Bibliography for Representing Disappearance BETA

Alberto Ciria (1986) ‘Argentina in 1983: Reflections on the Language of the Military and George Orwell’, Canadian Journal of Latin American and Caribbean Studies / Revue canadienne des études latino-américaines et caraïbes, 11(21), pp. 57–69. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/41799589.

Andersen, Martin Edwin (1993) Dossier secreto: Argentina’s Desaparecidos and the myth of the ‘Dirty War’. Boulder: Westview Press.

Antonius C. G. M. Robben (2005) ‘How Traumatized Societies Remember: The Aftermath of Argentina’s Dirty War’, Cultural Critique, (59), pp. 120–164. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/4489199.

Arancibia, J.A. and Mirkin, Z. (1992) Teatro argentino durante el Proceso, 1976-1983: ensayos cr⩴icos, entrevistas. Buenos Aires, Argentina: Editorial Vinciguerra.

Arditti, Rita (1999) Searching for life: the grandmothers of the Plaza de Mayo and the disappeared children of Argentina. Berkeley: University of California Press.

Arenas Fernández, L. and Longoni, A. (2013) Instantáneas de la memoria: fotografía y dictadura en Argentina y América Latina. Edited by J. Blejmar, N. Fortuny, and L.I. García. Buenos Aires: Libraria.

Based on a true story: Latin American history at the movies (2005). Lanham, MD: SR Books.

Bassnett, Susan (1990) Knives and angels: women writers in Latin America. London: Zed.

Bechis, M. (2005) ‘Garage Olimpo’. [Argentina]: Industria Argentina.

Bechis, Marco (2005) ‘Garage Olimpo’. [Argentina]: Industria Argentina.

Bell, V. (2014) The art of post-dictatorship: ethics and aesthetics in transitional Argentina. London: Routledge.

Betina, K. (2012) ‘Contesting Memories: A Brief Recount of the Struggles to Talk About the Violent Past in Argentina’, 4(8). Available at: https://digitalcommons.bowdoin.edu/dissidences/vol4/iss8/3/?utm_source=digitalcommons.bowdoin.edu%2Fdissidences%2Fvol4%2Fiss8%2F3&utm_medium=PDF&utm_campaign=PDFCoverPages.

Bourgois, Philippe I. and Scheper-Hughes, Nancy (2004) Violence in war and peace. Malden, MA: Blackwell.

Bouvard, Marguerite Guzman (1994) Revolutionizing motherhood: the mothers of the Plaza de Mayo. 1st SR Books ed. Wilmington, Del: Scholarly Resources Inc.

Burucúa, Constanza (2009) Confronting the ‘Dirty War’ in Argentine cinema, 1983-1993: memory and gender in historical representations. Woodbridge, Suffolk: Tamesis.

Callejo, A. (1985) ‘Literatura e irregularidad en “cambio de armas”, de Luisa Valenzuela’, Revista Iberoamericana, 51(132). Available at: https://doi.org/10.5195/reviberoamer.1985.4072.

Campanella, Juan José et al. (2010) ‘El secreto de sus ojos’. [Barcelona]: Cameo Media S. L.

‘Censura, violencia política y memoria colectiva: la historia oficial - Dialnet’ (no date). Available at: http://dialnet.unirioja.es/servlet/articulo?codigo=2429252.

Copertari, G. and Sitnisky, C. (eds) (2015) El estado de las cosas: cine latinoamericano en el nuevo milenio. Madrid: Iberoamericana.

Corbatta, J. (1999) Narrativas de la Guerra Sucia en Argentina: Piglia, Saer, Valenzuela, Puig. Bs. As. [i.e. Buenos Aires]: Corregidor.

Danusia L. Meson and Aida Bortnik (1986) ‘The Official Story: An Interview with Aida Bortnik’, Cinéaste, 14(4), pp. 30–35. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/41686824.

Decir sí (Spanish production) (no date). Available at: https://www.youtube.com/watch?v=o8yUz0LMhC4.

Decir Sí (TV Pública Argentina) (no date). Available at: https://www.youtube.com/watch?v=6SWjPhDHAts.

Díaz, G.J. and Lagos-Pope, M.-I. (1996) La palabra en vilo: narrativa de Luisa Valenzuela. Santiago de Chile: Editorial Cuarto Propio.

Díaz, Gwendolyn Josie (2002) Luisa Valenzuela sin máscara. Buenos Aires, República Argentina: Feminaria Editora.

