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Alberti LB, Grayson C, Kemp M. On painting [Internet]. London: Penguin Books; 2004. Available from: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=674634
2.
Barriault AB. Reading Vasari. London: Philip Wilson; 2005.
3.
Baxandall M. Giotto and the orators: humanist observers of painting in Italy and the discovery of pictorial composition. Vol. Oxford-Warburg studies. Oxford: Clarendon Press; 1971.
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Blunt A. Artistic theory in Italy, 1450-1600. Vol. Oxford paperbacks. Oxford: Oxford University Press; 1962.
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Boase TSR. Giorgio Vasari: the man and the book [Internet]. Vol. 20. Princeton, New Jersey: Princeton University Press; 1971. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://doi.org/10.1515/9780691252223
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Anderson EJ, Richards J, Jillox. Visible exports/imports: new research on medieval and Renaissance European art and culture. Newcastle upon Tyne: Cambridge Scholars Publishing; 2012.
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Rubin PL. Giorgio Vasari: art and history. New Haven: Yale University Press; 1995.
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Vasari G, Bondanella JC, Bondanella PE. The lives of the artists [Internet]. Oxford: Oxford University Press; 1998. Available from: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780191561122
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Vasari G, Bull G. Lives of the artists [Internet]. London: Penguin Books; 1987. Available from: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=684535
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Westfall CW. Painting and the Liberal Arts: Alberti’s View. Journal of the History of Ideas. 1969 Oct;30(4).
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Beckwith J. Early Christian and Byzantine art [Internet]. 2d (integrated) ed. Harmondsworth, Eng: Penguin Books; 1979. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://www.aaeportal.com/?id=-14004
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Elsner J. Imperial Rome and Christian triumph: the art of the Roman Empire AD 100-450. Vol. Oxford history of art. Oxford: Oxford University Press; 1998.
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Jensen RM. Understanding early Christian art [Internet]. London: Routledge; 2000. Available from: https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9781135951702
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Krautheimer R. Early Christian and Byzantine architecture. 4th ed. New Haven: Yale University Press; 1992.
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Krautheimer R, American Council of Learned Societies. Rome: profile of a city, 312-1308 [Internet]. Princeton, New Jersey: Princeton University Press; 2000. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.30537
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Lowden J. Early Christian & Byzantine art. Vol. Art&ideas. London: Phaidon; 1997.
18.
Milburn RLP. Early Christian art and architecture. Aldershot: Scolar Press; 1988.
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Campbell SJ, Cole MW, ProQuest (Firm). A new history of Italian Renaissance art [Internet]. London: Thames & Hudson; 2017. Available from: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=5877945
20.
Hartt F, Wilkins DG. History of Italian Renaissance art: painting, sculpture, architecture. 7th ed. Upper Saddle River: Prentice Hall; 2011.
21.
Kent DV. Cosimo de’ Medici and the Florentine Renaissance: the patron’s oeuvre. New Haven, Conn: Yale University Press; 2000.
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Krautheimer R, Krautheimer-Hess T. Lorenzo Ghiberti [Internet]. 2nd pbk. print. Vol. Princeton monographs in art and archaeology. Princeton, NJ: Princeton University Press; 1990. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.30588
23.
Nichols T. Renaissance art: a beginnner’s guide [Internet]. Vol. Beginner’s guides. [Oxford]: Oneworld Publications; 2012. Available from: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1792230
24.
Olson RJM. Italian Renaissance sculpture. Vol. World of art. London: Thames and Hudson; 1992.
25.
Paoletti JT, Radke GM. Art in Renaissance Italy. Fourth edition. London: Laurence King Publishing Ltd; 2011.
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Turner JS. Encyclopedia of Italian Renaissance & Mannerist art. Vol. Grove encyclopedias of European art. London: Macmillan; 2000.
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Welch ES. Art in Renaissance Italy, 1350-1500. [New ed.]. Vol. Oxford history of art. Oxford: Oxford University Press; 2000.
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Sekules V. Medieval art. Vol. Oxford history of art. Oxford: Oxford University Press; 2001.
29.
Rudolph C, editor. A companion to Medieval art: Romanesque and Gothic in Northern Europe [Internet]. Second edition. Vol. 14. Hoboken, NJ: John Wiley & Sons, Inc; 2019. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1002/9781119077756
30.
