‘A 1930 Edition of Orfeo by Composer G. Malipiero’. n.d. http://hz.imslp.info/files/imglnks/usimg/2/21/IMSLP310353-PMLP21363-monteverdi_orfeo2.pdf.
Abbate, Carolyn and American Council of Learned Societies. 1991. Unsung Voices: Opera and Musical Narrative in the Nineteenth Century. Electronic resource. Princeton, N.J.: Princeton University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.06245.
Abbate, Carolyn and Ebooks Corporation Limited. 2003. In Search of Opera. Vol. Princeton studies in opera. Princeton, N.J.: Princeton University Press. http://GLA.eblib.com/patron/FullRecord.aspx?p=1843645.
Abbate, Carolyn, and Roger Parker. 2012. A History of Opera: The Last Four Hundred Years. London: Allen Lane.
Abbate, Carolyn, Roger Parker, and Cornell Verdi-Wagner Conference. 1989. Analyzing Opera: Verdi and Wagner. Vol. California studies in 19th century music. Berkeley: University of California Press.
Aristotle. n.d. Poetics. http://classics.mit.edu/Aristotle/poetics.html.
Aspden, Suzanne. 2013. The Rival Sirens: Performance and Identity on Handel’s Operatic Stage. Vol. Cambridge studies in opera. Cambridge: Cambridge University Press. http://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9781139889704.
Balthazar, Scott L., ed. 2004. The Cambridge Companion to Verdi. Vol. Cambridge Companions to Music. Cambridge: Cambridge University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCOL9780521632287.
Berry, Mark. 2016. Treacherous Bonds and Laughing Fire: Politics and Religion in Wagner’s Ring. London: Routledge.
Blake, Andrew. 2010. ‘“Wort Oder Ton”? Reading the Libretto in Contemporary Opera’. Contemporary Music Review, no. 29. https://doi.org/10.1080/07494467.2010.534929.
Citron, Marcia J. 2010. When Opera Meets Film. Vol. Cambridge studies in opera. Cambridge: Cambridge University Press. http://assets.cambridge.org/97805218/95750/cover/9780521895750.jpg.
‘Claudio Monteverdi - L’Orfeo - Zurich 1978’. 11AD. https://www.youtube.com/watch?v=8361qIY8wpk&t=219s.
‘Claudio Monteverdi: L’Orfeo (Jacobs, Chor. Trisha Brown)’. 22AD. https://www.youtube.com/watch?v=sKD1qUVJJBU.
Cowgill, Rachel, Hilary Poriss, and Oxford University Press. 2011. The Arts of the Prima Donna in the Long Nineteenth Century. Electronic resource. New York: Oxford University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780195365870.001.0001.
‘Das Rheingold, Orchestral Score (Download Each Act Separately)’. n.d. http://imslp.org/wiki/Das_Rheingold,_WWV_86A_(Wagner,_Richard).
‘Das Rheingold (The Copenhagen Ring)’. 6AD. https://www.youtube.com/watch?v=r5__IeJtGIE.
‘Das Rheingold, Vocal Score’. n.d. http://hz.imslp.info/files/imglnks/usimg/2/2d/IMSLP16446-Rheingold.pdf.
‘De Vriend, Rotterdam, 1998’. 2012. https://www.youtube.com/watch?v=Lf9HMjD9rBE&t=463s.
Deathridge, John. 2008. Wagner beyond Good and Evil. Electronic resource. Berkeley, Calif: University of California Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1525/california/9780520254534.001.0001.
Della Seta, Fabrizio, and Mark Weir. 2013. Not without Madness: Perspectives on Opera. Chicago, Illinois: The University of Chicago Press. https://ezproxy.lib.gla.ac.uk/login?url=https://chicago.universitypressscholarship.com/view/10.7208/chicago/9780226749167.001.0001/upso-9780226749143.
‘Don Giovanni - Full Score’. n.d. http://hz.imslp.info/files/imglnks/usimg/0/07/IMSLP433273-PMLP36804-Binder1.pdf.
‘Don Giovanni Live at Helsinki Festival 22.08.2013. Dir. Erik Söderblom’. 20AD. https://www.youtube.com/watch?v=UzxYEVbOS5w.
‘Don Giovanni Vocal Score’. n.d. http://hz.imslp.info/files/imglnks/usimg/4/43/IMSLP296761-PMLP36804-b30014785_text.pdf.
Grey, Thomas S., ed. 2008a. The Cambridge Companion to Wagner. Vol. Cambridge Companions to Music. Cambridge: Cambridge University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCOL9780521642996.