Dufays, S. (2014) El niño en el cine Argentino de la postdictadura (1983-2008): alegoría y nostalgia. Woodbridge: Tamesis.

El acompañamiento (film version of play) (no date). Available at: https://www.youtube.com/watch?v=-r69a8PY62k.

Elena, A. and Díaz López, M. (2003) The cinema of Latin America. London: Wallflower Press. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=909593.

Evangelista, L. (1998) Voices of the survivors: testimony, mourning & memory in post-dictatorship Argentina (1983-1995). N.Y.: Garland.

Falicov, Tamara L. (2007) The cinematic tango: contemporary Argentine film. London: Wallflower Press.

Feitlowitz, M. (2011) A lexicon of terror: Argentina and the legacies of torture. Updated. New York: Oxford University Press.

Fernando Ainsa and Djelal Kadir (1995) ‘Journey to Luisa Valenzuela’s Land of Fear’, World Literature Today, 69(4), pp. 683–690. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/40151603.

Fernando Reati (1989) ‘Argentine Political Violence and Artistic Representation in Films of the 1980’s’, Latin American Literary Review, 17(34), pp. 24–39. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/20119521.

Finchelstein, F. and Oxford University Press (2014) The ideological origins of the dirty war: fascism, populism, and dictatorship in twentieth century Argentina. New York: Oxford University Press. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1093/acprof:oso/9780199930241.001.0001.

Fogliani, A. (2011) ART AS WITNESS: MEMORY OF CRISIS IN ARGENTINA’S DIRTY WAR. neue Ausg. Saarbr赣ken: VDM Verlag Dr. M赬ler.

Foster, David William (1992) Contemporary Argentine cinema. Columbia: University of Missouri Press.

Gambaro, G. (1984) Teatro. 1a ed. Buenos Aires, Repⵢlica Argentina: Ediciones de la Flor.

Giella, M.A. (1981) ‘Teatro Abierto: Fenómeno socio-teatral argentino’’, 15(1), pp. 89–93. Available at: https://journals.ku.edu/index.php/latr/article/view/476/451.

Giella, M.A. (1991) Teatro Abierto 1981. Bs. As. [i.e. Buenos Aires]: Corregidor.

Gorostiza, C. (1991) Teatro. Buenos Aires, Repⵢlica Argentina: Ediciones de la Flor.

Graham-Jones, Jean (2000) Exorcising history: Argentine theater under dictatorship. Lewisburg, [Pa.]: Bucknell University Press.

Graziano, Frank (1992) Divine violence: spectacle, psychosexuality & radical Christianity in the Argentine ‘dirty war’. Boulder, Colo: Westview Press.

Guest, Iain (1990) Behind the disappearances: Argentina’s dirty war against human rights and the United Nations. Philadelphia: University of Pennsylvania Press.

Gwendolyn Diaz (1995) ‘Politics of the Body in Luisa Valenzuela’s “Cambio de armas” and “Simetrias”’, World Literature Today, 69(4), pp. 751–756. Available at: https://doi.org/10.2307/40151613.

Hart, S.M. (1995) ‘Is Women’s Writing in Spanish America Gender-Specific?’, MLN, 110(2), pp. 335–352. Available at: https://doi.org/10.1353/mln.1995.0030.

Hart, Stephen M. (2004) A companion to Latin American film. Rochester, N.Y.: Tamesis.

Hortiguera, H. (2012) ‘Perverse Fascinations and Atrocious Acts: An Approach to The Secret in Their Eyes by Juan José Campanella’, Studies in Latin American Popular Culture, 30(1), pp. 110–123. Available at: https://doi.org/10.1353/sla.2012.0004.

Jaroslavsky, Andrés (2004a) The future of memory: children of the dictatorship in Argentina speak. London: Latin America Bureau.

Jaroslavsky, Andrés (2004b) The future of memory: children of the dictatorship in Argentina speak. London: Latin America Bureau.

Jehenson, M.Y. (1999) ‘Staging cultural violence: Griselda Gambaro and Argentina’s “Dirty War.”’, Mosaic (Winnipeg), 32(1). Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://go.galegroup.com/ps/i.do?id=GALE%7CA54482284&v=2.1&u=glasuni&it=r&p=AONE&sw=w&asid=0c9c00fb43d6aca1f05a13354bd48448.

Jelin, Elizabeth (2003) State repression and the struggles for memory. London: Latin America Bureau.

Kaiser, S. (2005) Postmemories of terror: a new generation copes with the legacy of the ‘Dirty War’. New York: Palgrave Macmillan.

