1.
The Cambridge Companion to Opera Studies. vol. Cambridge Companions to Music (Cambridge University Press, 2012).
2.
Whenham, J. Claudio Monteverdi: Orfeo. vol. Cambridge opera handbooks (Cambridge University Press, 1986).
3.
Abbate, C. & Parker, R. A history of opera: the last four hundred years. (Allen Lane, 2012).
4.
Aristotle. Poetics.
5.
Abbate, C. & Ebooks Corporation Limited. In search of opera. vol. Princeton studies in opera (Princeton University Press, 2003).
6.
Claudio Monteverdi: L’Orfeo (Jacobs, chor. Trisha Brown). (22AD).
7.
Claudio Monteverdi - L’Orfeo - Zurich 1978. (11AD).
8.
Monteverdi - Orpheus - Berlin (sung in german). (2013).
9.
‘L’Orfeo’ de Monteverdi par John Eliot Gardiner - live @ La Fenice. (27AD).
10.
Original score (1609) of the opera.
11.
A 1930 edition of Orfeo by composer G. Malipiero.
12.
Jones, A. V. Staging a Handel Opera. Early Music 34, (2006).
13.
Strohm, R. Essays on Handel and Italian opera. (Cambridge University Press, 1985).
14.
The Cambridge Companion to Opera Studies. vol. Cambridge Companions to Music (Cambridge University Press, 2012).
15.
The Cambridge Companion to Opera Studies. vol. Cambridge Companions to Music (Cambridge University Press, 2012).
16.
Aspden, S. The rival sirens: performance and identity on Handel’s operatic stage. vol. Cambridge studies in opera (Cambridge University Press, 2013).
17.
Woodfield, I. Opera and drama in eighteenth-century London: the King’s Theatre, Garrick and the business of performance. vol. Cambridge studies in opera (Cambridge University Press, 2001).
18.
Kimbell, D. R. B. Handel on the stage. (Cambridge University Press, 2016).
19.
Rodelinda’s score in piano reduction.
20.
Rodelinda’s full score (Chrysander edition).
21.
Handel: Rodelinda ; Opera McGill ; McGill Baroque Orchestra ; Knox ; Hansen. (17AD).
22.
Handel - RODELINDA - Harnoncourt/Mehta/De Niese. (2016).
23.
de Vriend, Rotterdam, 1998. (2012).
24.
Levin, D. J. & Dawson Books. Unsettling opera: staging Mozart, Verdi, Wagner, and Zemlinsky. (The University of Chicago Press, 2007).
25.
The Cambridge Companion to Opera Studies. vol. Cambridge Companions to Music (Cambridge University Press, 2012).
26.
Rushton, J. W. A. Mozart: Don Giovanni. vol. Cambridge opera handbooks (Cambridge University Press, 1981).
27.
Luckhurst, M. Dramaturgy: a revolution in theatre. vol. Cambridge studies in modern theatre (Cambridge University Press, 2006).
28.
Parakilas, J. A. The Afterlife of Don Giovanni: Turning Production History into Criticism - 763570.pdf. The Journal of Musicology 8, (1990).
29.
Don Giovanni - Full score.
30.
Don Giovanni vocal score.
31.
Mozart: Don Giovanni - dir. Peter Sellars (Part 1 of 3). (20AD).
32.
W.A.Mozart: Don Giovanni /Abbado-Raimondi-Studer-Mattila/. (19AD).
33.
Don Giovanni live at Helsinki Festival 22.08.2013. Dir. Erik Söderblom. (20AD).
34.
Kerman, J. Opera as drama. (Faber and Faber, 1988).
35.
The Cambridge Companion to Wagner. vol. Cambridge Companions to Music (Cambridge University Press, 2008).
36.
The Cambridge Companion to Wagner. vol. Cambridge Companions to Music (Cambridge University Press, 2008).
37.
Wagner, R. & Ellis, W. A. The Artwork of the Future.
38.
Wagner, R. Opera and drama. (Reeves, 1913).
39.
The Cambridge Companion to Wagner. vol. Cambridge Companions to Music (Cambridge University Press, 2008).
