1
Till N, editor. The Cambridge Companion to Opera Studies. Cambridge: Cambridge University Press 2012.
2
Whenham J. Claudio Monteverdi: Orfeo. Cambridge: Cambridge University Press 1986.
3
Abbate C, Parker R. A history of opera: the last four hundred years. London: Allen Lane 2012.
5
Abbate C, Ebooks Corporation Limited. In search of opera. Princeton, N.J.: Princeton University Press 2003.
6
Claudio Monteverdi: L’Orfeo (Jacobs, chor. Trisha Brown). 22 AD.
7
Claudio Monteverdi - L’Orfeo - Zurich 1978. 11 AD.
8
Monteverdi - Orpheus - Berlin (sung in german). 2013.
9
‘L’Orfeo’ de Monteverdi par John Eliot Gardiner - live @ La Fenice. 27 AD.
10
Original score (1609) of the opera.
11
A 1930 edition of Orfeo by composer G. Malipiero.
12
Jones AV. Staging a Handel Opera. Early Music. 2006;34.
13
Strohm R. Essays on Handel and Italian opera. Cambridge: Cambridge University Press 1985.
14
Till N, editor. The Cambridge Companion to Opera Studies. Cambridge: Cambridge University Press 2012.
15
Till N, editor. The Cambridge Companion to Opera Studies. Cambridge: Cambridge University Press 2012.
16
Aspden S. The rival sirens: performance and identity on Handel’s operatic stage. Cambridge: Cambridge University Press 2013.
17
Woodfield I. Opera and drama in eighteenth-century London: the King’s Theatre, Garrick and the business of performance. Cambridge: Cambridge University Press 2001.
18
Kimbell DRB. Handel on the stage. Cambridge, United Kingdom: Cambridge University Press 2016.
19
Rodelinda’s score in piano reduction.
20
Rodelinda’s full score (Chrysander edition).
21
Handel: Rodelinda ; Opera McGill ; McGill Baroque Orchestra ; Knox ; Hansen. 17 AD.
22
Handel - RODELINDA - Harnoncourt/Mehta/De Niese. 2016.
23
de Vriend, Rotterdam, 1998. 2012.
24
Levin DJ, Dawson Books. Unsettling opera: staging Mozart, Verdi, Wagner, and Zemlinsky. Chicago, Illinois: The University of Chicago Press 2007.
25
Till N, editor. The Cambridge Companion to Opera Studies. Cambridge: Cambridge University Press 2012.
26
Rushton J. W. A. Mozart: Don Giovanni. Cambridge: Cambridge University Press 1981.
27
Luckhurst M. Dramaturgy: a revolution in theatre. Cambridge: Cambridge University Press 2006.
28
Parakilas JA. The Afterlife of Don Giovanni: Turning Production History into Criticism - 763570.pdf. The Journal of Musicology. 1990;8.
29
Don Giovanni - Full score.
30
Don Giovanni vocal score.
31
Mozart: Don Giovanni - dir. Peter Sellars (Part 1 of 3). 20 AD.
32
W.A.Mozart: Don Giovanni /Abbado-Raimondi-Studer-Mattila/. 19 AD.
33
Don Giovanni live at Helsinki Festival 22.08.2013. Dir. Erik Söderblom. 20 AD.
34
Kerman J. Opera as drama. New and rev. ed. London: Faber and Faber 1988.
35
Grey TS, editor. The Cambridge Companion to Wagner. Cambridge: Cambridge University Press 2008.
36
Grey TS, editor. The Cambridge Companion to Wagner. Cambridge: Cambridge University Press 2008.
37
Wagner R, Ellis WA. The Artwork of the Future.
38
Wagner R. Opera and drama. London: Reeves 1913.
39
Grey TS, editor. The Cambridge Companion to Wagner. Cambridge: Cambridge University Press 2008.
40
Grey TS, editor. The Cambridge Companion to Wagner. Cambridge: Cambridge University Press 2008.
