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N. Till, Ed., The Cambridge Companion to Opera Studies, vol. Cambridge Companions to Music. Cambridge: Cambridge University Press, 2012 [Online]. Available: http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1017/CCO9781139024976
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J. Whenham, Claudio Monteverdi: Orfeo, vol. Cambridge opera handbooks. Cambridge: Cambridge University Press, 1986.
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C. Abbate and R. Parker, A history of opera: the last four hundred years. London: Allen Lane, 2012.
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Aristotle, Poetics. [Online]. Available: http://classics.mit.edu/Aristotle/poetics.html
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C. Abbate and Ebooks Corporation Limited, In search of opera, vol. Princeton studies in opera. Princeton, N.J.: Princeton University Press, 2003 [Online]. Available: http://GLA.eblib.com/patron/FullRecord.aspx?p=1843645
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‘Claudio Monteverdi: L’Orfeo (Jacobs, chor. Trisha Brown)’. 22AD [Online]. Available: https://www.youtube.com/watch?v=sKD1qUVJJBU
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‘Claudio Monteverdi - L’Orfeo - Zurich 1978’. 11AD [Online]. Available: https://www.youtube.com/watch?v=8361qIY8wpk&t=219s
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‘Monteverdi - Orpheus - Berlin (sung in german)’. Oct. 11, 2013 [Online]. Available: https://www.youtube.com/watch?v=H5uXoDj1eRo
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‘“L’Orfeo” de Monteverdi par John Eliot Gardiner - live @ La Fenice’. 27AD [Online]. Available: https://www.youtube.com/watch?v=toXIBTGZUfU
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‘Original score (1609) of the opera’. [Online]. Available: http://ks.imslp.net/files/imglnks/usimg/1/10/IMSLP297158-PMLP21363-Monteverdi_-_L’Orfeo,_Favola_in_Musica_(1609).pdf
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‘A 1930 edition of Orfeo by composer G. Malipiero’. [Online]. Available: http://hz.imslp.info/files/imglnks/usimg/2/21/IMSLP310353-PMLP21363-monteverdi_orfeo2.pdf
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A. V. Jones, ‘Staging a Handel Opera’, Early Music, vol. 34, no. 2, 2006 [Online]. Available: http://www.jstor.org.ezproxy.lib.gla.ac.uk/stable/3805846
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R. Strohm, Essays on Handel and Italian opera. Cambridge: Cambridge University Press, 1985.
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N. Till, Ed., The Cambridge Companion to Opera Studies, vol. Cambridge Companions to Music. Cambridge: Cambridge University Press, 2012 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCO9781139024976
[15]
N. Till, Ed., The Cambridge Companion to Opera Studies, vol. Cambridge Companions to Music. Cambridge: Cambridge University Press, 2012 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCO9781139024976
[16]
S. Aspden, The rival sirens: performance and identity on Handel’s operatic stage, vol. Cambridge studies in opera. Cambridge: Cambridge University Press, 2013 [Online]. Available: http://www.vlebooks.com/vleweb/product/openreader?id=GlasgowUni&isbn=9781139889704
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I. Woodfield, Opera and drama in eighteenth-century London: the King’s Theatre, Garrick and the business of performance, vol. Cambridge studies in opera. Cambridge: Cambridge University Press, 2001.
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D. R. B. Kimbell, Handel on the stage. Cambridge, United Kingdom: Cambridge University Press, 2016.
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‘Rodelinda’s score in piano reduction’. [Online]. Available: http://petruccilibrary.ca/files/imglnks/caimg/8/8f/IMSLP111848-PMLP44845-Handel_-_Rodelinda_(vocal_score).pdf
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‘Rodelinda’s full score (Chrysander edition)’. [Online]. Available: http://hz.imslp.info/files/imglnks/usimg/8/86/IMSLP19008-PMLP44845-HG_Band_70.pdf
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‘Handel: Rodelinda ; Opera McGill ; McGill Baroque Orchestra ; Knox ; Hansen.’ 17AD [Online]. Available: https://www.youtube.com/watch?v=oFENbDFpW_k
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‘Handel - RODELINDA - Harnoncourt/Mehta/De Niese’. Oct. 11, 2016 [Online]. Available: https://www.youtube.com/watch?v=W-UNDzMOgFY&t=2170s
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‘de Vriend, Rotterdam, 1998’. Nov. 21, 2012 [Online]. Available: https://www.youtube.com/watch?v=Lf9HMjD9rBE&t=463s
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D. J. Levin and Dawson Books, Unsettling opera: staging Mozart, Verdi, Wagner, and Zemlinsky. Chicago, Illinois: The University of Chicago Press, 2007 [Online]. Available: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.gla.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780226475257
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N. Till, Ed., The Cambridge Companion to Opera Studies, vol. Cambridge Companions to Music. Cambridge: Cambridge University Press, 2012 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCO9781139024976
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J. Rushton, W. A. Mozart: Don Giovanni, vol. Cambridge opera handbooks. Cambridge: Cambridge University Press, 1981.
