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Taylor, Diana. Disappearing Acts: Spectacles of Gender and Nationalism in Argentina’s ‘Dirty War’. Duke University Press; 1997.
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Gambaro G. Teatro. 1a ed. Ediciones de la Flor; 1984.
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Gorostiza C. Teatro. Ediciones de la Flor; 1991.
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Puenzo, Luis, Piñeyro, Marcelo, Bortnik, Aída, Koch Lorber Films, Historias Cinematograficas Cinemania (Firm). The official story. Published online 2004.
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Valenzuela, Luisa. Cuentos Completos y Uno Más. 1. ed. Alfaguara; 1999.
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Bechis M. Garage Olimpo. Published online 2005.
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Campanella, Juan José, Besuievsky, Mariela, Herrero, Gerardo, et al. El secreto de sus ojos. Published online 2010.
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Serna R de la, Casero N, Delgado L, et al. Chronicle of an escape. Published online 2008.
9.
Sheinin D. Consent of the Damned: Ordinary Argentinians in the Dirty War. University Press of Florida; 2013. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.5744/florida/9780813042398.001.0001
10.
Ros, Ana. The Post-Dictatorship Generation in Argentina, Chile, and Uruguay: Collective Memory and Cultural Production. First edition. Palgrave Macmillan; 2012.
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Andersen, Martin Edwin. Dossier Secreto: Argentina’s Desaparecidos and the Myth of the ‘Dirty War’. Westview Press; 1993.
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Jaroslavsky, Andrés. The Future of Memory: Children of the Dictatorship in Argentina Speak. Latin America Bureau; 2004.
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Graziano, Frank. Divine Violence: Spectacle, Psychosexuality & Radical Christianity in the Argentine ‘Dirty War’. Westview Press; 1992.
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Guest, Iain. Behind the Disappearances: Argentina’s Dirty War against Human Rights and the United Nations. Vol Pennsylvania studies in human rights. University of Pennsylvania Press; 1990.
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Bourgois, Philippe I., Scheper-Hughes, Nancy. Violence in War and Peace. Vol Blackwell readers in anthropology. Blackwell; 2004.
16.
Lessa, Francesca, Druliolle, Vincent. The Memory of State Terrorism in the Southern Cone: Argentina, Chile, and Uruguay. Palgrave Macmillan; 2011. http://ezproxy.lib.gla.ac.uk/login?url=http://www.palgraveconnect.com/doifinder/10.1057/9780230118621
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Jelin, Elizabeth. State Repression and the Struggles for Memory. Latin America Bureau; 2003.
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Lessa, Francesca. Memory and Transitional Justice in Argentina and Uruguay: Against Impunity. Vol Memory politics and transitional justice. Palgrave Macmillan; 2013. https://ezproxy.lib.gla.ac.uk/login?url=https://link.springer.com/book/10.1057/9781137269393
19.
Arditti, Rita. Searching for Life: The Grandmothers of the Plaza de Mayo and the Disappeared Children of Argentina. University of California Press; 1999.
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Bouvard, Marguerite Guzman. Revolutionizing Motherhood: The Mothers of the Plaza de Mayo. Vol Latin American silhouettes. 1st SR Books ed. Scholarly Resources Inc; 1994.
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Evangelista L. Voices of the Survivors: Testimony, Mourning & Memory in Post-Dictatorship Argentina (1983-1995). Vol Garland Reference Library of the Humanities. Garland; 1998.
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Feitlowitz M. A Lexicon of Terror: Argentina and the Legacies of Torture. Updated. Oxford University Press; 2011.
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Jaroslavsky, Andrés. The Future of Memory: Children of the Dictatorship in Argentina Speak. Latin America Bureau; 2004.
24.
Lewis PH. Guerrillas and Generals: The ‘Dirty War’ in Argentina. Praeger; 2002. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=3000442
25.
Antonius C. G. M. Robben. How Traumatized Societies Remember: The Aftermath of Argentina’s Dirty War. Cultural Critique. 2005;(59):120-164. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/4489199
26.
Stockwell J. Reframing the Transitional Justice Paradigm: Women’s Affective Memories in Post-Dictatorial Argentina. Vol Springer Series in Transitional Justice. Springer; 2014. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1007/978-3-319-03853-7
27.
Robben ACGM. Political Violence and Trauma in Argentina. Vol The ethnography of political violence. University of Pennsylvania Press; 2007.
