Alberti, Leon Battista, Cecil Grayson, and Martin Kemp. 2004. On Painting. London: Penguin Books. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=674634.
Anderson, Emily Jane, John Richards, and Jillox. 2012. Visible Exports/Imports: New Research on Medieval and Renaissance European Art and Culture. Newcastle upon Tyne: Cambridge Scholars Publishing.
Barnhart, Richard M. 1997. Three Thousand Years of Chinese Painting. Vol. The culture&civilization of China. New Haven, Conn: Yale University Press.
Barriault, Anne B. 2005. Reading Vasari. London: Philip Wilson.
Baxandall, Michael. 1971. Giotto and the Orators: Humanist Observers of Painting in Italy and the Discovery of Pictorial Composition. Vol. Oxford-Warburg studies. Oxford: Clarendon Press.
Beckwith, John. 1979. Early Christian and Byzantine Art. 2d (integrated) ed. Harmondsworth, Eng: Penguin Books. https://ezproxy.lib.gla.ac.uk/login?url=https://www.aaeportal.com/?id=-14004.
Biennial Hamad Bin Khalifa Symposium on Islamic Art and Culture. 2015. God Is the Light of the Heavens and the Earth: Light in Islamic Art and Culture. Edited by Jonathan Bloom and Sheila Blair. New Haven, Connecticut: Yale University Press, in association with Qatar Foundation, Virginia Commonwealth University, and Virginia Commonwealth University School of the Arts in Qatar.
Bloom, Jonathan, and Sheila Blair. 1997. Islamic Arts. Vol. Art&ideas. London: Phaidon.
Blunt, Anthony. 1962. Artistic Theory in Italy, 1450-1600. Vol. Oxford paperbacks. Oxford: Oxford University Press.
Boase, T. S. R. 1971. Giorgio Vasari: The Man and the Book. Vol. 20. Princeton, New Jersey: Princeton University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://doi.org/10.1515/9780691252223.
Brewer, John. 2013. The Pleasures of the Imagination: English Culture in the Eighteenth Century. London: Routledge. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1154337.
Bryson, Norman. 1990. Looking at the Overlooked: Four Essays on Still Life Painting. Vol. Essays in art and culture. London: Reaktion Books. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1582282.
Büttner, Nils. 2006. Landscape Painting: A History. 1st ed. New York: Abbeville Press Publishers.
Camille, Michael. 1996. Gothic Art: Glorious Visions. Vol. Perspectives. Upper Saddle River, N.J.: Prentice Hall.
Campbell, Stephen J., Michael Wayne Cole, and ProQuest (Firm). 2017. A New History of Italian Renaissance Art. London: Thames & Hudson. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=5877945.
Chakrabarty, Jayanta, Dipak Chandra Bhattacharyya, and S. K. Saraswati. 1983. Aspects of Indian Art and Culture. Calcutta: RDDHI.
Cherry, Deborah. 2005. Art : History : Visual : Culture. Malden, MA: Blackwell Pub.
Clunas, Craig. 2009. Art in China. 2nd ed. Vol. Oxford history of art. Oxford: Oxford University Press.
Craske, Matthew. 1997. Art in Europe, 1700-1830: A History of the Visual Arts in an Era of Unprecedented Urban Economic Growth. Vol. Oxford history of art. Oxford: Oxford University Press.
Crow, Thomas Eugene. 1995. Emulation: Making Artists for Revolutionary France. New Haven: Yale University Press.
Crow, Tom Eugene. 1985. Painters and Public Life in Eighteeth Century Paris. New Haven, Conn: Yale University Press.
D’Alleva, Anne. 2006. Look!: The Fundamentals of Art History. 2nd ed. Upper Saddle River, N.J.: Prentice Hall.
Davis-Weyer, Caecilia and Medieval Academy of America. 1986. Early Medieval Art 300-1150: Sources and Documents. Vol. Medieval Academy reprints for teaching. Toronto: University of Toronto Press in association with the Medieval Academy of America.
Eisenman, Stephen, Thomas E. Crow, Brian Lukacher, Linda Nochlin, David Phillips, and Frances K. Pohl. 2011. Nineteenth Century Art: A Critical History. Fourth edition. London: Thames & Hudson.
Elsner, Jaś. 1998. Imperial Rome and Christian Triumph: The Art of the Roman Empire AD 100-450. Vol. Oxford history of art. Oxford: Oxford University Press.
Frisch, Teresa Grace. 1987. Gothic Art, 1140-c.1450: Sources and Documents. Vol. Medieval Academy reprints for teaching. Toronto: University of Toronto.
Gage, John. 1993. Colour and Culture: Practice and Meaning from Antiquity to Abstraction. [London]: Thames and Hudson.