———, ed. 2008b. The Cambridge Companion to Wagner. Vol. Cambridge Companions to Music. Cambridge: Cambridge University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCOL9780521642996.
———, ed. 2008c. The Cambridge Companion to Wagner. Vol. Cambridge Companions to Music. Cambridge: Cambridge University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCOL9780521642996.
———, ed. 2008d. The Cambridge Companion to Wagner. Vol. Cambridge Companions to Music. Cambridge: Cambridge University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCOL9780521642996.
‘Guiseppe Verdi - La Traviata | with James Rutherford, Marlis Petersen and Giuseppe Varano (HD 1080p)’. 2015. https://www.youtube.com/watch?v=swaTMZIz4fQ.
Halliwell, Michael. 2005. Opera and the Novel: The Case of Henry James. Edited by Walter Bernhart. Vol. 6. Amsterdam: Rodopi. https://books.google.co.uk/books?id=1mMFY8wdfYYC&printsec=frontcover&dq=Opera+and+the+novel+the+case+of+henry+james&hl=en&sa=X&ved=0ahUKEwiS-O2Nlq_XAhVOCewKHawJDyAQ6AEIKDAA#v=onepage&q=Opera%20and%20the%20novel%20the%20case%20of%20henry%20james&f=false.
‘Handel - RODELINDA - Harnoncourt/Mehta/De Niese’. 2016. https://www.youtube.com/watch?v=W-UNDzMOgFY&t=2170s.
‘Handel: Rodelinda ; Opera McGill ; McGill Baroque Orchestra ; Knox ; Hansen.’ 17AD. https://www.youtube.com/watch?v=oFENbDFpW_k.
Hibberd, Sarah, and Richard Wrigley, eds. 2014. Art, Theatre, and Opera in Paris, 1750-1850: Exchanges and Tensions. Farnham, Surrey: Ashgate.
Howard, Patricia. 1981. Orfeo. Vol. Cambridge opera handbooks. Cambridge: Cambridge University Press.
———. 2014. The Modern Castrato: Gaetano Guadagni and the Coming of a New Operatic Age. New York: Oxford University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780199365203.001.0001.
Hutcheon, Linda, and Michael Hutcheon. 1996. Opera: Desire, Disease, Death. Vol. Texts and contexts. Lincoln: University of Nebraska Press.
Jones, Andrew V. 2006. ‘Staging a Handel Opera’. Early Music 34 (2). http://www.jstor.org.ezproxy.lib.gla.ac.uk/stable/3805846.
Kerman, Joseph. 1988. Opera as Drama. New and rev. Ed. London: Faber and Faber.
Kimbell, David R. B. 2016. Handel on the Stage. Cambridge, United Kingdom: Cambridge University Press.
Koestenbaum, Wayne, and Tony Kushner. 2001. The Queen’s Throat: Opera, Homosexuality, and the Mystery of Desire. 1st Da Capo ed. New York: Da Capo.
Kramer, Lawrence. 2004. Opera and Modern Culture: Wagner and Strauss. Electronic resource. Berkeley, Calif: University of California Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1525/california/9780520241732.001.0001.
‘La Traviata ENGLISH SUB 1968 Moffo, Bonisolli, Bechi’. 12AD. https://www.youtube.com/watch?v=6fSzo9VXgow.
‘La Traviata (Verdi, Giuseppe) - Full Score’. n.d. http://imslp.org/wiki/La_traviata_(Verdi%2C_Giuseppe).
‘La Traviata Vocal Score’. n.d. http://hz.imslp.info/files/imglnks/usimg/9/97/IMSLP392068-SIBLEY1802.29794.0087-39087011147396score.pdf.
Levin, David J. 1993. Opera through Other Eyes. Stanford, Calif: Stanford University Press.
Levin, David J. and Dawson Books. 2007. Unsettling Opera: Staging Mozart, Verdi, Wagner, and Zemlinsky. Chicago, Illinois: The University of Chicago Press. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780226475257.
Lindenberger, Herbert Samuel. 2010. Situating Opera: Period, Genre, Reception. Vol. Cambridge studies in opera. Cambridge: Cambridge university press.
‘“L’Orfeo” de Monteverdi Par John Eliot Gardiner - Live @ La Fenice’. 27AD. https://www.youtube.com/watch?v=toXIBTGZUfU.
Luckhurst, Mary. 2006. Dramaturgy: A Revolution in Theatre. Electronic resource. Vol. Cambridge studies in modern theatre. Cambridge: Cambridge University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.07563.