28.
Robben ACGM. Cultures under Siege: Collective Violence and Trauma. Vol Publications of the Society for Psychological Anthropology. 1. publ. Cambridge U. P.; 2000.
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Verbitsky H. Confessions of an Argentine Dirty Warrior: A Firsthand Account of Atrocity. Horacio Verbitsky. [New] ed. New Press; 2005.
30.
Zamorano E. Peronistas Revolucionarios: Un An⡬isis Pol⩴ico Del Apogeo y Crisis de La Organizaci⯮ Montoneros. Distal; 2005.
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Rock, David. Authoritarian Argentina: The Nationalist Movement, Its History, and Its Impact. University of California Press; 1993.
32.
Osiel M. Mass Atrocity, Ordinary Evil, and Hannah Arendt: Criminal Consciousness in Argentina’s Dirty War. Yale University Press; 2001.
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Fogliani A. ART AS WITNESS: MEMORY OF CRISIS IN ARGENTINA’S DIRTY WAR. neue Ausg. VDM Verlag Dr. M赬ler; 2011.
34.
Alberto Ciria. Argentina in 1983: Reflections on the Language of the Military and George Orwell. Canadian Journal of Latin American and Caribbean Studies / Revue canadienne des études latino-américaines et caraïbes. 1986;11(21):57-69. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/41799589
35.
Kaiser S. Postmemories of Terror: A New Generation Copes with the Legacy of the ‘Dirty War’. Vol Palgrave studies in oral history. Palgrave Macmillan; 2005.
36.
Sheinin D. Consent of the Damned: Ordinary Argentinians in the Dirty War. University Press of Florida; 2013. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.5744/florida/9780813042398.001.0001
37.
Morello G. The Catholic Church and Argentina’s Dirty War. [First edition]. Oxford University Press; 2015. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780190234270.001.0001
38.
Stockwell J, SpringerLink (Online service). Reframing the Transitional Justice Paradigm: Women’s Affective Memories in Post-Dictatorial Argentina. Vol Springer Series in Transitional Justice. Springer; 2014. http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1007/978-3-319-03853-7
39.
Finchelstein F, Oxford University Press. The Ideological Origins of the Dirty War: Fascism, Populism, and Dictatorship in Twentieth Century Argentina. Oxford University Press; 2014. http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1093/acprof:oso/9780199930241.001.0001
40.
Bell V. The Art of Post-Dictatorship: Ethics and Aesthetics in Transitional Argentina. Vol Transitional justice. Routledge; 2014.
41.
Arenas Fernández L, Longoni A. Instantáneas de La Memoria: Fotografía y Dictadura En Argentina y América Latina. (Blejmar J, Fortuny N, García LI, eds.). Libraria; 2013.
42.
Sosa C. Queering Acts of Mourning in the Aftermath of Argentina’s Dictatorship: The Performances of Blood. Vol Colección Támesis. Serie A: Monografías. Tamesis; 2014.
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Giella MA. Teatro Abierto 1981. Vol Colecci⯮ Dramaturgos argentinos contempor⡮eos. Corregidor; 1991.
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Arancibia JA, Mirkin Z. Teatro Argentino Durante El Proceso, 1976-1983: Ensayos Cr⩴icos, Entrevistas. Vol Colecci⯮ Estudios hisp⡮icos. Editorial Vinciguerra; 1992.
45.
Larson, Catherine, Vargas, Margarita. Latin American Women Dramatists: Theater, Texts, and Theories. Indiana University Press; 1998.
46.
Werth, Brenda G. Theatre, Performance, and Memory Politics in Argentina. Palgrave Macmillan; 2010. http://ezproxy.lib.gla.ac.uk/login?url=http://www.palgraveconnect.com/doifinder/10.1057/9780230114029
47.
Bassnett, Susan. Knives and Angels: Women Writers in Latin America. Zed; 1990.
48.
Graham-Jones, Jean. Exorcising History: Argentine Theater under Dictatorship. Bucknell University Press; 2000.
49.
Jehenson MY. Staging cultural violence: Griselda Gambaro and Argentina’s ‘Dirty War.’ Mosaic (Winnipeg). 1999;32(1). https://ezproxy.lib.gla.ac.uk/login?url=https://go.galegroup.com/ps/i.do?id=GALE%7CA54482284&v=2.1&u=glasuni&it=r&p=AONE&sw=w&asid=0c9c00fb43d6aca1f05a13354bd48448
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López Laval, Hilda. Autoritarismo y Cultura: Argentina, 1976-1983. Vol Colección Espiral hispano-americana. 1. ed. Editorial Fundamentos; 1995.
