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Taylor, Diana. Disappearing acts: spectacles of gender and nationalism in Argentina’s ‘dirty war’. Durham, N.C.: Duke University Press; 1997.
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Sheinin D. Consent of the damned: ordinary Argentinians in the dirty war [Internet]. Gainesville: University Press of Florida; 2013. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.5744/florida/9780813042398.001.0001
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Ros, Ana. The post-dictatorship generation in Argentina, Chile, and Uruguay: collective memory and cultural production. First edition. New York: Palgrave Macmillan; 2012.
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Andersen, Martin Edwin. Dossier secreto: Argentina’s Desaparecidos and the myth of the ‘Dirty War’. Boulder: Westview Press; 1993.
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Jaroslavsky, Andrés. The future of memory: children of the dictatorship in Argentina speak. London: Latin America Bureau; 2004.
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Graziano, Frank. Divine violence: spectacle, psychosexuality & radical Christianity in the Argentine ‘dirty war’. Boulder, Colo: Westview Press; 1992.
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Guest, Iain. Behind the disappearances: Argentina’s dirty war against human rights and the United Nations. Vol. Pennsylvania studies in human rights. Philadelphia: University of Pennsylvania Press; 1990.
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Bourgois, Philippe I., Scheper-Hughes, Nancy. Violence in war and peace. Vol. Blackwell readers in anthropology. Malden, MA: Blackwell; 2004.
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Lessa, Francesca, Druliolle, Vincent. The memory of state terrorism in the southern cone: Argentina, Chile, and Uruguay [Internet]. Basingstoke: Palgrave Macmillan; 2011. Available from: http://ezproxy.lib.gla.ac.uk/login?url=http://www.palgraveconnect.com/doifinder/10.1057/9780230118621
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Jelin, Elizabeth. State repression and the struggles for memory. London: Latin America Bureau; 2003.
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Lessa, Francesca. Memory and transitional justice in Argentina and Uruguay: Against impunity [Internet]. Vol. Memory politics and transitional justice. Basingstoke: Palgrave Macmillan; 2013. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://link.springer.com/book/10.1057/9781137269393
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Arditti, Rita. Searching for life: the grandmothers of the Plaza de Mayo and the disappeared children of Argentina. Berkeley: University of California Press; 1999.
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Bouvard, Marguerite Guzman. Revolutionizing motherhood: the mothers of the Plaza de Mayo. 1st SR Books ed. Vol. Latin American silhouettes. Wilmington, Del: Scholarly Resources Inc; 1994.
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Lewis PH. Guerrillas and generals: the ‘Dirty War’ in Argentina [Internet]. Westport, Conn: Praeger; 2002. Available from: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=3000442
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Antonius C. G. M. Robben. How Traumatized Societies Remember: The Aftermath of Argentina’s Dirty War. Cultural Critique [Internet]. 2005;(59):120–64. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/4489199
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Stockwell J. Reframing the transitional justice paradigm: women’s affective memories in post-dictatorial Argentina [Internet]. Vol. Springer Series in Transitional Justice. Cham: Springer; 2014. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1007/978-3-319-03853-7
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Robben ACGM. Political violence and trauma in Argentina. Vol. The ethnography of political violence. Philadelphia, Pa: University of Pennsylvania Press; 2007.
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Robben ACGM. Cultures under siege: collective violence and trauma. 1. publ. Vol. Publications of the Society for Psychological Anthropology. Cambridge: Cambridge U. P.; 2000.
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Verbitsky H. Confessions of an Argentine dirty warrior: a firsthand account of atrocity. Horacio Verbitsky. [New] ed. New York: New Press; 2005.
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Zamorano E. Peronistas revolucionarios: un an⡬isis pol⩴ico del apogeo y crisis de la organizaci⯮ Montoneros. Buenos Aires, Argentina: Distal; 2005.
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Rock, David. Authoritarian Argentina: the nationalist movement, its history, and its impact. Berkeley, Calif: University of California Press; 1993.
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Osiel M. Mass atrocity, ordinary evil, and Hannah Arendt: criminal consciousness in Argentina’s Dirty War. New Haven: Yale University Press; 2001.
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Alberto Ciria. Argentina in 1983: Reflections on the Language of the Military and George Orwell. Canadian Journal of Latin American and Caribbean Studies / Revue canadienne des études latino-américaines et caraïbes [Internet]. 1986;11(21):57–69. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/41799589
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Kaiser S. Postmemories of terror: a new generation copes with the legacy of the ‘Dirty War’. Vol. Palgrave studies in oral history. New York: Palgrave Macmillan; 2005.
