Alberti, L. B., Grayson, C., & Kemp, M. (2004). On painting. Penguin Books. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=674634
Anderson, E. J., Richards, J., & Jillox. (2012). Visible exports/imports: new research on medieval and Renaissance European art and culture. Cambridge Scholars Publishing.
Barnhart, R. M. (1997). Three thousand years of Chinese painting: Vol. The culture&civilization of China. Yale University Press.
Barriault, A. B. (2005). Reading Vasari. Philip Wilson.
Baxandall, M. (1971). Giotto and the orators: humanist observers of painting in Italy and the discovery of pictorial composition: Vol. Oxford-Warburg studies. Clarendon Press.
Beckwith, J. (1979). Early Christian and Byzantine art (2d (integrated) ed). Penguin Books. https://ezproxy.lib.gla.ac.uk/login?url=https://www.aaeportal.com/?id=-14004
Biennial Hamad Bin Khalifa Symposium on Islamic Art and Culture. (2015). God is the light of the heavens and the Earth: light in Islamic art and culture (J. Bloom & S. Blair, Eds.). Yale University Press, in association with Qatar Foundation, Virginia Commonwealth University, and Virginia Commonwealth University School of the Arts in Qatar.
Bloom, J., & Blair, S. (1997). Islamic arts: Vol. Art&ideas. Phaidon.
Blunt, A. (1962). Artistic theory in Italy, 1450-1600: Vol. Oxford paperbacks. Oxford University Press.
Boase, T. S. R. (1971). Giorgio Vasari: the man and the book (Vol. 20). Princeton University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://doi.org/10.1515/9780691252223
Brewer, J. (2013). The pleasures of the imagination: English culture in the eighteenth century. Routledge. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1154337
Bryson, N. (1990). Looking at the overlooked: four essays on still life painting: Vol. Essays in art and culture. Reaktion Books. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1582282
Büttner, N. (2006). Landscape painting: a history (1st ed). Abbeville Press Publishers.
Camille, M. (1996). Gothic art: glorious visions: Vol. Perspectives. Prentice Hall.
Campbell, S. J., Cole, M. W., & ProQuest (Firm). (2017). A new history of Italian Renaissance art. Thames & Hudson. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=5877945
Chakrabarty, J., Bhattacharyya, D. C., & Saraswati, S. K. (1983). Aspects of Indian art and culture. RDDHI.
Cherry, D. (2005). Art : history : visual : culture. Blackwell Pub.
Clunas, C. (2009). Art in China: Vol. Oxford history of art (2nd ed). Oxford University Press.
Craske, M. (1997). Art in Europe, 1700-1830: a history of the visual arts in an era of unprecedented urban economic growth: Vol. Oxford history of art. Oxford University Press.
Crow, T. E. (1985). Painters and public life in eighteeth century Paris. Yale University Press.
Crow, T. E. (1995). Emulation: making artists for revolutionary France. Yale University Press.
D’Alleva, A. (2006). Look!: the fundamentals of art history (2nd ed). Prentice Hall.
Davis-Weyer, C. & Medieval Academy of America. (1986). Early medieval art 300-1150: sources and documents: Vol. Medieval Academy reprints for teaching. University of Toronto Press in association with the Medieval Academy of America.
Eisenman, S., Crow, T. E., Lukacher, B., Nochlin, L., Phillips, D., & Pohl, F. K. (2011). Nineteenth century art: a critical history (Fourth edition). Thames & Hudson.
Elsner, J. (1998). Imperial Rome and Christian triumph: the art of the Roman Empire AD 100-450: Vol. Oxford history of art. Oxford University Press.
Frisch, T. G. (1987). Gothic art, 1140-c.1450: sources and documents: Vol. Medieval Academy reprints for teaching. University of Toronto.
Gage, J. (1993). Colour and culture: practice and meaning from antiquity to abstraction. Thames and Hudson.