Petzold A. Romanesque art. Vol. Perspectives. New York: H.N. Abrams; 1995.
31.
Davis-Weyer C, Medieval Academy of America. Early medieval art 300-1150: sources and documents. Vol. Medieval Academy reprints for teaching. Toronto: University of Toronto Press in association with the Medieval Academy of America; 1986.
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Camille M. Gothic art: glorious visions. Vol. Perspectives. Upper Saddle River, N.J.: Prentice Hall; 1996.
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Frisch TG. Gothic art, 1140-c.1450: sources and documents. Vol. Medieval Academy reprints for teaching. Toronto: University of Toronto; 1987.
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Brewer J. The pleasures of the imagination: English culture in the eighteenth century [Internet]. London: Routledge; 2013. Available from: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1154337
35.
Craske M. Art in Europe, 1700-1830: a history of the visual arts in an era of unprecedented urban economic growth. Vol. Oxford history of art. Oxford: Oxford University Press; 1997.
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Crow TE. Painters and public life in eighteeth century Paris. New Haven, Conn: Yale University Press; 1985.
37.
Crow TE. Emulation: making artists for revolutionary France. New Haven: Yale University Press; 1995.
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Eisenman S, Crow TE, Lukacher B, Nochlin L, Phillips D, Pohl FK. Nineteenth century art: a critical history. Fourth edition. London: Thames & Hudson; 2011.
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Hallett M, Paul Mellon Centre for Studies in British Art. The spectacle of difference: graphic satire in the age of Hogarth. New Haven, Conn: Yale University Press; 1999.
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Hoock H. The King’s artists: the Royal Academy of Arts and the politics of British culture, 1760-1840. Vol. Oxford historical monographs. Oxford: Clarendon Press; 2003.
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Monks S, Barrell J, Hallett M. Living with the Royal Academy: artistic ideals and experiences in England, 1768-1848. Vol. British art : global contexts. Farnham, Surrey: Ashgate; 2013.
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Pears I, Paul Mellon Centre for Studies in British Art. The discovery of painting: the growth of interest in the arts in England 1680-1768. Vol. Studies in British art. New Haven, Conn: Published for the Paul Mellon Centre for Studies in British Art by Yale University Press; 1988.
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Solkin DH. Art in Britain 1660-1815. Vol. Pelican history of art. [New Haven, Connecticut]: Yale University Press; 2015.
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Solkin DH, Paul Mellon Centre for Studies in British Art, Courtauld Institute Galleries. Art on the line: the Royal Academy exhibitions at Somerset House, 1780-1836. New Haven, Conn: Yale University Press; 2001.
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Solkin DH, Paul Mellon Centre for Studies in British Art. Painting for money: the visual arts and the public sphere in eighteenth-century England. New Haven, Conn: Published for the Paul Mellon Centre for the Studies in British Art by Yale University Press; 1993.
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Büttner N. Landscape painting: a history. 1st ed. New York: Abbeville Press Publishers; 2006.
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Sonnabend M, Whiteley J, Rümelin C, Lorrain C, Ashmolean Museum. Claude Lorrain: the enchanted landscape. Oxford: Ashmolean Museum in association with Lund Humphries; 2011.
48.
Warnke M. Political landscape: the art history of nature [Internet]. Vol. Essays in art and culture. London: Reaktion Books; 1994. Available from: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1582751
49.
Wood CS. Albrecht Altdorfer and the origins of landscape [Internet]. Revised and expanded second edition. London, [England]: Reaktion Books; 2014. Available from: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1644070
50.
Bryson N. Looking at the overlooked: four essays on still life painting [Internet]. Vol. Essays in art and culture. London: Reaktion Books; 1990. Available from: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1582282
51.
Grootenboer H. The rhetoric of perspective: realism and illusionism in seventeenth-century Dutch still-life painting. Chicago, Ill: University of Chicago Press; 2005.
52.
Rathbone EE, Shackelford GTM, Phillips Collection, Museum of Fine Arts (Boston). Impressionist still life. New York: Phillips Collection in association with Harry N. Abrams; 2001.
53.