King, John (2000) Magical reels: a history of cinema in Latin America. New ed. London: Verso.

Ksenija Bilbija (1992) ‘“LA PALABRA ASESINO” DE LUISA VALENZUELA: LA ENTRADA EN LA LENGUA’, Confluencia, 8(1), pp. 159–164. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/27922140.

Larson, Catherine and Vargas, Margarita (1998) Latin American women dramatists: theater, texts, and theories. Bloomington: Indiana University Press.

Lessa, Francesca (2013) Memory and transitional justice in Argentina and Uruguay: Against impunity [electronic resource]. Basingstoke: Palgrave Macmillan. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://link.springer.com/book/10.1057/9781137269393.

Lessa, Francesca and Druliolle, Vincent (2011) The memory of state terrorism in the southern cone: Argentina, Chile, and Uruguay [electronic resource]. Basingstoke: Palgrave Macmillan. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.palgraveconnect.com/doifinder/10.1057/9780230118621.

Lewis, P.H. (2002) Guerrillas and generals: the ‘Dirty War’ in Argentina [electronic resource]. Westport, Conn: Praeger. Available at: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=3000442.

López Laval, Hilda (1995) Autoritarismo y cultura: Argentina, 1976-1983. 1. ed. Madrid: Editorial Fundamentos.

Magnarelli, S. (1987) ‘Luisa Valenzuela’s Cambio de armas: Subversion and Narrative Weaponry’, Romance Quarterly, 34(1), pp. 85–94. Available at: https://doi.org/10.1080/08831157.1987.11000424.

Magnarelli, Sharon (1988) Reflections/refractions: reading Luisa Valenzuela. New York: P. Lang.

María-Inés Lagos-Pope (1987) ‘Mujer y política en “Cambio de armas” de Luisa Valenzuela’, Hispamérica, (46), pp. 71–83. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/20539245.

Martínez de Olcoz, N. (1995) ‘Cuerpo y resistencia en el reciente teatro de Griselda Gambaro’, 28(2), pp. 7–18. Available at: https://journals.ku.edu/index.php/latr/article/view/1053/1028.

Mary Janell Metzger (1995) ‘“Oedipal with a Vengeance”: Narrative, Desire, and Violence in Luisa Valenzuela’s “Fourth Version”’, Tulsa Studies in Women’s Literature, 14(2), pp. 295–307. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/463901.

Memoria Abierta (no date). Available at: http://www.memoriaabierta.org.ar/.

Méndez-Faith, T. (1985) ‘Sobre el uso y abuso de poder en la producción dramática de Griselda Gambaro’, Revista Iberoamericana, 51(132). Available at: https://doi.org/10.5195/reviberoamer.1985.4116.

Morello, G. (2015) The Catholic Church and Argentina’s dirty war. [First edition]. New York: Oxford University Press. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780190234270.001.0001.

Osiel, M. (2001) Mass atrocity, ordinary evil, and Hannah Arendt: criminal consciousness in Argentina’s Dirty War. New Haven: Yale University Press.

PATRICIA RUBIO (1989) ‘Fragmentation in Luisa Valenzuela’s Narrative’, Salmagundi, (82), pp. 287–296. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/40548059.

Peris Blanes, J. (2008) ‘Desplazamientos, suturas y elusiones: el cuerpo torturado en Tiempo de Revancha, La Noche de los Lapices y Garage Olimpo’, Espéculo: Revista de Estudios Literarios [Preprint], (40). Available at: https://hdl.handle.net/10550/28709.

Pitt, K.E. (2010) Body, nation, and narrative in the Americas [electronic resource]. Basingstoke: Palgrave Macmillan. Available at: https://doi.org/10.1057/9780230115347.

Podalsky, Laura (2011) The politics of affect and emotion in contemporary Latin American cinema: Argentina, Brazil, Cuba, and Mexico. New York: Palgrave Macmillan.

Puenzo, Luis et al. (2004) ‘The official story’. Port Washington, NY: Koch Lorber Films.

Rix, R., Rodríguez-Saona, R., and Canning House Library (Hispanic & Luso Brazilian Councils) (1997) Changing reels: Latin American cinema against the odds. Leeds [England]: Trinity and All Saints University College.

Robben, A.C.G.M. (2000) Cultures under siege: collective violence and trauma. 1. publ. Cambridge: Cambridge U. P.

Robben, A.C.G.M. (2007) Political violence and trauma in Argentina. Philadelphia, Pa: University of Pennsylvania Press.