Gonzalez, V., Institute of Ismaili Studies, & Ebooks Corporation Limited. (2001). Beauty and Islam: aesthetics in Islamic art and architecture. I.B. Tauris in association with the Institute of Ismaili Studies, London. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=676757
Grabar, O. (n.d.). The formation of Islamic art (Revised and enlarged edition). Yale University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://www.aaeportal.com/?id=-15223
Grootenboer, H. (2005). The rhetoric of perspective: realism and illusionism in seventeenth-century Dutch still-life painting. University of Chicago Press.
Hallett, M. & Paul Mellon Centre for Studies in British Art. (1999). The spectacle of difference: graphic satire in the age of Hogarth. Yale University Press.
Harris, J. (2001). The new art history: a critical introduction. Routledge. https://ezproxy.lib.gla.ac.uk/login?url=https://www.taylorfrancis.com/books/9780203466780
Hartt, F., & Wilkins, D. G. (2011). History of Italian Renaissance art: painting, sculpture, architecture (7th ed). Prentice Hall.
Hatcher, E. P. (1999). Art as culture: an introduction to the anthropology of art (2nd ed). Bergin & Garvey.
Hoock, H. (2003). The King’s artists: the Royal Academy of Arts and the politics of British culture, 1760-1840: Vol. Oxford historical monographs. Clarendon Press.
Jensen, R. M. (2000). Understanding early Christian art. Routledge. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9781135951702
Kent, D. V. (2000). Cosimo de’ Medici and the Florentine Renaissance: the patron’s oeuvre. Yale University Press.
Kjellgren, E. & Metropolitan Museum of Art (New York, N.Y.). (2014). How to read Oceanic art: Vol. How to read. Metropolitan Museum of Art.
Krautheimer, R. (1992). Early Christian and Byzantine architecture (4th ed). Yale University Press.
Krautheimer, R. & American Council of Learned Societies. (2000). Rome: profile of a city, 312-1308 [Electronic resource]. Princeton University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.30537
Krautheimer, R., & Krautheimer-Hess, T. (1990). Lorenzo Ghiberti: Vol. Princeton monographs in art and archaeology (2nd pbk. print) [Electronic resource]. Princeton University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.30588
Leach, E. R. (1976). Culture & communication: the logic by which symbols are connected : an introduction to the use of structuralist analysis in social anthropology. Cambridge University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://doi.org/10.1017/CBO9780511607684
Lowden, J. (1997). Early Christian & Byzantine art: Vol. Art&ideas. Phaidon.
Mason, P. E., & Dinwiddie, D. (2005). History of Japanese art (2nd ed). Pearson Prentice Hall.
Milburn, R. L. P. (1988). Early Christian art and architecture. Scolar Press.
Monks, S., Barrell, J., & Hallett, M. (2013). Living with the Royal Academy: artistic ideals and experiences in England, 1768-1848: Vol. British art : global contexts. Ashgate.
Nichols, T. (2012). Renaissance art: a beginnner’s guide: Vol. Beginner’s guides. Oneworld Publications. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1792230
Olson, R. J. M. (1992). Italian Renaissance sculpture: Vol. World of art. Thames and Hudson.
Panofsky, E. (1955). Meaning in the visual arts: papers in and on art history. Doubleday Anchor Books.
Panofsky, E., & Peake, J. J. S. (1975). Idea: a concept in art theory (2nd corrected ed). Harper and Row.
Paoletti, J. T., & Radke, G. M. (2011). Art in Renaissance Italy (Fourth edition). Laurence King Publishing Ltd.
Pears, I. & Paul Mellon Centre for Studies in British Art. (1988). The discovery of painting: the growth of interest in the arts in England 1680-1768: Vol. Studies in British art. Published for the Paul Mellon Centre for Studies in British Art by Yale University Press.
Perkins, M., & Morphy, H. (2006). The anthropology of art: a reader: Vol. Blackwell anthologies in social and cultural anthropology. Blackwell Pub.