Gonzalez, Valérie, Institute of Ismaili Studies, and Ebooks Corporation Limited. 2001. Beauty and Islam: Aesthetics in Islamic Art and Architecture. London: I.B. Tauris in association with the Institute of Ismaili Studies, London. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=676757.
Grabar, Oleg. n.d. The Formation of Islamic Art. Revised and Enlarged edition. New Haven: Yale University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://www.aaeportal.com/?id=-15223.
Grootenboer, Hanneke. 2005. The Rhetoric of Perspective: Realism and Illusionism in Seventeenth-Century Dutch Still-Life Painting. Chicago, Ill: University of Chicago Press.
Hallett, Mark and Paul Mellon Centre for Studies in British Art. 1999. The Spectacle of Difference: Graphic Satire in the Age of Hogarth. New Haven, Conn: Yale University Press.
Harris, Jonathan. 2001. The New Art History: A Critical Introduction. London: Routledge. https://ezproxy.lib.gla.ac.uk/login?url=https://www.taylorfrancis.com/books/9780203466780.
Hartt, Frederick, and David G. Wilkins. 2011. History of Italian Renaissance Art: Painting, Sculpture, Architecture. 7th ed. Upper Saddle River: Prentice Hall.
Hatcher, Evelyn Payne. 1999. Art as Culture: An Introduction to the Anthropology of Art. 2nd ed. Westport, Conn: Bergin & Garvey.
Hoock, Holger. 2003. The King’s Artists: The Royal Academy of Arts and the Politics of British Culture, 1760-1840. Vol. Oxford historical monographs. Oxford: Clarendon Press.
Jensen, Robin Margaret. 2000. Understanding Early Christian Art. London: Routledge. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9781135951702.
Kent, D. V. 2000. Cosimo de’ Medici and the Florentine Renaissance: The Patron’s Oeuvre. New Haven, Conn: Yale University Press.
Kjellgren, Eric and Metropolitan Museum of Art (New York, N.Y.). 2014. How to Read Oceanic Art. Vol. How to read. New York: Metropolitan Museum of Art.
Krautheimer, Richard. 1992. Early Christian and Byzantine Architecture. 4th ed. New Haven: Yale University Press.
Krautheimer, Richard and American Council of Learned Societies. 2000. Rome: Profile of a City, 312-1308. Electronic resource. Princeton, New Jersey: Princeton University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.30537.
Krautheimer, Richard, and Trude Krautheimer-Hess. 1990. Lorenzo Ghiberti. Electronic resource. 2nd pbk. print. Vol. Princeton monographs in art and archaeology. Princeton, NJ: Princeton University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.30588.
Leach, Edmund Ronald. 1976. Culture & Communication: The Logic by Which Symbols Are Connected : An Introduction to the Use of Structuralist Analysis in Social Anthropology. Cambridge: Cambridge University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://doi.org/10.1017/CBO9780511607684.
Lowden, John. 1997. Early Christian & Byzantine Art. Vol. Art&ideas. London: Phaidon.
Mason, Penelope E., and Donald Dinwiddie. 2005. History of Japanese Art. 2nd ed. Upper Saddle River, N.J.: Pearson Prentice Hall.
Milburn, R. L. P. 1988. Early Christian Art and Architecture. Aldershot: Scolar Press.
Monks, Sarah, John Barrell, and Mark Hallett. 2013. Living with the Royal Academy: Artistic Ideals and Experiences in England, 1768-1848. Vol. British art : global contexts. Farnham, Surrey: Ashgate.
Nichols, Tom. 2012. Renaissance Art: A Beginnner’s Guide. Vol. Beginner’s guides. [Oxford]: Oneworld Publications. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1792230.
Olson, Roberta J. M. 1992. Italian Renaissance Sculpture. Vol. World of art. London: Thames and Hudson.
Panofsky, Erwin. 1955. Meaning in the Visual Arts: Papers in and on Art History. New York: Doubleday Anchor Books.
Panofsky, Erwin, and Joseph J. S. Peake. 1975. Idea: A Concept in Art Theory. 2nd corrected ed. New York: Harper and Row.
Paoletti, John T., and Gary M. Radke. 2011. Art in Renaissance Italy. Fourth edition. London: Laurence King Publishing Ltd.
Pears, Iain and Paul Mellon Centre for Studies in British Art. 1988. The Discovery of Painting: The Growth of Interest in the Arts in England 1680-1768. Vol. Studies in British art. New Haven, Conn: Published for the Paul Mellon Centre for Studies in British Art by Yale University Press.
