood, C.S. (2014) Albrecht Altdorfer and the origins of landscape. Revised and expanded second edition. London, [England]: Reaktion Books. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1644070.