40.
The Cambridge Companion to Wagner. vol. Cambridge Companions to Music (Cambridge University Press, 2008).
41.
Deathridge, J. Wagner beyond good and evil. (University of California Press, 2008).
42.
Berry, M. Treacherous bonds and laughing fire: politics and religion in Wagner’s Ring. (Routledge, 2016).
43.
Das Rheingold, vocal score.
44.
Das Rheingold, orchestral score (download each act separately).
45.
Wagner - Der Ring Des Nibelungen: Das Rheingold [Boulez, Chéreau]. (2014).
46.
Wagner: Das Rheingold - Barenboim, Tomlinson, G. Clark, von Kannen. (4AD).
47.
Das Rheingold (The Copenhagen Ring). (6AD).
48.
Abbate, C. & American Council of Learned Societies. Unsung voices: opera and musical narrative in the nineteenth century. (Princeton University Press, 1991).
49.
Mitchell Morris. Reading as an opera queen. Musicology and Difference: Gender and Sexuality in Music Scholarship (1995).
50.
The Cambridge Companion to Opera Studies. vol. Cambridge Companions to Music (Cambridge University Press, 2012).
51.
The Cambridge Companion to Verdi. vol. Cambridge Companions to Music (Cambridge University Press, 2004).
52.
Koestenbaum, W. & Kushner, T. The queen’s throat: opera, homosexuality, and the mystery of desire. (Da Capo, 2001).
53.
Della Seta, F. & Weir, M. Not without madness: perspectives on opera. (The University of Chicago Press, 2013).
54.
La traviata (Verdi, Giuseppe) - Full score. http://imslp.org/wiki/La_traviata_(Verdi%2C_Giuseppe).
55.
La Traviata vocal score.
56.
Verdi: La Traviata (Fleming, Villazón, Bruson)(2007). (12AD).
57.
La Traviata ENGLISH SUB 1968 Moffo, Bonisolli, Bechi. (12AD).
58.
Guiseppe Verdi - La Traviata | with James Rutherford, Marlis Petersen and Giuseppe Varano (HD 1080p). (2015).
59.
Blake, A. ‘Wort oder Ton’? Reading the Libretto in Contemporary Opera. Contemporary music review (2010).
60.
Halliwell, M. Opera and the novel: the case of Henry James. vol. 6 (Rodopi, 2005).
61.
Abbate, C., Parker, R., & Cornell Verdi-Wagner Conference. Analyzing opera: Verdi and Wagner. vol. California studies in 19th century music (University of California Press, 1989).
62.
Levin, D. J. Opera through other eyes. (Stanford University Press, 1993).
63.
Lindenberger, H. S. Situating opera: period, genre, reception. vol. Cambridge studies in opera (Cambridge university press, 2010).
64.
Wagner, R. et al. Der Ring des Nibelungen.
65.
Howard, P. Orfeo. vol. Cambridge opera handbooks (Cambridge University Press, 1981).
66.
Art, theatre, and opera in Paris, 1750-1850: exchanges and tensions. (Ashgate, 2014).
67.
Tomlinson, G. Metaphysical song: an essay on opera. vol. Princeton studies in opera (Princeton University Press, 1999).
68.
Kramer, L. Opera and modern culture: Wagner and Strauss. (University of California Press, 2004).
69.
Hutcheon, L. & Hutcheon, M. Opera: desire, disease, death. vol. Texts and contexts (University of Nebraska Press, 1996).
70.
Marvin, R. M. & Thomas, D. A. Operatic migrations: transforming works and crossing boundaries. (Ashgate, 2006).
71.
Cowgill, R., Poriss, H., & Oxford University Press. The arts of the prima donna in the long nineteenth century. (Oxford University Press, 2011).
72.
Howard, P. The modern castrato: Gaetano Guadagni and the coming of a new operatic age. (Oxford University Press, 2014).
73.
Rutherford, S. The prima donna and opera, 1815-1930. vol. Cambridge studies in opera (Cambridge University Press, 2006).
74.
Citron, M. J. When opera meets film. vol. Cambridge studies in opera (Cambridge University Press, 2010).