Bibliography for Opera BETA

‘A 1930 edition of Orfeo by composer G. Malipiero’ (no date). Available at: http://hz.imslp.info/files/imglnks/usimg/2/21/IMSLP310353-PMLP21363-monteverdi_orfeo2.pdf.

Abbate, C. and American Council of Learned Societies (1991) Unsung voices: opera and musical narrative in the nineteenth century [electronic resource]. Princeton, N.J.: Princeton University Press. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.06245.

Abbate, C. and Ebooks Corporation Limited (2003) In search of opera. Princeton, N.J.: Princeton University Press. Available at: http://GLA.eblib.com/patron/FullRecord.aspx?p=1843645.

Abbate, C. and Parker, R. (2012) A history of opera: the last four hundred years. London: Allen Lane.

Abbate, C., Parker, R., and Cornell Verdi-Wagner Conference (1989) Analyzing opera: Verdi and Wagner. Berkeley: University of California Press.

Aristotle (no date) Poetics. Available at: http://classics.mit.edu/Aristotle/poetics.html.

Aspden, S. (2013) The rival sirens: performance and identity on Handel’s operatic stage. Cambridge: Cambridge University Press. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9781139889704.

Balthazar, S.L. (ed.) (2004) The Cambridge Companion to Verdi. Cambridge: Cambridge University Press. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCOL9780521632287.

Berry, M. (2016) Treacherous bonds and laughing fire: politics and religion in Wagner’s Ring. London: Routledge.

Blake, A. (2010) ‘“Wort oder Ton”? Reading the Libretto in Contemporary Opera’, Contemporary music review [Preprint], (29). Available at: https://doi.org/10.1080/07494467.2010.534929.

Citron, M.J. (2010) When opera meets film. Cambridge: Cambridge University Press. Available at: http://assets.cambridge.org/97805218/95750/cover/9780521895750.jpg.

‘Claudio Monteverdi - L’Orfeo - Zurich 1978’ (11AD). Available at: https://www.youtube.com/watch?v=8361qIY8wpk&t=219s.

‘Claudio Monteverdi: L’Orfeo (Jacobs, chor. Trisha Brown)’ (22AD). Available at: https://www.youtube.com/watch?v=sKD1qUVJJBU.

Cowgill, R., Poriss, H., and Oxford University Press (2011) The arts of the prima donna in the long nineteenth century [electronic resource]. New York: Oxford University Press. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780195365870.001.0001.

‘Das Rheingold, orchestral score (download each act separately)’ (no date). Available at: http://imslp.org/wiki/Das_Rheingold,_WWV_86A_(Wagner,_Richard).

‘Das Rheingold (The Copenhagen Ring)’ (6AD). Available at: https://www.youtube.com/watch?v=r5__IeJtGIE.

‘Das Rheingold, vocal score’ (no date). Available at: http://hz.imslp.info/files/imglnks/usimg/2/2d/IMSLP16446-Rheingold.pdf.

‘de Vriend, Rotterdam, 1998’ (2012). Available at: https://www.youtube.com/watch?v=Lf9HMjD9rBE&t=463s.

Deathridge, J. (2008) Wagner beyond good and evil [electronic resource]. Berkeley, Calif: University of California Press. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1525/california/9780520254534.001.0001.

Della Seta, F. and Weir, M. (2013) Not without madness: perspectives on opera. Chicago, Illinois: The University of Chicago Press. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://chicago.universitypressscholarship.com/view/10.7208/chicago/9780226749167.001.0001/upso-9780226749143.

‘Don Giovanni - Full score’ (no date). Available at: http://hz.imslp.info/files/imglnks/usimg/0/07/IMSLP433273-PMLP36804-Binder1.pdf.

‘Don Giovanni live at Helsinki Festival 22.08.2013. Dir. Erik Söderblom’ (20AD). Available at: https://www.youtube.com/watch?v=UzxYEVbOS5w.

‘Don Giovanni vocal score’ (no date). Available at: http://hz.imslp.info/files/imglnks/usimg/4/43/IMSLP296761-PMLP36804-b30014785_text.pdf.

Grey, T.S. (ed.) (2008a) The Cambridge Companion to Wagner. Cambridge: Cambridge University Press. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCOL9780521642996.