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Sheinin D. Consent of the damned: ordinary Argentinians in the dirty war [Internet]. Gainesville: University Press of Florida; 2013. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.5744/florida/9780813042398.001.0001
37.
Morello G. The Catholic Church and Argentina’s dirty war [Internet]. [First edition]. New York: Oxford University Press; 2015. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780190234270.001.0001
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Stockwell J, SpringerLink (Online service). Reframing the transitional justice paradigm: women’s affective memories in post-dictatorial Argentina [Internet]. Vol. Springer Series in Transitional Justice. Cham: Springer; 2014. Available from: http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1007/978-3-319-03853-7
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Finchelstein F, Oxford University Press. The ideological origins of the dirty war: fascism, populism, and dictatorship in twentieth century Argentina [Internet]. New York: Oxford University Press; 2014. Available from: http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1093/acprof:oso/9780199930241.001.0001
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Bell V. The art of post-dictatorship: ethics and aesthetics in transitional Argentina. Vol. Transitional justice. London: Routledge; 2014.
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Arenas Fernández L, Longoni A. Instantáneas de la memoria: fotografía y dictadura en Argentina y América Latina. Blejmar J, Fortuny N, García LI, editors. Buenos Aires: Libraria; 2013.
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Sosa C. Queering acts of mourning in the aftermath of Argentina’s dictatorship: the performances of blood. Vol. Colección Támesis. Serie A: Monografías. Woodbridge, Suffolk: Tamesis; 2014.
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Giella MA. Teatro Abierto 1981. Vol. Colecci⯮ Dramaturgos argentinos contempor⡮eos. Bs. As. [i.e. Buenos Aires]: Corregidor; 1991.
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Arancibia JA, Mirkin Z. Teatro argentino durante el Proceso, 1976-1983: ensayos cr⩴icos, entrevistas. Vol. Colecci⯮ Estudios hisp⡮icos. Buenos Aires, Argentina: Editorial Vinciguerra; 1992.
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Larson, Catherine, Vargas, Margarita. Latin American women dramatists: theater, texts, and theories. Bloomington: Indiana University Press; 1998.
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Werth, Brenda G. Theatre, performance, and memory politics in Argentina [Internet]. Basingstoke: Palgrave Macmillan; 2010. Available from: http://ezproxy.lib.gla.ac.uk/login?url=http://www.palgraveconnect.com/doifinder/10.1057/9780230114029
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Bassnett, Susan. Knives and angels: women writers in Latin America. London: Zed; 1990.
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Graham-Jones, Jean. Exorcising history: Argentine theater under dictatorship. Lewisburg, [Pa.]: Bucknell University Press; 2000.
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Jehenson MY. Staging cultural violence: Griselda Gambaro and Argentina’s ‘Dirty War.’ Mosaic (Winnipeg) [Internet]. 1999;32(1). Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://go.galegroup.com/ps/i.do?id=GALE%7CA54482284&v=2.1&u=glasuni&it=r&p=AONE&sw=w&asid=0c9c00fb43d6aca1f05a13354bd48448
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López Laval, Hilda. Autoritarismo y cultura: Argentina, 1976-1983. 1. ed. Vol. Colección Espiral hispano-americana. Madrid: Editorial Fundamentos; 1995.
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Méndez-Faith T. Sobre el uso y abuso de poder en la producción dramática de Griselda Gambaro. Revista Iberoamericana. 1985 Apr 20;51(132).
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Skloot R. ‘Where Does It Hurt?’: Genocide, the Theatre and the Human Body. Theatre Research International. 1998 Mar;23(01).
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Watson I, Epstein S. Theatre after the Dictatorships: Developments in Chile and Argentina. New Theatre Quarterly. 1995 Feb;11(41).
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Giella MA. Teatro Abierto: Fenómeno socio-teatral argentino’. 1981;15(1):89–93. Available from: https://journals.ku.edu/index.php/latr/article/view/476/451
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Martínez de Olcoz N. Cuerpo y resistencia en el reciente teatro de Griselda Gambaro. 1995;28(2):7–18. Available from: https://journals.ku.edu/index.php/latr/article/view/1053/1028
56.
Díaz, Gwendolyn Josie. Luisa Valenzuela sin máscara. Vol. Colección Literatura y crítica. Buenos Aires, República Argentina: Feminaria Editora; 2002.
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58.
Pitt KE. Body, nation, and narrative in the Americas [Internet]. Basingstoke: Palgrave Macmillan; 2010. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://link.springer.com/book/10.1057/9780230115347
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Callejo A. Literatura e irregularidad en ‘cambio de armas’, de Luisa Valenzuela. Revista Iberoamericana. 1985 Apr 20;51(132).
