1.
Till N, editor. The Cambridge Companion to Opera Studies [Internet]. Cambridge: Cambridge University Press; 2012. Available from: http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1017/CCO9781139024976
2.
Whenham J. Claudio Monteverdi: Orfeo. Cambridge: Cambridge University Press; 1986.
3.
Abbate C, Parker R. A history of opera: the last four hundred years. London: Allen Lane; 2012.
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Aristotle. Poetics [Internet]. Available from: http://classics.mit.edu/Aristotle/poetics.html
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Abbate C, Ebooks Corporation Limited. In search of opera [Internet]. Princeton, N.J.: Princeton University Press; 2003. Available from: http://GLA.eblib.com/patron/FullRecord.aspx?p=1843645
6.
Claudio Monteverdi: L’Orfeo (Jacobs, chor. Trisha Brown) [Internet]. 22AD. Available from: https://www.youtube.com/watch?v=sKD1qUVJJBU
7.
Claudio Monteverdi - L’Orfeo - Zurich 1978 [Internet]. 11AD. Available from: https://www.youtube.com/watch?v=8361qIY8wpk&t=219s
8.
Monteverdi - Orpheus - Berlin (sung in german) [Internet]. 2013. Available from: https://www.youtube.com/watch?v=H5uXoDj1eRo
9.
‘L’Orfeo’ de Monteverdi par John Eliot Gardiner - live @ La Fenice [Internet]. 27AD. Available from: https://www.youtube.com/watch?v=toXIBTGZUfU
10.
Original score (1609) of the opera [Internet]. Available from: http://ks.imslp.net/files/imglnks/usimg/1/10/IMSLP297158-PMLP21363-Monteverdi_-_L’Orfeo,_Favola_in_Musica_(1609).pdf
11.
A 1930 edition of Orfeo by composer G. Malipiero [Internet]. Available from: http://hz.imslp.info/files/imglnks/usimg/2/21/IMSLP310353-PMLP21363-monteverdi_orfeo2.pdf
12.
Jones AV. Staging a Handel Opera. Early Music [Internet]. 2006;34(2). Available from: http://www.jstor.org.ezproxy.lib.gla.ac.uk/stable/3805846
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Strohm R. Essays on Handel and Italian opera. Cambridge: Cambridge University Press; 1985.
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Till N, editor. The Cambridge Companion to Opera Studies [Internet]. Cambridge: Cambridge University Press; 2012. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCO9781139024976
15.
Till N, editor. The Cambridge Companion to Opera Studies [Internet]. Cambridge: Cambridge University Press; 2012. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCO9781139024976
16.
Aspden S. The rival sirens: performance and identity on Handel’s operatic stage [Internet]. Cambridge: Cambridge University Press; 2013. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9781139889704
17.
Woodfield I. Opera and drama in eighteenth-century London: the King’s Theatre, Garrick and the business of performance. Cambridge: Cambridge University Press; 2001.
18.
Kimbell DRB. Handel on the stage. Cambridge, United Kingdom: Cambridge University Press; 2016.
19.
Rodelinda’s score in piano reduction [Internet]. Available from: http://petruccilibrary.ca/files/imglnks/caimg/8/8f/IMSLP111848-PMLP44845-Handel_-_Rodelinda_(vocal_score).pdf
20.
Rodelinda’s full score (Chrysander edition) [Internet]. Available from: http://hz.imslp.info/files/imglnks/usimg/8/86/IMSLP19008-PMLP44845-HG_Band_70.pdf
21.
Handel: Rodelinda ; Opera McGill ; McGill Baroque Orchestra ; Knox ; Hansen. [Internet]. 17AD. Available from: https://www.youtube.com/watch?v=oFENbDFpW_k
22.
Handel - RODELINDA - Harnoncourt/Mehta/De Niese [Internet]. 2016. Available from: https://www.youtube.com/watch?v=W-UNDzMOgFY&t=2170s
23.
de Vriend, Rotterdam, 1998 [Internet]. 2012. Available from: https://www.youtube.com/watch?v=Lf9HMjD9rBE&t=463s
24.
Levin DJ, Dawson Books. Unsettling opera: staging Mozart, Verdi, Wagner, and Zemlinsky [Internet]. Chicago, Illinois: The University of Chicago Press; 2007. Available from: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780226475257
25.
Till N, editor. The Cambridge Companion to Opera Studies [Internet]. Cambridge: Cambridge University Press; 2012. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCO9781139024976
26.
Rushton J. W. A. Mozart: Don Giovanni. Cambridge: Cambridge University Press; 1981.
27.
Luckhurst M. Dramaturgy: a revolution in theatre [Internet]. Cambridge: Cambridge University Press; 2006. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.07563
28.
Parakilas JA. The Afterlife of Don Giovanni: Turning Production History into Criticism - 763570.pdf. The Journal of Musicology [Internet]. 1990;8(2). Available from: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/763570
29.
Don Giovanni - Full score [Internet]. Available from: http://hz.imslp.info/files/imglnks/usimg/0/07/IMSLP433273-PMLP36804-Binder1.pdf
30.
Don Giovanni vocal score [Internet]. Available from: http://hz.imslp.info/files/imglnks/usimg/4/43/IMSLP296761-PMLP36804-b30014785_text.pdf
31.
Mozart: Don Giovanni - dir. Peter Sellars (Part 1 of 3) [Internet]. 20AD. Available from: https://www.youtube.com/watch?v=vMXU5pjhPTM
32.
W.A.Mozart: Don Giovanni /Abbado-Raimondi-Studer-Mattila/ [Internet]. 19AD. Available from: https://www.youtube.com/watch?v=xB9RZG-c0xI
33.