Rock, David (1993) Authoritarian Argentina: the nationalist movement, its history, and its impact. Berkeley, Calif: University of California Press.

Ros, Ana (2012) The post-dictatorship generation in Argentina, Chile, and Uruguay: collective memory and cultural production. First edition. New York: Palgrave Macmillan.

Schwarzb诣k, S. and Caetano, I.A. (2007) Estudio cr⩴ico sobre Cr⯮ica de una fuga. 1. ed. Buenos Aires: Picnic Editorial.

Serna, R. de la et al. (2008) ‘Chronicle of an escape’. Santa Monica, CA: Genius Products.

Sheinin, D. (2013a) Consent of the damned: ordinary Argentinians in the dirty war [electronic resource]. Gainesville: University Press of Florida. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.5744/florida/9780813042398.001.0001.

Sheinin, D. (2013b) Consent of the damned: ordinary Argentinians in the dirty war [electronic resource]. Gainesville: University Press of Florida. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.5744/florida/9780813042398.001.0001.

Skloot, R. (1998) ‘“Where Does It Hurt?”: Genocide, the Theatre and the Human Body’, Theatre Research International, 23(01). Available at: https://doi.org/10.1017/S0307883300018216.

Sosa, C. (2014) Queering acts of mourning in the aftermath of Argentina’s dictatorship: the performances of blood. Woodbridge, Suffolk: Tamesis.

Stockwell, J. (2014) Reframing the transitional justice paradigm: women’s affective memories in post-dictatorial Argentina. Cham: Springer. Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1007/978-3-319-03853-7.

Stockwell, J. and SpringerLink (Online service) (2014) Reframing the transitional justice paradigm: women’s affective memories in post-dictatorial Argentina. Cham: Springer. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1007/978-3-319-03853-7.

Tabanelli, R. (2012) ‘The violence of history in Marco Bechis’s Argentina’, New Cinemas: Journal of Contemporary Film, 9(2), pp. 127–146. Available at: https://doi.org/10.1386/ncin.9.2-3.127_1.

Taylor, Diana (1997) Disappearing acts: spectacles of gender and nationalism in Argentina’s ‘dirty war’. Durham, N.C.: Duke University Press.

Taylor, L. (no date) ‘Image and Irony in “The Official Story”’, Literature/Film QuarterlyLiterature/Film Quarterly, 17(3). Available at: https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/1297360511/EC2C68DDBC7646A1PQ/12?accountid=14540.

Tierney-Tello, Mary Beth (1996) Allegories of transgression and transformation: experimental fiction by women writing under dictatorship. Albany: State University of New York Press.

Tomlinson, E. (2004) ‘Mapping the Land of “I-don’t remember”: For a Re-evaluation of La historia oficial’, Bulletin of Hispanic Studies, 81(2), pp. 215–228. Available at: https://doi.org/10.3828/bhs.81.2.5.

TV Pública | Teatro Abierto (no date). Available at: http://www.tvpublica.com.ar/programa/teatro-abierto/.

Valenzuela, Luisa (1999) Cuentos completos y uno más. 1. ed. México, D.F.: Alfaguara.

Verbitsky, H. (2005) Confessions of an Argentine dirty warrior: a firsthand account of atrocity. Horacio Verbitsky. [New] ed. New York: New Press.

Vieira, P.I. (2011) Seeing politics otherwise: vision in Latin American and Iberian fiction. Toronto, Ontario: University of Toronto Press.

Vierira, P. (2006) ‘Torture and the Sublime. The Ethics of Physical Pain in Garage Olimpo’, 1(2). Available at: https://digitalcommons.bowdoin.edu/dissidences/vol1/iss2/10/.

Watson, I. and Epstein, S. (1995) ‘Theatre after the Dictatorships: Developments in Chile and Argentina’, New Theatre Quarterly, 11(41). Available at: https://doi.org/10.1017/S0266464X00008861.

Werth, Brenda G. (2010) Theatre, performance, and memory politics in Argentina [electronic resource]. Basingstoke: Palgrave Macmillan. Available at: http://ezproxy.lib.gla.ac.uk/login?url=http://www.palgraveconnect.com/doifinder/10.1057/9780230114029.

‘YouTube video of performance of El acompanamiento’ (no date). Available at: https://www.youtube.com/watch?v=-r69a8PY62k.

Zamorano, E. (2005) Peronistas revolucionarios: un an⡬isis pol⩴ico del apogeo y crisis de la organizaci⯮ Montoneros. Buenos Aires, Argentina: Distal.