A 1930 edition of Orfeo by composer G. Malipiero. (n.d.). http://hz.imslp.info/files/imglnks/usimg/2/21/IMSLP310353-PMLP21363-monteverdi_orfeo2.pdf
Abbate, C. & American Council of Learned Societies. (1991). Unsung voices: opera and musical narrative in the nineteenth century [Electronic resource]. Princeton University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.06245
Abbate, C. & Ebooks Corporation Limited. (2003). In search of opera: Vol. Princeton studies in opera. Princeton University Press. http://GLA.eblib.com/patron/FullRecord.aspx?p=1843645
Abbate, C., & Parker, R. (2012). A history of opera: the last four hundred years. Allen Lane.
Abbate, C., Parker, R., & Cornell Verdi-Wagner Conference. (1989). Analyzing opera: Verdi and Wagner: Vol. California studies in 19th century music. University of California Press.
Aristotle. (n.d.). Poetics. http://classics.mit.edu/Aristotle/poetics.html
Aspden, S. (2013). The rival sirens: performance and identity on Handel’s operatic stage: Vol. Cambridge studies in opera. Cambridge University Press. http://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9781139889704
Balthazar, S. L. (Ed.). (2004). The Cambridge Companion to Verdi: Vol. Cambridge Companions to Music. Cambridge University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCOL9780521632287
Berry, M. (2016). Treacherous bonds and laughing fire: politics and religion in Wagner’s Ring. Routledge.
Blake, A. (2010). ‘Wort oder Ton’? Reading the Libretto in Contemporary Opera. Contemporary Music Review, 29. https://doi.org/10.1080/07494467.2010.534929
Citron, M. J. (2010). When opera meets film: Vol. Cambridge studies in opera. Cambridge University Press. http://assets.cambridge.org/97805218/95750/cover/9780521895750.jpg
Claudio Monteverdi - L’Orfeo - Zurich 1978. (11 C.E.). https://www.youtube.com/watch?v=8361qIY8wpk&t=219s
Claudio Monteverdi: L’Orfeo (Jacobs, chor. Trisha Brown). (22 C.E.). https://www.youtube.com/watch?v=sKD1qUVJJBU
Cowgill, R., Poriss, H., & Oxford University Press. (2011). The arts of the prima donna in the long nineteenth century [Electronic resource]. Oxford University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780195365870.001.0001
Das Rheingold, orchestral score (download each act separately). (n.d.). http://imslp.org/wiki/Das_Rheingold,_WWV_86A_(Wagner,_Richard)
Das Rheingold (The Copenhagen Ring). (6 C.E.). https://www.youtube.com/watch?v=r5__IeJtGIE
Das Rheingold, vocal score. (n.d.). http://hz.imslp.info/files/imglnks/usimg/2/2d/IMSLP16446-Rheingold.pdf
de Vriend, Rotterdam, 1998. (2012). https://www.youtube.com/watch?v=Lf9HMjD9rBE&t=463s
Deathridge, J. (2008). Wagner beyond good and evil [Electronic resource]. University of California Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1525/california/9780520254534.001.0001
Della Seta, F., & Weir, M. (2013). Not without madness: perspectives on opera. The University of Chicago Press. https://ezproxy.lib.gla.ac.uk/login?url=https://chicago.universitypressscholarship.com/view/10.7208/chicago/9780226749167.001.0001/upso-9780226749143
Don Giovanni - Full score. (n.d.). http://hz.imslp.info/files/imglnks/usimg/0/07/IMSLP433273-PMLP36804-Binder1.pdf
Don Giovanni live at Helsinki Festival 22.08.2013. Dir. Erik Söderblom. (20 C.E.). https://www.youtube.com/watch?v=UzxYEVbOS5w
Don Giovanni vocal score. (n.d.). http://hz.imslp.info/files/imglnks/usimg/4/43/IMSLP296761-PMLP36804-b30014785_text.pdf
Grey, T. S. (Ed.). (2008a). The Cambridge Companion to Wagner: Vol. Cambridge Companions to Music. Cambridge University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCOL9780521642996
