1.
Till N, ed. The Cambridge Companion to Opera Studies. Vol Cambridge Companions to Music. Cambridge University Press; 2012. http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1017/CCO9781139024976
2.
Whenham J. Claudio Monteverdi: Orfeo. Vol Cambridge opera handbooks. Cambridge University Press; 1986.
3.
Abbate C, Parker R. A History of Opera: The Last Four Hundred Years. Allen Lane; 2012.
4.
Aristotle. Poetics. http://classics.mit.edu/Aristotle/poetics.html
5.
Abbate C, Ebooks Corporation Limited. In Search of Opera. Vol Princeton studies in opera. Princeton University Press; 2003. http://GLA.eblib.com/patron/FullRecord.aspx?p=1843645
6.
Claudio Monteverdi: L’Orfeo (Jacobs, chor. Trisha Brown). Published online 22AD. https://www.youtube.com/watch?v=sKD1qUVJJBU
7.
Claudio Monteverdi - L’Orfeo - Zurich 1978. Published online 11AD. https://www.youtube.com/watch?v=8361qIY8wpk&t=219s
8.
Monteverdi - Orpheus - Berlin (sung in german). Published online 11 October 2013. https://www.youtube.com/watch?v=H5uXoDj1eRo
9.
‘L’Orfeo’ de Monteverdi par John Eliot Gardiner - live @ La Fenice. Published online 27AD. https://www.youtube.com/watch?v=toXIBTGZUfU
10.
Original score (1609) of the opera. http://ks.imslp.net/files/imglnks/usimg/1/10/IMSLP297158-PMLP21363-Monteverdi_-_L’Orfeo,_Favola_in_Musica_(1609).pdf
11.
A 1930 edition of Orfeo by composer G. Malipiero. http://hz.imslp.info/files/imglnks/usimg/2/21/IMSLP310353-PMLP21363-monteverdi_orfeo2.pdf
12.
Jones AV. Staging a Handel Opera. Early Music. 2006;34(2). http://www.jstor.org.ezproxy.lib.gla.ac.uk/stable/3805846
13.
Strohm R. Essays on Handel and Italian Opera. Cambridge University Press; 1985.
14.
Till N, ed. The Cambridge Companion to Opera Studies. Vol Cambridge Companions to Music. Cambridge University Press; 2012. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCO9781139024976
15.
Till N, ed. The Cambridge Companion to Opera Studies. Vol Cambridge Companions to Music. Cambridge University Press; 2012. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCO9781139024976
16.
Aspden S. The Rival Sirens: Performance and Identity on Handel’s Operatic Stage. Vol Cambridge studies in opera. Cambridge University Press; 2013. http://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9781139889704
17.
Woodfield I. Opera and Drama in Eighteenth-Century London: The King’s Theatre, Garrick and the Business of Performance. Vol Cambridge studies in opera. Cambridge University Press; 2001.
18.
Kimbell DRB. Handel on the Stage. Cambridge University Press; 2016.
19.
Rodelinda’s score in piano reduction. http://petruccilibrary.ca/files/imglnks/caimg/8/8f/IMSLP111848-PMLP44845-Handel_-_Rodelinda_(vocal_score).pdf
20.
Rodelinda’s full score (Chrysander edition). http://hz.imslp.info/files/imglnks/usimg/8/86/IMSLP19008-PMLP44845-HG_Band_70.pdf
21.
Handel: Rodelinda ; Opera McGill ; McGill Baroque Orchestra ; Knox ; Hansen. Published online 17AD. https://www.youtube.com/watch?v=oFENbDFpW_k
22.
Handel - RODELINDA - Harnoncourt/Mehta/De Niese. Published online 11 October 2016. https://www.youtube.com/watch?v=W-UNDzMOgFY&t=2170s
23.
de Vriend, Rotterdam, 1998. Published online 21 November 2012. https://www.youtube.com/watch?v=Lf9HMjD9rBE&t=463s
24.
Levin DJ, Dawson Books. Unsettling Opera: Staging Mozart, Verdi, Wagner, and Zemlinsky. The University of Chicago Press; 2007. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780226475257
25.
