A 1930 edition of Orfeo by composer G. Malipiero. (n.d.). http://hz.imslp.info/files/imglnks/usimg/2/21/IMSLP310353-PMLP21363-monteverdi_orfeo2.pdf
Abbate, C. & American Council of Learned Societies. (1991). Unsung voices: opera and musical narrative in the nineteenth century [Electronic resource]. Princeton University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.06245
Abbate, C. & Ebooks Corporation Limited. (2003). In search of opera: Vol. Princeton studies in opera. Princeton University Press. http://GLA.eblib.com/patron/FullRecord.aspx?p=1843645
Abbate, C., & Parker, R. (2012). A history of opera: the last four hundred years. Allen Lane.
Abbate, C., Parker, R., & Cornell Verdi-Wagner Conference. (1989). Analyzing opera: Verdi and Wagner: Vol. California studies in 19th century music. University of California Press.
Aristotle. (n.d.). Poetics. http://classics.mit.edu/Aristotle/poetics.html
Aspden, S. (2013). The rival sirens: performance and identity on Handel’s operatic stage: Vol. Cambridge studies in opera. Cambridge University Press. http://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9781139889704
Balthazar, S. L. (Ed.). (2004). The Cambridge Companion to Verdi: Vol. Cambridge Companions to Music. Cambridge University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCOL9780521632287
Berry, M. (2016). Treacherous bonds and laughing fire: politics and religion in Wagner’s Ring. Routledge.
Blake, A. (2010). ‘Wort oder Ton’? Reading the Libretto in Contemporary Opera. Contemporary Music Review, 29. https://doi.org/10.1080/07494467.2010.534929
Citron, M. J. (2010). When opera meets film: Vol. Cambridge studies in opera. Cambridge University Press. http://assets.cambridge.org/97805218/95750/cover/9780521895750.jpg
Claudio Monteverdi - L’Orfeo - Zurich 1978. (11 C.E.). https://www.youtube.com/watch?v=8361qIY8wpk&t=219s
Claudio Monteverdi: L’Orfeo (Jacobs, chor. Trisha Brown). (22 C.E.). https://www.youtube.com/watch?v=sKD1qUVJJBU
Cowgill, R., Poriss, H., & Oxford University Press. (2011). The arts of the prima donna in the long nineteenth century [Electronic resource]. Oxford University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780195365870.001.0001
Das Rheingold, orchestral score (download each act separately). (n.d.). http://imslp.org/wiki/Das_Rheingold,_WWV_86A_(Wagner,_Richard)
Das Rheingold (The Copenhagen Ring). (6 C.E.). https://www.youtube.com/watch?v=r5__IeJtGIE
Das Rheingold, vocal score. (n.d.). http://hz.imslp.info/files/imglnks/usimg/2/2d/IMSLP16446-Rheingold.pdf
de Vriend, Rotterdam, 1998. (2012). https://www.youtube.com/watch?v=Lf9HMjD9rBE&t=463s
Deathridge, J. (2008). Wagner beyond good and evil [Electronic resource]. University of California Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1525/california/9780520254534.001.0001
Della Seta, F., & Weir, M. (2013). Not without madness: perspectives on opera. The University of Chicago Press. https://ezproxy.lib.gla.ac.uk/login?url=https://chicago.universitypressscholarship.com/view/10.7208/chicago/9780226749167.001.0001/upso-9780226749143
Don Giovanni - Full score. (n.d.). http://hz.imslp.info/files/imglnks/usimg/0/07/IMSLP433273-PMLP36804-Binder1.pdf
Don Giovanni live at Helsinki Festival 22.08.2013. Dir. Erik Söderblom. (20 C.E.). https://www.youtube.com/watch?v=UzxYEVbOS5w
Don Giovanni vocal score. (n.d.). http://hz.imslp.info/files/imglnks/usimg/4/43/IMSLP296761-PMLP36804-b30014785_text.pdf
Grey, T. S. (Ed.). (2008a). The Cambridge Companion to Wagner: Vol. Cambridge Companions to Music. Cambridge University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCOL9780521642996