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M. Luckhurst, Dramaturgy: a revolution in theatre, vol. Cambridge studies in modern theatre. Cambridge: Cambridge University Press, 2006 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.07563
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J. A. Parakilas, ‘The Afterlife of Don Giovanni: Turning Production History into Criticism - 763570.pdf’, The Journal of Musicology, vol. 8, no. 2, 1990 [Online]. Available: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/763570
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‘Don Giovanni - Full score’. [Online]. Available: http://hz.imslp.info/files/imglnks/usimg/0/07/IMSLP433273-PMLP36804-Binder1.pdf
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‘Don Giovanni vocal score’. [Online]. Available: http://hz.imslp.info/files/imglnks/usimg/4/43/IMSLP296761-PMLP36804-b30014785_text.pdf
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‘Mozart: Don Giovanni - dir. Peter Sellars (Part 1 of 3)’. 20AD [Online]. Available: https://www.youtube.com/watch?v=vMXU5pjhPTM
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‘W.A.Mozart: Don Giovanni /Abbado-Raimondi-Studer-Mattila/’. 19AD [Online]. Available: https://www.youtube.com/watch?v=xB9RZG-c0xI
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‘Don Giovanni live at Helsinki Festival 22.08.2013. Dir. Erik Söderblom’. 20AD [Online]. Available: https://www.youtube.com/watch?v=UzxYEVbOS5w
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J. Kerman, Opera as drama, New and rev. Ed. London: Faber and Faber, 1988.
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T. S. Grey, Ed., The Cambridge Companion to Wagner, vol. Cambridge Companions to Music. Cambridge: Cambridge University Press, 2008 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCOL9780521642996
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T. S. Grey, Ed., The Cambridge Companion to Wagner, vol. Cambridge Companions to Music. Cambridge: Cambridge University Press, 2008 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCOL9780521642996
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R. Wagner, The Artwork of the Future. [Online]. Available: http://www.public-library.uk/ebooks/107/74.pdf
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R. Wagner, Opera and Drama. 1852 [Online]. Available: https://eleanor.lib.gla.ac.uk/record=b1204958
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T. S. Grey, Ed., The Cambridge Companion to Wagner, vol. Cambridge Companions to Music. Cambridge: Cambridge University Press, 2008 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCOL9780521642996
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T. S. Grey, Ed., The Cambridge Companion to Wagner, vol. Cambridge Companions to Music. Cambridge: Cambridge University Press, 2008 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCOL9780521642996
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J. Deathridge, Wagner beyond good and evil. Berkeley, Calif: University of California Press, 2008 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1525/california/9780520254534.001.0001
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M. Berry, Treacherous bonds and laughing fire: politics and religion in Wagner’s Ring. London: Routledge, 2016.
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‘Das Rheingold, vocal score’. [Online]. Available: http://hz.imslp.info/files/imglnks/usimg/2/2d/IMSLP16446-Rheingold.pdf
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‘Das Rheingold, orchestral score (download each act separately)’. [Online]. Available: http://imslp.org/wiki/Das_Rheingold,_WWV_86A_(Wagner,_Richard)
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‘Wagner - Der Ring Des Nibelungen: Das Rheingold [Boulez, Chéreau]’. Nov. 10, 2014 [Online]. Available: https://www.youtube.com/watch?v=3ZP-yXsNV2E
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‘Wagner: Das Rheingold - Barenboim, Tomlinson, G. Clark, von Kannen’. 4AD [Online]. Available: https://www.youtube.com/watch?v=OxQjchA_L10
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‘Das Rheingold (The Copenhagen Ring)’. 6AD [Online]. Available: https://www.youtube.com/watch?v=r5__IeJtGIE
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C. Abbate and American Council of Learned Societies, Unsung voices: opera and musical narrative in the nineteenth century. Princeton, N.J.: Princeton University Press, 1991 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://hdl.handle.net/2027/heb.06245
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Mitchell Morris, ‘Reading as an opera queen’, Musicology and Difference: Gender and Sexuality in Music Scholarship, 1995.