Marvin, Roberta Montemorra, and Downing A. Thomas. 2006. Operatic Migrations: Transforming Works and Crossing Boundaries. Aldershot, England: Ashgate.
Mitchell Morris. 1995. ‘Reading as an Opera Queen’. Edited by Ruth Solie. Musicology and Difference: Gender and Sexuality in Music Scholarship.
‘Monteverdi - Orpheus - Berlin (Sung in German)’. 2013. https://www.youtube.com/watch?v=H5uXoDj1eRo.
‘Mozart: Don Giovanni - Dir. Peter Sellars (Part 1 of 3)’. 20AD. https://www.youtube.com/watch?v=vMXU5pjhPTM.
‘Original Score (1609) of the Opera’. n.d. http://ks.imslp.net/files/imglnks/usimg/1/10/IMSLP297158-PMLP21363-Monteverdi_-_L’Orfeo,_Favola_in_Musica_(1609).pdf.
Parakilas, James A. 1990. ‘The Afterlife of Don Giovanni: Turning Production History into Criticism - 763570.Pdf’. The Journal of Musicology 8 (2). http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/763570.
‘Rodelinda’s Full Score (Chrysander Edition)’. n.d. http://hz.imslp.info/files/imglnks/usimg/8/86/IMSLP19008-PMLP44845-HG_Band_70.pdf.
‘Rodelinda’s Score in Piano Reduction’. n.d. http://petruccilibrary.ca/files/imglnks/caimg/8/8f/IMSLP111848-PMLP44845-Handel_-_Rodelinda_(vocal_score).pdf.
Rushton, Julian. 1981. W. A. Mozart: Don Giovanni. Vol. Cambridge opera handbooks. Cambridge: Cambridge University Press.
Rutherford, Susan. 2006. The Prima Donna and Opera, 1815-1930. Vol. Cambridge studies in opera. Cambridge: Cambridge University Press.
Strohm, Reinhard. 1985. Essays on Handel and Italian Opera. Cambridge: Cambridge University Press.
Till, Nicholas, ed. 2012a. The Cambridge Companion to Opera Studies. Vol. Cambridge Companions to Music. Cambridge: Cambridge University Press. http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1017/CCO9781139024976.
———, ed. 2012b. The Cambridge Companion to Opera Studies. Vol. Cambridge Companions to Music. Cambridge: Cambridge University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCO9781139024976.
———, ed. 2012c. The Cambridge Companion to Opera Studies. Vol. Cambridge Companions to Music. Cambridge: Cambridge University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCO9781139024976.
———, ed. 2012d. The Cambridge Companion to Opera Studies. Vol. Cambridge Companions to Music. Cambridge: Cambridge University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCO9781139024976.
———, ed. 2012e. The Cambridge Companion to Opera Studies. Vol. Cambridge Companions to Music. Cambridge: Cambridge University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCO9781139024976.
Tomlinson, Gary. 1999. Metaphysical Song: An Essay on Opera. Vol. Princeton studies in opera. Princeton, N.J.: Princeton University Press.
‘Verdi: La Traviata (Fleming, Villazón, Bruson)(2007)’. 12AD. https://www.youtube.com/watch?v=1-jHIfm3_oI.
‘Wagner - Der Ring Des Nibelungen: Das Rheingold [Boulez, Chéreau]’. 2014. https://www.youtube.com/watch?v=3ZP-yXsNV2E.
‘Wagner: Das Rheingold - Barenboim, Tomlinson, G. Clark, von Kannen’. 4AD. https://www.youtube.com/watch?v=OxQjchA_L10.
Wagner, Richard. 1852. Opera and Drama. https://eleanor.lib.gla.ac.uk/record=b1204958.
———. n.d. The Artwork of the Future. http://www.public-library.uk/ebooks/107/74.pdf.
Wagner, Richard, Hildegard Behrens, Mari Anne Häggander, Siegfried Jerusalem, Gary Lakes, Hanna Lisowska, Christa Ludwig, et al. n.d. ‘Der Ring Des Nibelungen’. Videorecording. Hamburg: Deutsche Grammophon.
‘W.A.Mozart: Don Giovanni /Abbado-Raimondi-Studer-Mattila/’. 19AD. https://www.youtube.com/watch?v=xB9RZG-c0xI.
Whenham, John. 1986. Claudio Monteverdi: Orfeo. Vol. Cambridge opera handbooks. Cambridge: Cambridge University Press.
Woodfield, Ian. 2001. Opera and Drama in Eighteenth-Century London: The King’s Theatre, Garrick and the Business of Performance. Vol. Cambridge studies in opera. Cambridge: Cambridge University Press.