Grey, T. S. (Ed.). (2008b). The Cambridge Companion to Wagner: Vol. Cambridge Companions to Music. Cambridge University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCOL9780521642996
Grey, T. S. (Ed.). (2008c). The Cambridge Companion to Wagner: Vol. Cambridge Companions to Music. Cambridge University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCOL9780521642996
Grey, T. S. (Ed.). (2008d). The Cambridge Companion to Wagner: Vol. Cambridge Companions to Music. Cambridge University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCOL9780521642996
Guiseppe Verdi - La Traviata | with James Rutherford, Marlis Petersen and Giuseppe Varano (HD 1080p). (2015). https://www.youtube.com/watch?v=swaTMZIz4fQ
Halliwell, M. (2005). Opera and the novel: the case of Henry James (W. Bernhart, Ed.; Vol. 6). Rodopi. https://books.google.co.uk/books?id=1mMFY8wdfYYC&printsec=frontcover&dq=Opera+and+the+novel+the+case+of+henry+james&hl=en&sa=X&ved=0ahUKEwiS-O2Nlq_XAhVOCewKHawJDyAQ6AEIKDAA#v=onepage&q=Opera%20and%20the%20novel%20the%20case%20of%20henry%20james&f=false
Handel - RODELINDA - Harnoncourt/Mehta/De Niese. (2016). https://www.youtube.com/watch?v=W-UNDzMOgFY&t=2170s
Handel: Rodelinda ; Opera McGill ; McGill Baroque Orchestra ; Knox ; Hansen. (17 C.E.). https://www.youtube.com/watch?v=oFENbDFpW_k
Hibberd, S., & Wrigley, R. (Eds.). (2014). Art, theatre, and opera in Paris, 1750-1850: exchanges and tensions. Ashgate.
Howard, P. (1981). Orfeo: Vol. Cambridge opera handbooks. Cambridge University Press.
Howard, P. (2014). The modern castrato: Gaetano Guadagni and the coming of a new operatic age. Oxford University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780199365203.001.0001
Hutcheon, L., & Hutcheon, M. (1996). Opera: desire, disease, death: Vol. Texts and contexts. University of Nebraska Press.
Jones, A. V. (2006). Staging a Handel Opera. Early Music, 34(2). http://www.jstor.org.ezproxy.lib.gla.ac.uk/stable/3805846
Kerman, J. (1988). Opera as drama (New and rev. ed). Faber and Faber.
Kimbell, D. R. B. (2016). Handel on the stage. Cambridge University Press.
Koestenbaum, W., & Kushner, T. (2001). The queen’s throat: opera, homosexuality, and the mystery of desire (1st Da Capo ed). Da Capo.
Kramer, L. (2004). Opera and modern culture: Wagner and Strauss [Electronic resource]. University of California Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1525/california/9780520241732.001.0001
La Traviata ENGLISH SUB 1968 Moffo, Bonisolli, Bechi. (12 C.E.). https://www.youtube.com/watch?v=6fSzo9VXgow
La traviata (Verdi, Giuseppe) - Full score. (n.d.). http://imslp.org/wiki/La_traviata_(Verdi%2C_Giuseppe)
La Traviata vocal score. (n.d.). http://hz.imslp.info/files/imglnks/usimg/9/97/IMSLP392068-SIBLEY1802.29794.0087-39087011147396score.pdf
Levin, D. J. (1993). Opera through other eyes. Stanford University Press.
Levin, D. J. & Dawson Books. (2007). Unsettling opera: staging Mozart, Verdi, Wagner, and Zemlinsky. The University of Chicago Press. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780226475257
Lindenberger, H. S. (2010). Situating opera: period, genre, reception: Vol. Cambridge studies in opera. Cambridge university press.
‘L’Orfeo’ de Monteverdi par John Eliot Gardiner - live @ La Fenice. (27 C.E.). https://www.youtube.com/watch?v=toXIBTGZUfU
Luckhurst, M. (2006). Dramaturgy: a revolution in theatre: Vol. Cambridge studies in modern theatre [Electronic resource]. Cambridge University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.07563
Marvin, R. M., & Thomas, D. A. (2006). Operatic migrations: transforming works and crossing boundaries. Ashgate.
Mitchell Morris. (1995). Reading as an opera queen. Musicology and Difference: Gender and Sexuality in Music Scholarship.