Till N, ed. The Cambridge Companion to Opera Studies. Vol Cambridge Companions to Music. Cambridge University Press; 2012. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCO9781139024976
26.
Rushton J. W. A. Mozart: Don Giovanni. Vol Cambridge opera handbooks. Cambridge University Press; 1981.
27.
Luckhurst M. Dramaturgy: A Revolution in Theatre. Vol Cambridge studies in modern theatre. Cambridge University Press; 2006. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.07563
28.
Parakilas JA. The Afterlife of Don Giovanni: Turning Production History into Criticism - 763570.pdf. The Journal of Musicology. 1990;8(2). http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/763570
29.
Don Giovanni - Full score. http://hz.imslp.info/files/imglnks/usimg/0/07/IMSLP433273-PMLP36804-Binder1.pdf
30.
Don Giovanni vocal score. http://hz.imslp.info/files/imglnks/usimg/4/43/IMSLP296761-PMLP36804-b30014785_text.pdf
31.
Mozart: Don Giovanni - dir. Peter Sellars (Part 1 of 3). Published online 20AD. https://www.youtube.com/watch?v=vMXU5pjhPTM
32.
W.A.Mozart: Don Giovanni /Abbado-Raimondi-Studer-Mattila/. Published online 19AD. https://www.youtube.com/watch?v=xB9RZG-c0xI
33.
Don Giovanni live at Helsinki Festival 22.08.2013. Dir. Erik Söderblom. Published online 20AD. https://www.youtube.com/watch?v=UzxYEVbOS5w
34.
Kerman J. Opera as Drama. New and rev. ed. Faber and Faber; 1988.
35.
Grey TS, ed. The Cambridge Companion to Wagner. Vol Cambridge Companions to Music. Cambridge University Press; 2008. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCOL9780521642996
36.
Grey TS, ed. The Cambridge Companion to Wagner. Vol Cambridge Companions to Music. Cambridge University Press; 2008. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCOL9780521642996
37.
Wagner R. The Artwork of the Future. http://www.public-library.uk/ebooks/107/74.pdf
38.
Wagner R. Opera and Drama.; 1852. https://eleanor.lib.gla.ac.uk/record=b1204958
39.
Grey TS, ed. The Cambridge Companion to Wagner. Vol Cambridge Companions to Music. Cambridge University Press; 2008. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCOL9780521642996
40.
Grey TS, ed. The Cambridge Companion to Wagner. Vol Cambridge Companions to Music. Cambridge University Press; 2008. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCOL9780521642996
41.
Deathridge J. Wagner beyond Good and Evil. University of California Press; 2008. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1525/california/9780520254534.001.0001
42.
Berry M. Treacherous Bonds and Laughing Fire: Politics and Religion in Wagner’s Ring. Routledge; 2016.
43.
Das Rheingold, vocal score. http://hz.imslp.info/files/imglnks/usimg/2/2d/IMSLP16446-Rheingold.pdf
44.
Das Rheingold, orchestral score (download each act separately). http://imslp.org/wiki/Das_Rheingold,_WWV_86A_(Wagner,_Richard)
45.
Wagner - Der Ring Des Nibelungen: Das Rheingold [Boulez, Chéreau]. Published online 10 November 2014. https://www.youtube.com/watch?v=3ZP-yXsNV2E
46.
Wagner: Das Rheingold - Barenboim, Tomlinson, G. Clark, von Kannen. Published online 4AD. https://www.youtube.com/watch?v=OxQjchA_L10
47.
Das Rheingold (The Copenhagen Ring). Published online 6AD. https://www.youtube.com/watch?v=r5__IeJtGIE
48.
Abbate C, American Council of Learned Societies. Unsung Voices: Opera and Musical Narrative in the Nineteenth Century. Princeton University Press; 1991. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.06245
49.
Mitchell Morris. Reading as an opera queen. Solie R, ed. Musicology and Difference: Gender and Sexuality in Music Scholarship. Published online 1995.
50.
Till N, ed. The Cambridge Companion to Opera Studies. Vol Cambridge Companions to Music. Cambridge University Press; 2012. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCO9781139024976
51.
Balthazar SL, ed. The Cambridge Companion to Verdi. Vol Cambridge Companions to Music. Cambridge University Press; 2004. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCOL9780521632287
52.