Petzold, A. (1995). Romanesque art: Vol. Perspectives. H.N. Abrams.
Pollock, G. (1988). Vision and difference: feminism, femininity, and histories of art: Vol. Routledge classics. Routledge.
Preziosi, D. (1989). Rethinking art history: meditations on a coy science. Yale University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://www.aaeportal.com/?id=-18651
Preziosi, D. (Ed.). (2009). The art of art history: a critical anthology (Second edition). Oxford University Press. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=453635
Rathbone, E. E., Shackelford, G. T. M., Phillips Collection, & Museum of Fine Arts (Boston). (2001). Impressionist still life. Phillips Collection in association with Harry N. Abrams.
Rubin, P. L. (1995). Giorgio Vasari: art and history. Yale University Press.
Rudolph, C. (Ed.). (2019). A companion to Medieval art: Romanesque and Gothic in Northern Europe (Second edition, Vol. 14). John Wiley & Sons, Inc. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1002/9781119077756
Sander, J., Städtische Galerie im Städelschen Kunstinstitut Frankfurt am Main, Öffentliche Kunstsammlung Basel, & Hessisches Landesmuseum (Darmstadt). (2008). The Magic of things: still-life painting, 1500-1800. Hatje Cantz Verlag.
Screech, T. (2012). Obtaining images: art, production and display in Edo Japan. Reaktion Books.
Sekules, V. (2001). Medieval art: Vol. Oxford history of art. Oxford University Press.
Solkin, D. H. (2015). Art in Britain 1660-1815: Vol. Pelican history of art. Yale University Press.
Solkin, D. H. & Paul Mellon Centre for Studies in British Art. (1993). Painting for money: the visual arts and the public sphere in eighteenth-century England. Published for the Paul Mellon Centre for the Studies in British Art by Yale University Press.
Solkin, D. H., Paul Mellon Centre for Studies in British Art, & Courtauld Institute Galleries. (2001). Art on the line: the Royal Academy exhibitions at Somerset House, 1780-1836. Yale University Press.
Sonnabend, M., Whiteley, J., Rümelin, C., Lorrain, C., & Ashmolean Museum. (2011). Claude Lorrain: the enchanted landscape. Ashmolean Museum in association with Lund Humphries.
Tilley, C. Y. (1999). Metaphor and material culture: Vol. Social archaeology. Blackwell Publishers.
Tilly, C. (1991). Material culture and text: the art of ambiguity: Vol. Material cultures. Routledge.
Townsend, R. F., Pope, E. I., & Art Institute of Chicago. (2016). Indian art of the Americas at the Art Institute of Chicago (First edition). The Art Institute of Chicago.
Turner, J. S. (2000). Encyclopedia of Italian Renaissance & Mannerist art: Vol. Grove encyclopedias of European art. Macmillan.
Vasari, G., Bondanella, J. C., & Bondanella, P. E. (1998). The lives of the artists. Oxford University Press. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780191561122
Vasari, G., & Bull, G. (1987). Lives of the artists. Penguin Books. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=684535
Warnke, M. (1994). Political landscape: the art history of nature: Vol. Essays in art and culture. Reaktion Books. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1582751
Welch, E. S. (2000). Art in Renaissance Italy, 1350-1500: Vol. Oxford history of art ([New ed.]). Oxford University Press.
Westfall, C. W. (1969). Painting and the Liberal Arts: Alberti’s View. Journal of the History of Ideas, 30(4). https://doi.org/10.2307/2708607
Wilkins, E. H. (1961). On Petrarch’s Appreciation of Art. Speculum, 36(2), 299–301. https://doi.org/10.2307/2847794
Willett, F. (1971). African art: an introduction: Vol. World of art. Thames & Hudson.
Wood, C. S. (2014). Albrecht Altdorfer and the origins of landscape (Revised and expanded second edition). Reaktion Books. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1644070