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Méndez-Faith T. Sobre el uso y abuso de poder en la producción dramática de Griselda Gambaro. Revista Iberoamericana. 1985;51(132). doi:10.5195/reviberoamer.1985.4116
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Skloot R. ‘Where Does It Hurt?’: Genocide, the Theatre and the Human Body. Theatre Research International. 1998;23(01). doi:10.1017/S0307883300018216
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Watson I, Epstein S. Theatre after the Dictatorships: Developments in Chile and Argentina. New Theatre Quarterly. 1995;11(41). doi:10.1017/S0266464X00008861
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Giella MA. Teatro Abierto: Fenómeno socio-teatral argentino’. 1981;15(1):89-93. https://journals.ku.edu/index.php/latr/article/view/476/451
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Martínez de Olcoz N. Cuerpo y resistencia en el reciente teatro de Griselda Gambaro. 1995;28(2):7-18. https://journals.ku.edu/index.php/latr/article/view/1053/1028
56.
Díaz, Gwendolyn Josie. Luisa Valenzuela Sin Máscara. Vol Colección Literatura y crítica. Feminaria Editora; 2002.
57.
Magnarelli, Sharon. Reflections/Refractions: Reading Luisa Valenzuela. Vol American university studies. P. Lang; 1988.
58.
Pitt KE. Body, Nation, and Narrative in the Americas. Palgrave Macmillan; 2010. doi:10.1057/9780230115347
59.
Callejo A. Literatura e irregularidad en ‘cambio de armas’, de Luisa Valenzuela. Revista Iberoamericana. 1985;51(132). doi:10.5195/reviberoamer.1985.4072
60.
Gwendolyn Diaz. Politics of the Body in Luisa Valenzuela’s ‘Cambio de armas’ and ‘Simetrias’. World Literature Today. 1995;69(4):751-756. doi:10.2307/40151613
61.
Fernando Ainsa and Djelal Kadir. Journey to Luisa Valenzuela’s Land of Fear. World Literature Today. 1995;69(4):683-690. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/40151603
62.
Corbatta J. Narrativas de La Guerra Sucia En Argentina: Piglia, Saer, Valenzuela, Puig. Corregidor; 1999.
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Díaz GJ, Lagos-Pope MI. La Palabra En Vilo: Narrativa de Luisa Valenzuela. Vol Serie Ensayo. Editorial Cuarto Propio; 1996.
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Hart SM. Is Women’s Writing in Spanish America Gender-Specific? MLN. 1995;110(2):335-352. doi:10.1353/mln.1995.0030
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María-Inés Lagos-Pope. Mujer y política en ‘Cambio de armas’ de Luisa Valenzuela. Hispamérica. 1987;(46):71-83. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/20539245
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PATRICIA RUBIO. Fragmentation in Luisa Valenzuela’s Narrative. Salmagundi. 1989;(82):287-296. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/40548059
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Tierney-Tello, Mary Beth. Allegories of Transgression and Transformation: Experimental Fiction by Women Writing under Dictatorship. State University of New York Press; 1996.
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Magnarelli S. Luisa Valenzuela’s Cambio de armas: Subversion and Narrative Weaponry. Romance Quarterly. 1987;34(1):85-94. doi:10.1080/08831157.1987.11000424
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Ksenija Bilbija. ‘LA PALABRA ASESINO’ DE LUISA VALENZUELA: LA ENTRADA EN LA LENGUA. Confluencia. 1992;8(1):159-164. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/27922140
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Mary Janell Metzger. ‘Oedipal with a Vengeance’: Narrative, Desire, and Violence in Luisa Valenzuela’s ‘Fourth Version’. Tulsa Studies in Women’s Literature. 1995;14(2):295-307. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/463901
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Burucúa, Constanza. Confronting the ‘Dirty War’ in Argentine Cinema, 1983-1993: Memory and Gender in Historical Representations. Vol Colección Támesis. Serie A, Monografias. Tamesis; 2009.
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Hart, Stephen M. A Companion to Latin American Film. Vol Colección Támesis. Tamesis; 2004.
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Bechis, Marco. Garage Olimpo. Published online 2005.