Perkins, Morgan, and Howard Morphy. 2006. The Anthropology of Art: A Reader. Vol. Blackwell anthologies in social and cultural anthropology. Malden, MA: Blackwell Pub.
Petzold, Andreas. 1995. Romanesque Art. Vol. Perspectives. New York: H.N. Abrams.
Pollock, Griselda. 1988. Vision and Difference: Feminism, Femininity, and Histories of Art. Vol. Routledge classics. London: Routledge.
Preziosi, Donald. 1989. Rethinking Art History: Meditations on a Coy Science. New Haven: Yale University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://www.aaeportal.com/?id=-18651.
———, ed. 2009. The Art of Art History: A Critical Anthology. Second edition. Oxford: Oxford University Press. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=453635.
Rathbone, Eliza E., George T. M. Shackelford, Phillips Collection, and Museum of Fine Arts (Boston). 2001. Impressionist Still Life. New York: Phillips Collection in association with Harry N. Abrams.
Rubin, Patricia Lee. 1995. Giorgio Vasari: Art and History. New Haven: Yale University Press.
Rudolph, Conrad, ed. 2019. A Companion to Medieval Art: Romanesque and Gothic in Northern Europe. Second edition. Vol. 14. Hoboken, NJ: John Wiley & Sons, Inc. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1002/9781119077756.
Sander, Jochen, Städtische Galerie im Städelschen Kunstinstitut Frankfurt am Main, Öffentliche Kunstsammlung Basel, and Hessisches Landesmuseum (Darmstadt). 2008. The Magic of Things: Still-Life Painting, 1500-1800. Ostfildern [Germany]: Hatje Cantz Verlag.
Screech, Timon. 2012. Obtaining Images: Art, Production and Display in Edo Japan. London: Reaktion Books.
Sekules, Veronica. 2001. Medieval Art. Vol. Oxford history of art. Oxford: Oxford University Press.
Solkin, David H. 2015. Art in Britain 1660-1815. Vol. Pelican history of art. [New Haven, Connecticut]: Yale University Press.
Solkin, David H. and Paul Mellon Centre for Studies in British Art. 1993. Painting for Money: The Visual Arts and the Public Sphere in Eighteenth-Century England. New Haven, Conn: Published for the Paul Mellon Centre for the Studies in British Art by Yale University Press.
Solkin, David H., Paul Mellon Centre for Studies in British Art, and Courtauld Institute Galleries. 2001. Art on the Line: The Royal Academy Exhibitions at Somerset House, 1780-1836. New Haven, Conn: Yale University Press.
Sonnabend, Martin, Jon Whiteley, Christian Rümelin, Claude Lorrain, and Ashmolean Museum. 2011. Claude Lorrain: The Enchanted Landscape. Oxford: Ashmolean Museum in association with Lund Humphries.
Tilley, Christopher Y. 1999. Metaphor and Material Culture. Vol. Social archaeology. Oxford: Blackwell Publishers.
Tilly, Christopher. 1991. Material Culture and Text: The Art of Ambiguity. Vol. Material cultures. London: Routledge.
Townsend, Richard F., Elizabeth I. Pope, and Art Institute of Chicago. 2016. Indian Art of the Americas at the Art Institute of Chicago. First edition. Chicago, Illinois: The Art Institute of Chicago.
Turner, Jane Shoaf. 2000. Encyclopedia of Italian Renaissance & Mannerist Art. Vol. Grove encyclopedias of European art. London: Macmillan.
Vasari, Giorgio, Julia Conaway Bondanella, and Peter E. Bondanella. 1998. The Lives of the Artists. Oxford: Oxford University Press. https://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9780191561122.
Vasari, Giorgio, and George Bull. 1987. Lives of the Artists. London: Penguin Books. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=684535.
Warnke, Martin. 1994. Political Landscape: The Art History of Nature. Vol. Essays in art and culture. London: Reaktion Books. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1582751.
Welch, Evelyn S. 2000. Art in Renaissance Italy, 1350-1500. [New ed.]. Vol. Oxford history of art. Oxford: Oxford University Press.
Westfall, Carroll W. 1969. ‘Painting and the Liberal Arts: Alberti’s View’. Journal of the History of Ideas 30 (4). https://doi.org/10.2307/2708607.
Wilkins, Ernest H. 1961. ‘On Petrarch’s Appreciation of Art’. Speculum 36 (2): 299–301. https://doi.org/10.2307/2847794.
Willett, Frank. 1971. African Art: An Introduction. Vol. World of art. London: Thames & Hudson.
Wood, Christopher S. 2014. Albrecht Altdorfer and the Origins of Landscape. Revised and Expanded second edition. London, [England]: Reaktion Books. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=1644070.