Monteverdi - Orpheus - Berlin (sung in german). (2013). https://www.youtube.com/watch?v=H5uXoDj1eRo
Mozart: Don Giovanni - dir. Peter Sellars (Part 1 of 3). (20 C.E.). https://www.youtube.com/watch?v=vMXU5pjhPTM
Original score (1609) of the opera. (n.d.). http://ks.imslp.net/files/imglnks/usimg/1/10/IMSLP297158-PMLP21363-Monteverdi_-_L’Orfeo,_Favola_in_Musica_(1609).pdf
Parakilas, J. A. (1990). The Afterlife of Don Giovanni: Turning Production History into Criticism - 763570.pdf. The Journal of Musicology, 8(2). http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/763570
Rodelinda’s full score (Chrysander edition). (n.d.). http://hz.imslp.info/files/imglnks/usimg/8/86/IMSLP19008-PMLP44845-HG_Band_70.pdf
Rodelinda’s score in piano reduction. (n.d.). http://petruccilibrary.ca/files/imglnks/caimg/8/8f/IMSLP111848-PMLP44845-Handel_-_Rodelinda_(vocal_score).pdf
Rushton, J. (1981). W. A. Mozart: Don Giovanni: Vol. Cambridge opera handbooks. Cambridge University Press.
Rutherford, S. (2006). The prima donna and opera, 1815-1930: Vol. Cambridge studies in opera. Cambridge University Press.
Strohm, R. (1985). Essays on Handel and Italian opera. Cambridge University Press.
Till, N. (Ed.). (2012a). The Cambridge Companion to Opera Studies: Vol. Cambridge Companions to Music. Cambridge University Press. http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1017/CCO9781139024976
Till, N. (Ed.). (2012b). The Cambridge Companion to Opera Studies: Vol. Cambridge Companions to Music. Cambridge University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCO9781139024976
Till, N. (Ed.). (2012c). The Cambridge Companion to Opera Studies: Vol. Cambridge Companions to Music. Cambridge University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCO9781139024976
Till, N. (Ed.). (2012d). The Cambridge Companion to Opera Studies: Vol. Cambridge Companions to Music. Cambridge University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCO9781139024976
Till, N. (Ed.). (2012e). The Cambridge Companion to Opera Studies: Vol. Cambridge Companions to Music. Cambridge University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCO9781139024976
Tomlinson, G. (1999). Metaphysical song: an essay on opera: Vol. Princeton studies in opera. Princeton University Press.
Verdi: La Traviata (Fleming, Villazón, Bruson)(2007). (12 C.E.). https://www.youtube.com/watch?v=1-jHIfm3_oI
Wagner - Der Ring Des Nibelungen: Das Rheingold [Boulez, Chéreau]. (2014). https://www.youtube.com/watch?v=3ZP-yXsNV2E
Wagner: Das Rheingold - Barenboim, Tomlinson, G. Clark, von Kannen. (4 C.E.). https://www.youtube.com/watch?v=OxQjchA_L10
Wagner, R. (1913). Opera and drama. Reeves.
Wagner, R., Behrens, H., Häggander, M. A., Jerusalem, S., Lakes, G., Lisowska, H., Ludwig, C., Moll, K., Morris, J., Norman, J., Raffell, A., Rootering, J.-H., Salminen, M., Svendén, B., Upshaw, D., Wlaschiha, E., Zednik, H., Levine, J., Gelb, P., … Metropolitan Opera (New York, N.Y.). (n.d.). Der Ring des Nibelungen [Videorecording]. Deutsche Grammophon.
Wagner, R., & Ellis, W. A. (n.d.). The Artwork of the Future. http://www.public-library.uk/ebooks/107/74.pdf
W.A.Mozart: Don Giovanni /Abbado-Raimondi-Studer-Mattila/. (19 C.E.). https://www.youtube.com/watch?v=xB9RZG-c0xI
Whenham, J. (1986). Claudio Monteverdi: Orfeo: Vol. Cambridge opera handbooks. Cambridge University Press.
Woodfield, I. (2001). Opera and drama in eighteenth-century London: the King’s Theatre, Garrick and the business of performance: Vol. Cambridge studies in opera. Cambridge University Press.