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Elena A, Díaz López M. The Cinema of Latin America. Wallflower Press; 2003. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=909593
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Falicov, Tamara L. The Cinematic Tango: Contemporary Argentine Film. Vol Wallflower film studies. Wallflower Press; 2007.
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Foster, David William. Contemporary Argentine Cinema. University of Missouri Press; 1992.
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King, John. Magical Reels: A History of Cinema in Latin America. Vol Critical studies in Latin American and Iberian cultures. New ed. Verso; 2000.
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Danusia L. Meson and Aida Bortnik. The Official Story: An Interview with Aida Bortnik. Cinéaste. 1986;14(4):30-35. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/41686824
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Fernando Reati. Argentine Political Violence and Artistic Representation in Films of the 1980’s. Latin American Literary Review. 1989;17(34):24-39. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/20119521
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Rix R, Rodríguez-Saona R, Canning House Library (Hispanic & Luso Brazilian Councils). Changing Reels: Latin American Cinema against the Odds. Trinity and All Saints University College; 1997.
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Podalsky, Laura. The Politics of Affect and Emotion in Contemporary Latin American Cinema: Argentina, Brazil, Cuba, and Mexico. Palgrave Macmillan; 2011.
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Based on a True Story: Latin American History at the Movies. Vol Latin American silhouettes. SR Books; 2005.
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Taylor L. Image and Irony in ‘The Official Story’. Literature/Film QuarterlyLiterature/Film Quarterly. 17(3). https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/1297360511/EC2C68DDBC7646A1PQ/12?accountid=14540
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Tomlinson E. Mapping the Land of ‘I-don’t remember’: For a Re-evaluation of La historia oficial. Bulletin of Hispanic Studies. 2004;81(2):215-228. doi:10.3828/bhs.81.2.5
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Censura, violencia política y memoria colectiva: la historia oficial - Dialnet. http://dialnet.unirioja.es/servlet/articulo?codigo=2429252
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Peris Blanes J. Desplazamientos, suturas y elusiones: el cuerpo torturado en Tiempo de Revancha, La Noche de los Lapices y Garage Olimpo. Espéculo: Revista de Estudios Literarios. 2008;(40). https://hdl.handle.net/10550/28709
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Betina K. Contesting Memories: A Brief Recount of the Struggles to Talk About the Violent Past in Argentina. 2012;4(8). https://digitalcommons.bowdoin.edu/dissidences/vol4/iss8/3/?utm_source=digitalcommons.bowdoin.edu%2Fdissidences%2Fvol4%2Fiss8%2F3&utm_medium=PDF&utm_campaign=PDFCoverPages
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Vierira P. Torture and the Sublime. The Ethics of Physical Pain in Garage Olimpo. 2006;1(2). https://digitalcommons.bowdoin.edu/dissidences/vol1/iss2/10/
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Tabanelli R. The violence of history in Marco Bechis’s Argentina. New Cinemas: Journal of Contemporary Film. 2012;9(2):127-146. doi:10.1386/ncin.9.2-3.127_1
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Dufays S. El Niño En El Cine Argentino de La Postdictadura (1983-2008): Alegoría y Nostalgia. Vol Colección Támesis. Tamesis; 2014.
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Hortiguera H. Perverse Fascinations and Atrocious Acts: An Approach to The Secret in Their Eyes by Juan José Campanella. Studies in Latin American Popular Culture. 2012;30(1):110-123. doi:10.1353/sla.2012.0004
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Copertari G, Sitnisky C, eds. El Estado de Las Cosas: Cine Latinoamericano En El Nuevo Milenio. Vol ColecciÃ3n Nexos y diferencias. Iberoamericana; 2015.
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Vieira PI. Seeing Politics Otherwise: Vision in Latin American and Iberian Fiction. Vol University of Toronto romance series. University of Toronto Press; 2011.
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Memoria Abierta. http://www.memoriaabierta.org.ar/
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Decir sí (Spanish production). https://www.youtube.com/watch?v=o8yUz0LMhC4
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Decir Sí (TV Pública Argentina). https://www.youtube.com/watch?v=6SWjPhDHAts
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YouTube video of performance of El acompanamiento. https://www.youtube.com/watch?v=-r69a8PY62k
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TV Pública | Teatro Abierto. http://www.tvpublica.com.ar/programa/teatro-abierto/
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El acompañamiento (film version of play). https://www.youtube.com/watch?v=-r69a8PY62k
