1.
Till, N. ed: The Cambridge Companion to Opera Studies. Cambridge University Press, Cambridge (2012).
2.
Whenham, J.: Claudio Monteverdi: Orfeo. Cambridge University Press, Cambridge (1986).
3.
Abbate, C., Parker, R.: A history of opera: the last four hundred years. Allen Lane, London (2012).
4.
Aristotle: Poetics.
5.
Abbate, C., Ebooks Corporation Limited: In search of opera. Princeton University Press, Princeton, N.J. (2003).
6.
Claudio Monteverdi: L’Orfeo (Jacobs, chor. Trisha Brown), https://www.youtube.com/watch?v=sKD1qUVJJBU, (22)AD.
7.
Claudio Monteverdi - L’Orfeo - Zurich 1978, https://www.youtube.com/watch?v=8361qIY8wpk&t=219s, (11)AD.
8.
Monteverdi - Orpheus - Berlin (sung in german), https://www.youtube.com/watch?v=H5uXoDj1eRo, (2013).
9.
‘L’Orfeo’ de Monteverdi par John Eliot Gardiner - live @ La Fenice, https://www.youtube.com/watch?v=toXIBTGZUfU, (27)AD.
10.
Original score (1609) of the opera, http://ks.imslp.net/files/imglnks/usimg/1/10/IMSLP297158-PMLP21363-Monteverdi_-_L’Orfeo,_Favola_in_Musica_(1609).pdf.
11.
A 1930 edition of Orfeo by composer G. Malipiero, http://hz.imslp.info/files/imglnks/usimg/2/21/IMSLP310353-PMLP21363-monteverdi_orfeo2.pdf.
12.
Jones, A.V.: Staging a Handel Opera. Early Music. 34, (2006).
13.
Strohm, R.: Essays on Handel and Italian opera. Cambridge University Press, Cambridge (1985).
14.
Till, N. ed: The Cambridge Companion to Opera Studies. Cambridge University Press, Cambridge (2012).
15.
Till, N. ed: The Cambridge Companion to Opera Studies. Cambridge University Press, Cambridge (2012).
16.
Aspden, S.: The rival sirens: performance and identity on Handel’s operatic stage. Cambridge University Press, Cambridge (2013).
17.
Woodfield, I.: Opera and drama in eighteenth-century London: the King’s Theatre, Garrick and the business of performance. Cambridge University Press, Cambridge (2001).
18.
Kimbell, D.R.B.: Handel on the stage. Cambridge University Press, Cambridge, United Kingdom (2016).
19.
Rodelinda’s score in piano reduction, http://petruccilibrary.ca/files/imglnks/caimg/8/8f/IMSLP111848-PMLP44845-Handel_-_Rodelinda_(vocal_score).pdf.
20.
Rodelinda’s full score (Chrysander edition), http://hz.imslp.info/files/imglnks/usimg/8/86/IMSLP19008-PMLP44845-HG_Band_70.pdf.
21.
Handel: Rodelinda ; Opera McGill ; McGill Baroque Orchestra ; Knox ; Hansen., https://www.youtube.com/watch?v=oFENbDFpW_k, (17)AD.
22.
Handel - RODELINDA - Harnoncourt/Mehta/De Niese, https://www.youtube.com/watch?v=W-UNDzMOgFY&t=2170s, (2016).
23.
de Vriend, Rotterdam, 1998, https://www.youtube.com/watch?v=Lf9HMjD9rBE&t=463s, (2012).
24.
Levin, D.J., Dawson Books: Unsettling opera: staging Mozart, Verdi, Wagner, and Zemlinsky. The University of Chicago Press, Chicago, Illinois (2007).
25.
Till, N. ed: The Cambridge Companion to Opera Studies. Cambridge University Press, Cambridge (2012).
26.
Rushton, J.: W. A. Mozart: Don Giovanni. Cambridge University Press, Cambridge (1981).
27.
Luckhurst, M.: Dramaturgy: a revolution in theatre. Cambridge University Press, Cambridge (2006).
28.
Parakilas, J.A.: The Afterlife of Don Giovanni: Turning Production History into Criticism - 763570.pdf. The Journal of Musicology. 8, (1990).
29.
Don Giovanni - Full score, http://hz.imslp.info/files/imglnks/usimg/0/07/IMSLP433273-PMLP36804-Binder1.pdf.
30.
Don Giovanni vocal score, http://hz.imslp.info/files/imglnks/usimg/4/43/IMSLP296761-PMLP36804-b30014785_text.pdf.
31.
Mozart: Don Giovanni - dir. Peter Sellars (Part 1 of 3), https://www.youtube.com/watch?v=vMXU5pjhPTM, (20)AD.
32.
W.A.Mozart: Don Giovanni /Abbado-Raimondi-Studer-Mattila/, https://www.youtube.com/watch?v=xB9RZG-c0xI, (19)AD.
33.
Don Giovanni live at Helsinki Festival 22.08.2013. Dir. Erik Söderblom, https://www.youtube.com/watch?v=UzxYEVbOS5w, (20)AD.
34.
Kerman, J.: Opera as drama. Faber and Faber, London (1988).
35.
Grey, T.S. ed: The Cambridge Companion to Wagner. Cambridge University Press, Cambridge (2008).
36.
Grey, T.S. ed: The Cambridge Companion to Wagner. Cambridge University Press, Cambridge (2008).
37.
Wagner, R.: The Artwork of the Future.
38.
Wagner, R.: Opera and Drama. (1852).