Koestenbaum W, Kushner T. The Queen’s Throat: Opera, Homosexuality, and the Mystery of Desire. 1st Da Capo ed. Da Capo; 2001.
53.
Della Seta F, Weir M. Not without Madness: Perspectives on Opera. The University of Chicago Press; 2013. https://ezproxy.lib.gla.ac.uk/login?url=https://chicago.universitypressscholarship.com/view/10.7208/chicago/9780226749167.001.0001/upso-9780226749143
54.
La traviata (Verdi, Giuseppe) - Full score. http://imslp.org/wiki/La_traviata_(Verdi%2C_Giuseppe)
55.
La Traviata vocal score. http://hz.imslp.info/files/imglnks/usimg/9/97/IMSLP392068-SIBLEY1802.29794.0087-39087011147396score.pdf
56.
Verdi: La Traviata (Fleming, Villazón, Bruson)(2007). Published online 12AD. https://www.youtube.com/watch?v=1-jHIfm3_oI
57.
La Traviata ENGLISH SUB 1968 Moffo, Bonisolli, Bechi. Published online 12AD. https://www.youtube.com/watch?v=6fSzo9VXgow
58.
Guiseppe Verdi - La Traviata | with James Rutherford, Marlis Petersen and Giuseppe Varano (HD 1080p). Published online 26 November 2015. https://www.youtube.com/watch?v=swaTMZIz4fQ
59.
Blake A. ‘Wort oder Ton’? Reading the Libretto in Contemporary Opera. Contemporary music review. 2010;(29). https://doi.org/10.1080/07494467.2010.534929
60.
Halliwell M. Opera and the Novel: The Case of Henry James. Vol 6. (Bernhart W, ed.). Rodopi; 2005. https://books.google.co.uk/books?id=1mMFY8wdfYYC&printsec=frontcover&dq=Opera+and+the+novel+the+case+of+henry+james&hl=en&sa=X&ved=0ahUKEwiS-O2Nlq_XAhVOCewKHawJDyAQ6AEIKDAA#v=onepage&q=Opera%20and%20the%20novel%20the%20case%20of%20henry%20james&f=false
61.
Abbate C, Parker R, Cornell Verdi-Wagner Conference. Analyzing Opera: Verdi and Wagner. Vol California studies in 19th century music. University of California Press; 1989.
62.
Levin DJ. Opera through Other Eyes. Stanford University Press; 1993.
63.
Lindenberger HS. Situating Opera: Period, Genre, Reception. Vol Cambridge studies in opera. Cambridge university press; 2010.
64.
Wagner R, Behrens H, Häggander MA, et al. Der Ring des Nibelungen.
65.
Howard P. Orfeo. Vol Cambridge opera handbooks. Cambridge University Press; 1981.
66.
Hibberd S, Wrigley R, eds. Art, Theatre, and Opera in Paris, 1750-1850: Exchanges and Tensions. Ashgate; 2014.
67.
Tomlinson G. Metaphysical Song: An Essay on Opera. Vol Princeton studies in opera. Princeton University Press; 1999.
68.
Kramer L. Opera and Modern Culture: Wagner and Strauss. University of California Press; 2004. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1525/california/9780520241732.001.0001
69.
Hutcheon L, Hutcheon M. Opera: Desire, Disease, Death. Vol Texts and contexts. University of Nebraska Press; 1996.
70.
Marvin RM, Thomas DA. Operatic Migrations: Transforming Works and Crossing Boundaries. Ashgate; 2006.
71.
Cowgill R, Poriss H, Oxford University Press. The Arts of the Prima Donna in the Long Nineteenth Century. Oxford University Press; 2011. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780195365870.001.0001
72.
Howard P. The Modern Castrato: Gaetano Guadagni and the Coming of a New Operatic Age. Oxford University Press; 2014. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780199365203.001.0001
73.
Rutherford S. The Prima Donna and Opera, 1815-1930. Vol Cambridge studies in opera. Cambridge University Press; 2006.
74.
Citron MJ. When Opera Meets Film. Vol Cambridge studies in opera. Cambridge University Press; 2010. http://assets.cambridge.org/97805218/95750/cover/9780521895750.jpg