41
Deathridge J. Wagner beyond good and evil. Berkeley, Calif: University of California Press 2008.
42
Berry M. Treacherous bonds and laughing fire: politics and religion in Wagner’s Ring. London: Routledge 2016.
43
Das Rheingold, vocal score.
44
Das Rheingold, orchestral score (download each act separately).
45
Wagner - Der Ring Des Nibelungen: Das Rheingold [Boulez, Chéreau]. 2014.
46
Wagner: Das Rheingold - Barenboim, Tomlinson, G. Clark, von Kannen. 4 AD.
47
Das Rheingold (The Copenhagen Ring). 6 AD.
48
Abbate C, American Council of Learned Societies. Unsung voices: opera and musical narrative in the nineteenth century. Princeton, N.J.: Princeton University Press 1991.
49
Mitchell Morris. Reading as an opera queen. Musicology and Difference: Gender and Sexuality in Music Scholarship. 1995.
50
Till N, editor. The Cambridge Companion to Opera Studies. Cambridge: Cambridge University Press 2012.
51
Balthazar SL, editor. The Cambridge Companion to Verdi. Cambridge: Cambridge University Press 2004.
52
Koestenbaum W, Kushner T. The queen’s throat: opera, homosexuality, and the mystery of desire. 1st Da Capo ed. New York: Da Capo 2001.
53
Della Seta F, Weir M. Not without madness: perspectives on opera. Chicago, Illinois: The University of Chicago Press 2013.
54
La traviata (Verdi, Giuseppe) - Full score. http://imslp.org/wiki/La_traviata_(Verdi%2C_Giuseppe)
55
La Traviata vocal score.
56
Verdi: La Traviata (Fleming, Villazón, Bruson)(2007). 12 AD.
57
La Traviata ENGLISH SUB 1968 Moffo, Bonisolli, Bechi. 12 AD.
58
Guiseppe Verdi - La Traviata | with James Rutherford, Marlis Petersen and Giuseppe Varano (HD 1080p). 2015.
59
Blake A. ‘Wort oder Ton’? Reading the Libretto in Contemporary Opera. Contemporary music review. Published Online First: 2010.
60
Halliwell M. Opera and the novel: the case of Henry James. Amsterdam: Rodopi 2005.
61
Abbate C, Parker R, Cornell Verdi-Wagner Conference. Analyzing opera: Verdi and Wagner. Berkeley: University of California Press 1989.
62
Levin DJ. Opera through other eyes. Stanford, Calif: Stanford University Press 1993.
63
Lindenberger HS. Situating opera: period, genre, reception. Cambridge: Cambridge university press 2010.
64
Wagner R, Behrens H, Häggander MA, et al. Der Ring des Nibelungen.
65
Howard P. Orfeo. Cambridge: Cambridge University Press 1981.
66
Hibberd S, Wrigley R, editors. Art, theatre, and opera in Paris, 1750-1850: exchanges and tensions. Farnham, Surrey: Ashgate 2014.
67
Tomlinson G. Metaphysical song: an essay on opera. Princeton, N.J.: Princeton University Press 1999.
68
Kramer L. Opera and modern culture: Wagner and Strauss. Berkeley, Calif: University of California Press 2004.
69
Hutcheon L, Hutcheon M. Opera: desire, disease, death. Lincoln: University of Nebraska Press 1996.
70
Marvin RM, Thomas DA. Operatic migrations: transforming works and crossing boundaries. Aldershot, England: Ashgate 2006.
71
Cowgill R, Poriss H, Oxford University Press. The arts of the prima donna in the long nineteenth century. New York: Oxford University Press 2011.
72
Howard P. The modern castrato: Gaetano Guadagni and the coming of a new operatic age. New York: Oxford University Press 2014.
73
Rutherford S. The prima donna and opera, 1815-1930. Cambridge: Cambridge University Press 2006.
74
Citron MJ. When opera meets film. Cambridge: Cambridge University Press 2010.