39.
Grey, T.S. ed: The Cambridge Companion to Wagner. Cambridge University Press, Cambridge (2008).
40.
Grey, T.S. ed: The Cambridge Companion to Wagner. Cambridge University Press, Cambridge (2008).
41.
Deathridge, J.: Wagner beyond good and evil. University of California Press, Berkeley, Calif (2008).
42.
Berry, M.: Treacherous bonds and laughing fire: politics and religion in Wagner’s Ring. Routledge, London (2016).
43.
Das Rheingold, vocal score, http://hz.imslp.info/files/imglnks/usimg/2/2d/IMSLP16446-Rheingold.pdf.
44.
Das Rheingold, orchestral score (download each act separately), http://imslp.org/wiki/Das_Rheingold,_WWV_86A_(Wagner,_Richard).
45.
Wagner - Der Ring Des Nibelungen: Das Rheingold [Boulez, Chéreau], https://www.youtube.com/watch?v=3ZP-yXsNV2E, (2014).
46.
Wagner: Das Rheingold - Barenboim, Tomlinson, G. Clark, von Kannen, https://www.youtube.com/watch?v=OxQjchA_L10, (4)AD.
47.
Das Rheingold (The Copenhagen Ring), https://www.youtube.com/watch?v=r5__IeJtGIE, (6)AD.
48.
Abbate, C., American Council of Learned Societies: Unsung voices: opera and musical narrative in the nineteenth century. Princeton University Press, Princeton, N.J. (1991).
49.
Mitchell Morris: Reading as an opera queen. Musicology and Difference: Gender and Sexuality in Music Scholarship. (1995).
50.
Till, N. ed: The Cambridge Companion to Opera Studies. Cambridge University Press, Cambridge (2012).
51.
Balthazar, S.L. ed: The Cambridge Companion to Verdi. Cambridge University Press, Cambridge (2004).
52.
Koestenbaum, W., Kushner, T.: The queen’s throat: opera, homosexuality, and the mystery of desire. Da Capo, New York (2001).
53.
Della Seta, F., Weir, M.: Not without madness: perspectives on opera. The University of Chicago Press, Chicago, Illinois (2013).
54.
La traviata (Verdi, Giuseppe) - Full score, http://imslp.org/wiki/La_traviata_(Verdi%2C_Giuseppe).
55.
La Traviata vocal score, http://hz.imslp.info/files/imglnks/usimg/9/97/IMSLP392068-SIBLEY1802.29794.0087-39087011147396score.pdf.
56.
Verdi: La Traviata (Fleming, Villazón, Bruson)(2007), https://www.youtube.com/watch?v=1-jHIfm3_oI, (12)AD.
57.
La Traviata ENGLISH SUB 1968 Moffo, Bonisolli, Bechi, https://www.youtube.com/watch?v=6fSzo9VXgow, (12)AD.
58.
Guiseppe Verdi - La Traviata | with James Rutherford, Marlis Petersen and Giuseppe Varano (HD 1080p), https://www.youtube.com/watch?v=swaTMZIz4fQ, (2015).
59.
Blake, A.: ‘Wort oder Ton’? Reading the Libretto in Contemporary Opera. Contemporary music review. (2010).
60.
Halliwell, M.: Opera and the novel: the case of Henry James. Rodopi, Amsterdam (2005).
61.
Abbate, C., Parker, R., Cornell Verdi-Wagner Conference: Analyzing opera: Verdi and Wagner. University of California Press, Berkeley (1989).
62.
Levin, D.J.: Opera through other eyes. Stanford University Press, Stanford, Calif (1993).
63.
Lindenberger, H.S.: Situating opera: period, genre, reception. Cambridge university press, Cambridge (2010).
64.
Wagner, R., Behrens, H., Häggander, M.A., Jerusalem, S., Lakes, G., Lisowska, H., Ludwig, C., Moll, K., Morris, J., Norman, J., Raffell, A., Rootering, J.-H., Salminen, M., Svendén, B., Upshaw, D., Wlaschiha, E., Zednik, H., Levine, J., Gelb, P., Large, B., Schenk. Otto, Metropolitan Opera (New York, N.Y.): Der Ring des Nibelungen.
65.
Howard, P.: Orfeo. Cambridge University Press, Cambridge (1981).
66.
Hibberd, S., Wrigley, R. eds: Art, theatre, and opera in Paris, 1750-1850: exchanges and tensions. Ashgate, Farnham, Surrey (2014).
67.
Tomlinson, G.: Metaphysical song: an essay on opera. Princeton University Press, Princeton, N.J. (1999).
68.
Kramer, L.: Opera and modern culture: Wagner and Strauss. University of California Press, Berkeley, Calif (2004).
69.
Hutcheon, L., Hutcheon, M.: Opera: desire, disease, death. University of Nebraska Press, Lincoln (1996).
70.
Marvin, R.M., Thomas, D.A.: Operatic migrations: transforming works and crossing boundaries. Ashgate, Aldershot, England (2006).
71.
Cowgill, R., Poriss, H., Oxford University Press: The arts of the prima donna in the long nineteenth century. Oxford University Press, New York (2011).
72.
Howard, P.: The modern castrato: Gaetano Guadagni and the coming of a new operatic age. Oxford University Press, New York (2014).
73.
Rutherford, S.: The prima donna and opera, 1815-1930. Cambridge University Press, Cambridge (2006).
74.
Citron, M.J.: When opera meets film. Cambridge University Press, Cambridge (2010).