Sander J, Städtische Galerie im Städelschen Kunstinstitut Frankfurt am Main, Öffentliche Kunstsammlung Basel, Hessisches Landesmuseum (Darmstadt). The Magic of things: still-life painting, 1500-1800. Ostfildern [Germany]: Hatje Cantz Verlag; 2008.
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Bloom J, Blair S. Islamic arts. Vol. Art&ideas. London: Phaidon; 1997.
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Biennial Hamad Bin Khalifa Symposium on Islamic Art and Culture. God is the light of the heavens and the Earth: light in Islamic art and culture. Bloom J, Blair S, editors. New Haven, Connecticut: Yale University Press, in association with Qatar Foundation, Virginia Commonwealth University, and Virginia Commonwealth University School of the Arts in Qatar; 2015.
56.
Gonzalez V, Institute of Ismaili Studies, Ebooks Corporation Limited. Beauty and Islam: aesthetics in Islamic art and architecture [Internet]. London: I.B. Tauris in association with the Institute of Ismaili Studies, London; 2001. Available from: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=676757
57.
Grabar O. The formation of Islamic art [Internet]. Revised and enlarged edition. New Haven: Yale University Press; Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://www.aaeportal.com/?id=-15223
58.
Barnhart RM. Three thousand years of Chinese painting. Vol. The culture&civilization of China. New Haven, Conn: Yale University Press; 1997.
59.
Clunas C. Art in China. 2nd ed. Vol. Oxford history of art. Oxford: Oxford University Press; 2009.
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Mason PE, Dinwiddie D. History of Japanese art. 2nd ed. Upper Saddle River, N.J.: Pearson Prentice Hall; 2005.
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Screech T. Obtaining images: art, production and display in Edo Japan. London: Reaktion Books; 2012.
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Chakrabarty J, Bhattacharyya DC, Saraswati SK. Aspects of Indian art and culture. Calcutta: RDDHI; 1983.
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Cherry D. Art : history : visual : culture. Malden, MA: Blackwell Pub; 2005.
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D’Alleva A. Look!: the fundamentals of art history. 2nd ed. Upper Saddle River, N.J.: Prentice Hall; 2006.
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Gage J. Colour and culture: practice and meaning from antiquity to abstraction. [London]: Thames and Hudson; 1993.
66.
Harris J. The new art history: a critical introduction [Internet]. London: Routledge; 2001. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://www.taylorfrancis.com/books/9780203466780
67.
Hatcher EP. Art as culture: an introduction to the anthropology of art. 2nd ed. Westport, Conn: Bergin & Garvey; 1999.
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Kjellgren E, Metropolitan Museum of Art (New York, N.Y.). How to read Oceanic art. Vol. How to read. New York: Metropolitan Museum of Art; 2014.
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Leach ER. Culture & communication: the logic by which symbols are connected : an introduction to the use of structuralist analysis in social anthropology [Internet]. Cambridge: Cambridge University Press; 1976. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://doi.org/10.1017/CBO9780511607684
70.
Perkins M, Morphy H. The anthropology of art: a reader. Vol. Blackwell anthologies in social and cultural anthropology. Malden, MA: Blackwell Pub; 2006.
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Panofsky E. Meaning in the visual arts: papers in and on art history. New York: Doubleday Anchor Books; 1955.
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Panofsky E, Peake JJS. Idea: a concept in art theory. 2nd corrected ed. New York: Harper and Row; 1975.
73.
Pollock G. Vision and difference: feminism, femininity, and histories of art. Vol. Routledge classics. London: Routledge; 1988.
74.
Preziosi D. Rethinking art history: meditations on a coy science [Internet]. New Haven: Yale University Press; 1989. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://www.aaeportal.com/?id=-18651
75.
Preziosi D, editor. The art of art history: a critical anthology [Internet]. Second edition. Oxford: Oxford University Press; 2009. Available from: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=453635
76.
Tilly C. Material culture and text: the art of ambiguity. Vol. Material cultures. London: Routledge; 1991.
77.
Tilley CY. Metaphor and material culture. Vol. Social archaeology. Oxford: Blackwell Publishers; 1999.
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Townsend RF, Pope EI, Art Institute of Chicago. Indian art of the Americas at the Art Institute of Chicago. First edition. Chicago, Illinois: The Art Institute of Chicago; 2016.
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Willett F. African art: an introduction. Vol. World of art. London: Thames & Hudson; 1971.