Don Giovanni live at Helsinki Festival 22.08.2013. Dir. Erik Söderblom [Internet]. 20AD. Available from: https://www.youtube.com/watch?v=UzxYEVbOS5w
34.
Kerman J. Opera as drama. New and rev. ed. London: Faber and Faber; 1988.
35.
Grey TS, editor. The Cambridge Companion to Wagner [Internet]. Cambridge: Cambridge University Press; 2008. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCOL9780521642996
36.
Grey TS, editor. The Cambridge Companion to Wagner [Internet]. Cambridge: Cambridge University Press; 2008. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCOL9780521642996
37.
Wagner R. The Artwork of the Future [Internet]. Available from: http://www.public-library.uk/ebooks/107/74.pdf
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Wagner R. Opera and Drama [Internet]. 1852. Available from: https://eleanor.lib.gla.ac.uk/record=b1204958
39.
Grey TS, editor. The Cambridge Companion to Wagner [Internet]. Cambridge: Cambridge University Press; 2008. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCOL9780521642996
40.
Grey TS, editor. The Cambridge Companion to Wagner [Internet]. Cambridge: Cambridge University Press; 2008. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCOL9780521642996
41.
Deathridge J. Wagner beyond good and evil [Internet]. Berkeley, Calif: University of California Press; 2008. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1525/california/9780520254534.001.0001
42.
Berry M. Treacherous bonds and laughing fire: politics and religion in Wagner’s Ring. London: Routledge; 2016.
43.
Das Rheingold, vocal score [Internet]. Available from: http://hz.imslp.info/files/imglnks/usimg/2/2d/IMSLP16446-Rheingold.pdf
44.
Das Rheingold, orchestral score (download each act separately) [Internet]. Available from: http://imslp.org/wiki/Das_Rheingold,_WWV_86A_(Wagner,_Richard)
45.
Wagner - Der Ring Des Nibelungen: Das Rheingold [Boulez, Chéreau] [Internet]. 2014. Available from: https://www.youtube.com/watch?v=3ZP-yXsNV2E
46.
Wagner: Das Rheingold - Barenboim, Tomlinson, G. Clark, von Kannen [Internet]. 4AD. Available from: https://www.youtube.com/watch?v=OxQjchA_L10
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Das Rheingold (The Copenhagen Ring) [Internet]. 6AD. Available from: https://www.youtube.com/watch?v=r5__IeJtGIE
48.
Abbate C, American Council of Learned Societies. Unsung voices: opera and musical narrative in the nineteenth century [Internet]. Princeton, N.J.: Princeton University Press; 1991. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.06245
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Mitchell Morris. Reading as an opera queen. Solie R, editor. Musicology and Difference: Gender and Sexuality in Music Scholarship. Berkeley: University of California Press; 1995;
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Till N, editor. The Cambridge Companion to Opera Studies [Internet]. Cambridge: Cambridge University Press; 2012. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCO9781139024976
51.
Balthazar SL, editor. The Cambridge Companion to Verdi [Internet]. Cambridge: Cambridge University Press; 2004. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCOL9780521632287
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Koestenbaum W, Kushner T. The queen’s throat: opera, homosexuality, and the mystery of desire. 1st Da Capo ed. New York: Da Capo; 2001.
53.
Della Seta F, Weir M. Not without madness: perspectives on opera [Internet]. Chicago, Illinois: The University of Chicago Press; 2013. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://chicago.universitypressscholarship.com/view/10.7208/chicago/9780226749167.001.0001/upso-9780226749143
54.
La traviata (Verdi, Giuseppe) - Full score [Internet]. Available from: http://imslp.org/wiki/La_traviata_(Verdi%2C_Giuseppe)
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La Traviata vocal score [Internet]. Available from: http://hz.imslp.info/files/imglnks/usimg/9/97/IMSLP392068-SIBLEY1802.29794.0087-39087011147396score.pdf
56.
Verdi: La Traviata (Fleming, Villazón, Bruson)(2007) [Internet]. 12AD. Available from: https://www.youtube.com/watch?v=1-jHIfm3_oI
57.
La Traviata ENGLISH SUB 1968 Moffo, Bonisolli, Bechi [Internet]. 12AD. Available from: https://www.youtube.com/watch?v=6fSzo9VXgow
58.
Guiseppe Verdi - La Traviata | with James Rutherford, Marlis Petersen and Giuseppe Varano (HD 1080p) [Internet]. 2015. Available from: https://www.youtube.com/watch?v=swaTMZIz4fQ
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Howard P. Orfeo. Cambridge: Cambridge University Press; 1981.
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Kramer L. Opera and modern culture: Wagner and Strauss [Internet]. Berkeley, Calif: University of California Press; 2004. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1525/california/9780520241732.001.0001
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Hutcheon L, Hutcheon M. Opera: desire, disease, death. Lincoln: University of Nebraska Press; 1996.
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Marvin RM, Thomas DA. Operatic migrations: transforming works and crossing boundaries. Aldershot, England: Ashgate; 2006.
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Cowgill R, Poriss H, Oxford University Press. The arts of the prima donna in the long nineteenth century [Internet]. New York: Oxford University Press; 2011. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780195365870.001.0001
72.
Howard P. The modern castrato: Gaetano Guadagni and the coming of a new operatic age [Internet]. New York: Oxford University Press; 2014. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780199365203.001.0001
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Rutherford S. The prima donna and opera, 1815-1930. Cambridge: Cambridge University Press; 2006.
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Citron MJ. When opera meets film [Internet]. Cambridge: Cambridge University Press; 2010. Available from: http://assets.cambridge.org/97805218/95750/cover/9780521895750.jpg