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N. Till, Ed., The Cambridge Companion to Opera Studies, vol. Cambridge Companions to Music. Cambridge: Cambridge University Press, 2012 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCO9781139024976
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S. L. Balthazar, Ed., The Cambridge Companion to Verdi, vol. Cambridge Companions to Music. Cambridge: Cambridge University Press, 2004 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1017/CCOL9780521632287
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W. Koestenbaum and T. Kushner, The queen’s throat: opera, homosexuality, and the mystery of desire, 1st Da Capo ed. New York: Da Capo, 2001.
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F. Della Seta and M. Weir, Not without madness: perspectives on opera. Chicago, Illinois: The University of Chicago Press, 2013 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://chicago.universitypressscholarship.com/view/10.7208/chicago/9780226749167.001.0001/upso-9780226749143
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‘La traviata (Verdi, Giuseppe) - Full score’. [Online]. Available: http://imslp.org/wiki/La_traviata_(Verdi%2C_Giuseppe)
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‘La Traviata vocal score’. [Online]. Available: http://hz.imslp.info/files/imglnks/usimg/9/97/IMSLP392068-SIBLEY1802.29794.0087-39087011147396score.pdf
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‘Verdi: La Traviata (Fleming, Villazón, Bruson)(2007)’. 12AD [Online]. Available: https://www.youtube.com/watch?v=1-jHIfm3_oI
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‘La Traviata ENGLISH SUB 1968 Moffo, Bonisolli, Bechi’. 12AD [Online]. Available: https://www.youtube.com/watch?v=6fSzo9VXgow
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‘Guiseppe Verdi - La Traviata | with James Rutherford, Marlis Petersen and Giuseppe Varano (HD 1080p)’. Nov. 26, 2015 [Online]. Available: https://www.youtube.com/watch?v=swaTMZIz4fQ
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A. Blake, ‘“Wort oder Ton”? Reading the Libretto in Contemporary Opera’, Contemporary music review, no. 29, 2010 [Online]. Available: https://doi.org/10.1080/07494467.2010.534929
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M. Halliwell, Opera and the novel: the case of Henry James, vol. 6. Amsterdam: Rodopi, 2005 [Online]. Available: https://books.google.co.uk/books?id=1mMFY8wdfYYC&printsec=frontcover&dq=Opera+and+the+novel+the+case+of+henry+james&hl=en&sa=X&ved=0ahUKEwiS-O2Nlq_XAhVOCewKHawJDyAQ6AEIKDAA#v=onepage&q=Opera%20and%20the%20novel%20the%20case%20of%20henry%20james&f=false
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C. Abbate, R. Parker, and Cornell Verdi-Wagner Conference, Analyzing opera: Verdi and Wagner, vol. California studies in 19th century music. Berkeley: University of California Press, 1989.
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P. Howard, Orfeo, vol. Cambridge opera handbooks. Cambridge: Cambridge University Press, 1981.
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S. Hibberd and R. Wrigley, Eds., Art, theatre, and opera in Paris, 1750-1850: exchanges and tensions. Farnham, Surrey: Ashgate, 2014.
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G. Tomlinson, Metaphysical song: an essay on opera, vol. Princeton studies in opera. Princeton, N.J.: Princeton University Press, 1999.
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L. Kramer, Opera and modern culture: Wagner and Strauss. Berkeley, Calif: University of California Press, 2004 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1525/california/9780520241732.001.0001
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L. Hutcheon and M. Hutcheon, Opera: desire, disease, death, vol. Texts and contexts. Lincoln: University of Nebraska Press, 1996.
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R. M. Marvin and D. A. Thomas, Operatic migrations: transforming works and crossing boundaries. Aldershot, England: Ashgate, 2006.
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R. Cowgill, H. Poriss, and Oxford University Press, The arts of the prima donna in the long nineteenth century. New York: Oxford University Press, 2011 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780195365870.001.0001
[72]
P. Howard, The modern castrato: Gaetano Guadagni and the coming of a new operatic age. New York: Oxford University Press, 2014 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780199365203.001.0001
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S. Rutherford, The prima donna and opera, 1815-1930, vol. Cambridge studies in opera. Cambridge: Cambridge University Press, 2006.
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M. J. Citron, When opera meets film, vol. Cambridge studies in opera. Cambridge: Cambridge University Press, 2010 [Online]. Available: http://assets.cambridge.org/97805218/95750/cover/9780521895750.jpg