Grey, T.S. (ed.) (2008b) The Cambridge Companion to Wagner. Cambridge: Cambridge University Press. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCOL9780521642996.

Grey, T.S. (ed.) (2008c) The Cambridge Companion to Wagner. Cambridge: Cambridge University Press. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCOL9780521642996.

Grey, T.S. (ed.) (2008d) The Cambridge Companion to Wagner. Cambridge: Cambridge University Press. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCOL9780521642996.

‘Guiseppe Verdi - La Traviata | with James Rutherford, Marlis Petersen and Giuseppe Varano (HD 1080p)’ (2015). Available at: https://www.youtube.com/watch?v=swaTMZIz4fQ.

Halliwell, M. (2005) Opera and the novel: the case of Henry James. Edited by W. Bernhart. Amsterdam: Rodopi. Available at: https://books.google.co.uk/books?id=1mMFY8wdfYYC&printsec=frontcover&dq=Opera+and+the+novel+the+case+of+henry+james&hl=en&sa=X&ved=0ahUKEwiS-O2Nlq_XAhVOCewKHawJDyAQ6AEIKDAA#v=onepage&q=Opera%20and%20the%20novel%20the%20case%20of%20henry%20james&f=false.

‘Handel - RODELINDA - Harnoncourt/Mehta/De Niese’ (2016). Available at: https://www.youtube.com/watch?v=W-UNDzMOgFY&t=2170s.

‘Handel: Rodelinda ; Opera McGill ; McGill Baroque Orchestra ; Knox ; Hansen.’ (17AD). Available at: https://www.youtube.com/watch?v=oFENbDFpW_k.

Hibberd, S. and Wrigley, R. (eds) (2014) Art, theatre, and opera in Paris, 1750-1850: exchanges and tensions. Farnham, Surrey: Ashgate.

Howard, P. (1981) Orfeo. Cambridge: Cambridge University Press.

Howard, P. (2014) The modern castrato: Gaetano Guadagni and the coming of a new operatic age. New York: Oxford University Press. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780199365203.001.0001.

Hutcheon, L. and Hutcheon, M. (1996) Opera: desire, disease, death. Lincoln: University of Nebraska Press.

Jones, A.V. (2006) ‘Staging a Handel Opera’, Early Music, 34(2). Available at: http://www.jstor.org.ezproxy.lib.gla.ac.uk/stable/3805846.

Kerman, J. (1988) Opera as drama. New and rev. ed. London: Faber and Faber.

Kimbell, D.R.B. (2016) Handel on the stage. Cambridge, United Kingdom: Cambridge University Press.

Koestenbaum, W. and Kushner, T. (2001) The queen’s throat: opera, homosexuality, and the mystery of desire. 1st Da Capo ed. New York: Da Capo.

Kramer, L. (2004) Opera and modern culture: Wagner and Strauss [electronic resource]. Berkeley, Calif: University of California Press. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1525/california/9780520241732.001.0001.

‘La Traviata ENGLISH SUB 1968 Moffo, Bonisolli, Bechi’ (12AD). Available at: https://www.youtube.com/watch?v=6fSzo9VXgow.

La traviata (Verdi, Giuseppe) - Full score (no date). Available at: http://imslp.org/wiki/La_traviata_(Verdi%2C_Giuseppe).

‘La Traviata vocal score’ (no date). Available at: http://hz.imslp.info/files/imglnks/usimg/9/97/IMSLP392068-SIBLEY1802.29794.0087-39087011147396score.pdf.

Levin, D.J. (1993) Opera through other eyes. Stanford, Calif: Stanford University Press.

Levin, D.J. and Dawson Books (2007) Unsettling opera: staging Mozart, Verdi, Wagner, and Zemlinsky. Chicago, Illinois: The University of Chicago Press. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780226475257.

Lindenberger, H.S. (2010) Situating opera: period, genre, reception. Cambridge: Cambridge university press.

‘“L’Orfeo” de Monteverdi par John Eliot Gardiner - live @ La Fenice’ (27AD). Available at: https://www.youtube.com/watch?v=toXIBTGZUfU.

Luckhurst, M. (2006) Dramaturgy: a revolution in theatre [electronic resource]. Cambridge: Cambridge University Press. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.07563.