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Fernando Ainsa and Djelal Kadir. Journey to Luisa Valenzuela’s Land of Fear. World Literature Today [Internet]. 1995;69(4):683–90. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/40151603
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Corbatta J. Narrativas de la Guerra Sucia en Argentina: Piglia, Saer, Valenzuela, Puig. Bs. As. [i.e. Buenos Aires]: Corregidor; 1999.
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Hart SM. Is Women’s Writing in Spanish America Gender-Specific? MLN. 1995;110(2):335–52.
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María-Inés Lagos-Pope. Mujer y política en ‘Cambio de armas’ de Luisa Valenzuela. Hispamérica [Internet]. 1987;(46):71–83. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/20539245
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PATRICIA RUBIO. Fragmentation in Luisa Valenzuela’s Narrative. Salmagundi [Internet]. 1989;(82):287–96. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/40548059
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Tierney-Tello, Mary Beth. Allegories of transgression and transformation: experimental fiction by women writing under dictatorship. Albany: State University of New York Press; 1996.
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Magnarelli S. Luisa Valenzuela’s Cambio de armas: Subversion and Narrative Weaponry. Romance Quarterly. 1987 Feb;34(1):85–94.
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Mary Janell Metzger. ‘Oedipal with a Vengeance’: Narrative, Desire, and Violence in Luisa Valenzuela’s ‘Fourth Version’. Tulsa Studies in Women’s Literature [Internet]. 1995;14(2):295–307. Available from: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/463901
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Burucúa, Constanza. Confronting the ‘Dirty War’ in Argentine cinema, 1983-1993: memory and gender in historical representations. Vol. Colección Támesis. Serie A, Monografias. Woodbridge, Suffolk: Tamesis; 2009.
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Hart, Stephen M. A companion to Latin American film. Vol. Colección Támesis. Rochester, N.Y.: Tamesis; 2004.
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Bechis, Marco. Garage Olimpo. [Argentina]: Industria Argentina; 2005.
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Falicov, Tamara L. The cinematic tango: contemporary Argentine film. Vol. Wallflower film studies. London: Wallflower Press; 2007.
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Foster, David William. Contemporary Argentine cinema. Columbia: University of Missouri Press; 1992.
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King, John. Magical reels: a history of cinema in Latin America. New ed. Vol. Critical studies in Latin American and Iberian cultures. London: Verso; 2000.
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Danusia L. Meson and Aida Bortnik. The Official Story: An Interview with Aida Bortnik. Cinéaste [Internet]. 1986;14(4):30–5. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/41686824
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Fernando Reati. Argentine Political Violence and Artistic Representation in Films of the 1980’s. Latin American Literary Review [Internet]. 1989;17(34):24–39. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/20119521
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Rix R, Rodríguez-Saona R, Canning House Library (Hispanic & Luso Brazilian Councils). Changing reels: Latin American cinema against the odds. Leeds [England]: Trinity and All Saints University College; 1997.
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Podalsky, Laura. The politics of affect and emotion in contemporary Latin American cinema: Argentina, Brazil, Cuba, and Mexico. New York: Palgrave Macmillan; 2011.
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Taylor L. Image and Irony in ‘The Official Story’. Literature/Film QuarterlyLiterature/Film Quarterly [Internet]. 17(3). Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/1297360511/EC2C68DDBC7646A1PQ/12?accountid=14540
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Tomlinson E. Mapping the Land of ‘I-don’t remember’: For a Re-evaluation of La historia oficial. Bulletin of Hispanic Studies. 2004 Jun;81(2):215–28.
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Tabanelli R. The violence of history in Marco Bechis’s Argentina. New Cinemas: Journal of Contemporary Film. 2012 Nov 20;9(2):127–46.
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Dufays S. El niño en el cine Argentino de la postdictadura (1983-2008): alegoría y nostalgia. Vol. Colección Támesis. Woodbridge: Tamesis; 2014.
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Hortiguera H. Perverse Fascinations and Atrocious Acts: An Approach to The Secret in Their Eyes by Juan José Campanella. Studies in Latin American Popular Culture. 2012;30(1):110–23.
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Copertari G, Sitnisky C, editors. El estado de las cosas: cine latinoamericano en el nuevo milenio. Vol. ColecciÃ3n Nexos y diferencias. Madrid: Iberoamericana; 2015.
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Vieira PI. Seeing politics otherwise: vision in Latin American and Iberian fiction. Vol. University of Toronto romance series. Toronto, Ontario: University of Toronto Press; 2011.
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