Grey, T. S. (Ed.). (2008b). The Cambridge Companion to Wagner: Vol. Cambridge Companions to Music. Cambridge University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCOL9780521642996
Grey, T. S. (Ed.). (2008c). The Cambridge Companion to Wagner: Vol. Cambridge Companions to Music. Cambridge University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCOL9780521642996
Grey, T. S. (Ed.). (2008d). The Cambridge Companion to Wagner: Vol. Cambridge Companions to Music. Cambridge University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCOL9780521642996
Guiseppe Verdi - La Traviata | with James Rutherford, Marlis Petersen and Giuseppe Varano (HD 1080p). (2015). https://www.youtube.com/watch?v=swaTMZIz4fQ
Halliwell, M. (2005). Opera and the novel: the case of Henry James (W. Bernhart, Ed.; Vol. 6). Rodopi. https://books.google.co.uk/books?id=1mMFY8wdfYYC&printsec=frontcover&dq=Opera+and+the+novel+the+case+of+henry+james&hl=en&sa=X&ved=0ahUKEwiS-O2Nlq_XAhVOCewKHawJDyAQ6AEIKDAA#v=onepage&q=Opera%20and%20the%20novel%20the%20case%20of%20henry%20james&f=false
Handel - RODELINDA - Harnoncourt/Mehta/De Niese. (2016). https://www.youtube.com/watch?v=W-UNDzMOgFY&t=2170s
Handel: Rodelinda ; Opera McGill ; McGill Baroque Orchestra ; Knox ; Hansen. (17 C.E.). https://www.youtube.com/watch?v=oFENbDFpW_k
Hibberd, S., & Wrigley, R. (Eds.). (2014). Art, theatre, and opera in Paris, 1750-1850: exchanges and tensions. Ashgate.
Howard, P. (1981). Orfeo: Vol. Cambridge opera handbooks. Cambridge University Press.
Howard, P. (2014). The modern castrato: Gaetano Guadagni and the coming of a new operatic age. Oxford University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780199365203.001.0001
Hutcheon, L., & Hutcheon, M. (1996). Opera: desire, disease, death: Vol. Texts and contexts. University of Nebraska Press.
Jones, A. V. (2006). Staging a Handel Opera. Early Music, 34(2). http://www.jstor.org.ezproxy.lib.gla.ac.uk/stable/3805846
Kerman, J. (1988). Opera as drama (New and rev. ed). Faber and Faber.
Kimbell, D. R. B. (2016). Handel on the stage. Cambridge University Press.
Koestenbaum, W., & Kushner, T. (2001). The queen’s throat: opera, homosexuality, and the mystery of desire (1st Da Capo ed). Da Capo.
Kramer, L. (2004). Opera and modern culture: Wagner and Strauss [Electronic resource]. University of California Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1525/california/9780520241732.001.0001
La Traviata ENGLISH SUB 1968 Moffo, Bonisolli, Bechi. (12 C.E.). https://www.youtube.com/watch?v=6fSzo9VXgow
La traviata (Verdi, Giuseppe) - Full score. (n.d.). http://imslp.org/wiki/La_traviata_(Verdi%2C_Giuseppe)
La Traviata vocal score. (n.d.). http://hz.imslp.info/files/imglnks/usimg/9/97/IMSLP392068-SIBLEY1802.29794.0087-39087011147396score.pdf
Levin, D. J. (1993). Opera through other eyes. Stanford University Press.
Levin, D. J. & Dawson Books. (2007). Unsettling opera: staging Mozart, Verdi, Wagner, and Zemlinsky. The University of Chicago Press. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780226475257
Lindenberger, H. S. (2010). Situating opera: period, genre, reception: Vol. Cambridge studies in opera. Cambridge university press.
‘L’Orfeo’ de Monteverdi par John Eliot Gardiner - live @ La Fenice. (27 C.E.). https://www.youtube.com/watch?v=toXIBTGZUfU
Luckhurst, M. (2006). Dramaturgy: a revolution in theatre: Vol. Cambridge studies in modern theatre [Electronic resource]. Cambridge University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.07563
Marvin, R. M., & Thomas, D. A. (2006). Operatic migrations: transforming works and crossing boundaries. Ashgate.
Mitchell Morris. (1995). Reading as an opera queen. Musicology and Difference: Gender and Sexuality in Music Scholarship.