Marvin, R.M. and Thomas, D.A. (2006) Operatic migrations: transforming works and crossing boundaries. Aldershot, England: Ashgate.

Mitchell Morris (1995) ‘Reading as an opera queen’, Musicology and Difference: Gender and Sexuality in Music Scholarship [Preprint]. Edited by R. Solie.

‘Monteverdi - Orpheus - Berlin (sung in german)’ (2013). Available at: https://www.youtube.com/watch?v=H5uXoDj1eRo.

‘Mozart: Don Giovanni - dir. Peter Sellars (Part 1 of 3)’ (20AD). Available at: https://www.youtube.com/watch?v=vMXU5pjhPTM.

‘Original score (1609) of the opera’ (no date). Available at: http://ks.imslp.net/files/imglnks/usimg/1/10/IMSLP297158-PMLP21363-Monteverdi_-_L’Orfeo,_Favola_in_Musica_(1609).pdf.

Parakilas, J.A. (1990) ‘The Afterlife of Don Giovanni: Turning Production History into Criticism - 763570.pdf’, The Journal of Musicology, 8(2). Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/763570.

‘Rodelinda’s full score (Chrysander edition)’ (no date). Available at: http://hz.imslp.info/files/imglnks/usimg/8/86/IMSLP19008-PMLP44845-HG_Band_70.pdf.

‘Rodelinda’s score in piano reduction’ (no date). Available at: http://petruccilibrary.ca/files/imglnks/caimg/8/8f/IMSLP111848-PMLP44845-Handel_-_Rodelinda_(vocal_score).pdf.

Rushton, J. (1981) W. A. Mozart: Don Giovanni. Cambridge: Cambridge University Press.

Rutherford, S. (2006) The prima donna and opera, 1815-1930. Cambridge: Cambridge University Press.

Strohm, R. (1985) Essays on Handel and Italian opera. Cambridge: Cambridge University Press.

Till, N. (ed.) (2012a) The Cambridge Companion to Opera Studies. Cambridge: Cambridge University Press. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1017/CCO9781139024976.

Till, N. (ed.) (2012b) The Cambridge Companion to Opera Studies. Cambridge: Cambridge University Press. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCO9781139024976.

Till, N. (ed.) (2012c) The Cambridge Companion to Opera Studies. Cambridge: Cambridge University Press. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCO9781139024976.

Till, N. (ed.) (2012d) The Cambridge Companion to Opera Studies. Cambridge: Cambridge University Press. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCO9781139024976.

Till, N. (ed.) (2012e) The Cambridge Companion to Opera Studies. Cambridge: Cambridge University Press. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCO9781139024976.

Tomlinson, G. (1999) Metaphysical song: an essay on opera. Princeton, N.J.: Princeton University Press.

‘Verdi: La Traviata (Fleming, Villazón, Bruson)(2007)’ (12AD). Available at: https://www.youtube.com/watch?v=1-jHIfm3_oI.

‘Wagner - Der Ring Des Nibelungen: Das Rheingold [Boulez, Chéreau]’ (2014). Available at: https://www.youtube.com/watch?v=3ZP-yXsNV2E.

‘Wagner: Das Rheingold - Barenboim, Tomlinson, G. Clark, von Kannen’ (4AD). Available at: https://www.youtube.com/watch?v=OxQjchA_L10.

Wagner, R. (1852) Opera and Drama. Available at: https://eleanor.lib.gla.ac.uk/record=b1204958.

Wagner, R. et al. (no date) ‘Der Ring des Nibelungen’. Hamburg: Deutsche Grammophon.

Wagner, R. (no date) The Artwork of the Future. Available at: http://www.public-library.uk/ebooks/107/74.pdf.

‘W.A.Mozart: Don Giovanni /Abbado-Raimondi-Studer-Mattila/’ (19AD). Available at: https://www.youtube.com/watch?v=xB9RZG-c0xI.

Whenham, J. (1986) Claudio Monteverdi: Orfeo. Cambridge: Cambridge University Press.

Woodfield, I. (2001) Opera and drama in eighteenth-century London: the King’s Theatre, Garrick and the business of performance. Cambridge: Cambridge University Press.