Monteverdi - Orpheus - Berlin (sung in german). (2013). https://www.youtube.com/watch?v=H5uXoDj1eRo
Mozart: Don Giovanni - dir. Peter Sellars (Part 1 of 3). (20 C.E.). https://www.youtube.com/watch?v=vMXU5pjhPTM
Original score (1609) of the opera. (n.d.). http://ks.imslp.net/files/imglnks/usimg/1/10/IMSLP297158-PMLP21363-Monteverdi_-_L’Orfeo,_Favola_in_Musica_(1609).pdf
Parakilas, J. A. (1990). The Afterlife of Don Giovanni: Turning Production History into Criticism - 763570.pdf. The Journal of Musicology, 8(2). http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/763570
Rodelinda’s full score (Chrysander edition). (n.d.). http://hz.imslp.info/files/imglnks/usimg/8/86/IMSLP19008-PMLP44845-HG_Band_70.pdf
Rodelinda’s score in piano reduction. (n.d.). http://petruccilibrary.ca/files/imglnks/caimg/8/8f/IMSLP111848-PMLP44845-Handel_-_Rodelinda_(vocal_score).pdf
Rushton, J. (1981). W. A. Mozart: Don Giovanni: Vol. Cambridge opera handbooks. Cambridge University Press.
Rutherford, S. (2006). The prima donna and opera, 1815-1930: Vol. Cambridge studies in opera. Cambridge University Press.
Strohm, R. (1985). Essays on Handel and Italian opera. Cambridge University Press.
Till, N. (Ed.). (2012a). The Cambridge Companion to Opera Studies: Vol. Cambridge Companions to Music. Cambridge University Press. http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1017/CCO9781139024976
Till, N. (Ed.). (2012b). The Cambridge Companion to Opera Studies: Vol. Cambridge Companions to Music. Cambridge University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCO9781139024976
Till, N. (Ed.). (2012c). The Cambridge Companion to Opera Studies: Vol. Cambridge Companions to Music. Cambridge University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCO9781139024976
Till, N. (Ed.). (2012d). The Cambridge Companion to Opera Studies: Vol. Cambridge Companions to Music. Cambridge University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCO9781139024976
Till, N. (Ed.). (2012e). The Cambridge Companion to Opera Studies: Vol. Cambridge Companions to Music. Cambridge University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCO9781139024976
Tomlinson, G. (1999). Metaphysical song: an essay on opera: Vol. Princeton studies in opera. Princeton University Press.
Verdi: La Traviata (Fleming, Villazón, Bruson)(2007). (12 C.E.). https://www.youtube.com/watch?v=1-jHIfm3_oI
Wagner - Der Ring Des Nibelungen: Das Rheingold [Boulez, Chéreau]. (2014). https://www.youtube.com/watch?v=3ZP-yXsNV2E
Wagner: Das Rheingold - Barenboim, Tomlinson, G. Clark, von Kannen. (4 C.E.). https://www.youtube.com/watch?v=OxQjchA_L10
Wagner, R. (n.d.). The Artwork of the Future. http://www.public-library.uk/ebooks/107/74.pdf
Wagner, R. (1852). Opera and Drama. https://eleanor.lib.gla.ac.uk/record=b1204958
Wagner, R., Behrens, H., Häggander, M. A., Jerusalem, S., Lakes, G., Lisowska, H., Ludwig, C., Moll, K., Morris, J., Norman, J., Raffell, A., Rootering, J.-H., Salminen, M., Svendén, B., Upshaw, D., Wlaschiha, E., Zednik, H., Levine, J., Gelb, P., … Metropolitan Opera (New York, N.Y.). (n.d.). Der Ring des Nibelungen [Videorecording]. Deutsche Grammophon.
W.A.Mozart: Don Giovanni /Abbado-Raimondi-Studer-Mattila/. (19 C.E.). https://www.youtube.com/watch?v=xB9RZG-c0xI
Whenham, J. (1986). Claudio Monteverdi: Orfeo: Vol. Cambridge opera handbooks. Cambridge University Press.
Woodfield, I. (2001). Opera and drama in eighteenth-century London: the King’s Theatre, Garrick and the business of performance: Vol. Cambridge studies in opera. Cambridge University Press.
