Alberto Ciria. 1986. ‘Argentina in 1983: Reflections on the Language of the Military and George Orwell’. Canadian Journal of Latin American and Caribbean Studies / Revue Canadienne Des Études Latino-Américaines et Caraïbes 11 (21): 57–69. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/41799589.
Andersen, Martin Edwin. 1993. Dossier Secreto: Argentina’s Desaparecidos and the Myth of the ‘Dirty War’. Boulder: Westview Press.
Antonius C. G. M. Robben. 2005. ‘How Traumatized Societies Remember: The Aftermath of Argentina’s Dirty War’. Cultural Critique, no. 59: 120–64. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/4489199.
Arancibia, Juana Alcira, and Zulema Mirkin. 1992. Teatro Argentino Durante El Proceso, 1976-1983: Ensayos Cr⩴icos, Entrevistas. Vol. Colecci⯮ Estudios hisp⡮icos. Buenos Aires, Argentina: Editorial Vinciguerra.
Arditti, Rita. 1999. Searching for Life: The Grandmothers of the Plaza de Mayo and the Disappeared Children of Argentina. Berkeley: University of California Press.
Arenas Fernández, Lizbeth, and Anna Longoni. 2013. Instantáneas de La Memoria: Fotografía y Dictadura En Argentina y América Latina. Edited by Jordana Blejmar, Natalia Fortuny, and Luis Ignacio García. Buenos Aires: Libraria.
Based on a True Story: Latin American History at the Movies. 2005. Vol. Latin American silhouettes. Lanham, MD: SR Books.
Bassnett, Susan. 1990. Knives and Angels: Women Writers in Latin America. London: Zed.
Bechis, Marco. 2005. ‘Garage Olimpo’. Videorecording. [Argentina]: Industria Argentina.
Bechis, Marco. 2005. ‘Garage Olimpo’. Videorecording. [Argentina]: Industria Argentina.
Bell, Vikki. 2014. The Art of Post-Dictatorship: Ethics and Aesthetics in Transitional Argentina. Vol. Transitional justice. London: Routledge.
Betina, Kaplan. 2012. ‘Contesting Memories: A Brief Recount of the Struggles to Talk About the Violent Past in Argentina’ 4 (8). https://digitalcommons.bowdoin.edu/dissidences/vol4/iss8/3/?utm_source=digitalcommons.bowdoin.edu%2Fdissidences%2Fvol4%2Fiss8%2F3&utm_medium=PDF&utm_campaign=PDFCoverPages.
Bourgois, Philippe I. and Scheper-Hughes, Nancy. 2004. Violence in War and Peace. Vol. Blackwell readers in anthropology. Malden, MA: Blackwell.
Bouvard, Marguerite Guzman. 1994. Revolutionizing Motherhood: The Mothers of the Plaza de Mayo. 1st SR Books ed. Vol. Latin American silhouettes. Wilmington, Del: Scholarly Resources Inc.
Burucúa, Constanza. 2009. Confronting the ‘Dirty War’ in Argentine Cinema, 1983-1993: Memory and Gender in Historical Representations. Vol. Colección Támesis. Serie A, Monografias. Woodbridge, Suffolk: Tamesis.
Callejo, Alfonso. 1985. ‘Literatura e Irregularidad En “Cambio de Armas”, de Luisa Valenzuela’. Revista Iberoamericana 51 (132). https://doi.org/10.5195/reviberoamer.1985.4072.
Campanella, Juan José, Besuievsky, Mariela, Herrero, Gerardo, Darín, Ricardo, Villamil, Soledad, Rago, Pablo, Godino, Javier, Francella, Guillermo, Sacheri, Eduardo A., and Cameo Media. 2010. ‘El Secreto de Sus Ojos’. Videorecording. [Barcelona]: Cameo Media S. L.
‘Censura, Violencia Política y Memoria Colectiva: La Historia Oficial - Dialnet’. n.d. http://dialnet.unirioja.es/servlet/articulo?codigo=2429252.
Copertari, Gabriela, and Carolina Sitnisky, eds. 2015. El Estado de Las Cosas: Cine Latinoamericano En El Nuevo Milenio. Vol. ColecciÃ3n Nexos y diferencias. Madrid: Iberoamericana.
Corbatta, Jorgelina. 1999. Narrativas de La Guerra Sucia En Argentina: Piglia, Saer, Valenzuela, Puig. Bs. As. [i.e. Buenos Aires]: Corregidor.
Danusia L. Meson and Aida Bortnik. 1986. ‘The Official Story: An Interview with Aida Bortnik’. Cinéaste 14 (4): 30–35. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/41686824.
‘Decir Sí (Spanish Production)’. n.d. https://www.youtube.com/watch?v=o8yUz0LMhC4.
‘Decir Sí (TV Pública Argentina)’. n.d. https://www.youtube.com/watch?v=6SWjPhDHAts.
Díaz, Gwendolyn Josie. 2002. Luisa Valenzuela Sin Máscara. Vol. Colección Literatura y crítica. Buenos Aires, República Argentina: Feminaria Editora.
Díaz, Gwendolyn Josie, and María-Inés Lagos-Pope. 1996. La Palabra En Vilo: Narrativa de Luisa Valenzuela. Vol. Serie Ensayo. Santiago de Chile: Editorial Cuarto Propio.
Dufays, Sophie. 2014. El Niño En El Cine Argentino de La Postdictadura (1983-2008): Alegoría y Nostalgia. Vol. Colección Támesis. Woodbridge: Tamesis.
‘El Acompañamiento (Film Version of Play)’. n.d. https://www.youtube.com/watch?v=-r69a8PY62k.
Elena, Alberto, and Marina Díaz López. 2003. The Cinema of Latin America. London: Wallflower Press. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=909593.
Evangelista, Liria. 1998. Voices of the Survivors: Testimony, Mourning & Memory in Post-Dictatorship Argentina (1983-1995). Vol. Garland Reference Library of the Humanities. N.Y.: Garland.
Falicov, Tamara L. 2007. The Cinematic Tango: Contemporary Argentine Film. Vol. Wallflower film studies. London: Wallflower Press.
Feitlowitz, Marguerite. 2011. A Lexicon of Terror: Argentina and the Legacies of Torture. Updated. New York: Oxford University Press.
Fernando Ainsa and Djelal Kadir. 1995. ‘Journey to Luisa Valenzuela’s Land of Fear’. World Literature Today 69 (4): 683–90. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/40151603.
Fernando Reati. 1989. ‘Argentine Political Violence and Artistic Representation in Films of the 1980’s’. Latin American Literary Review 17 (34): 24–39. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/20119521.
Finchelstein, Federico and Oxford University Press. 2014. The Ideological Origins of the Dirty War: Fascism, Populism, and Dictatorship in Twentieth Century Argentina. New York: Oxford University Press. http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1093/acprof:oso/9780199930241.001.0001.
Fogliani, Amy. 2011. ART AS WITNESS: MEMORY OF CRISIS IN ARGENTINA’S DIRTY WAR. Neue Ausg. Saarbr赣ken: VDM Verlag Dr. M赬ler.
Foster, David William. 1992. Contemporary Argentine Cinema. Columbia: University of Missouri Press.
Gambaro, Griselda. 1984. Teatro. 1a ed. Buenos Aires, Repⵢlica Argentina: Ediciones de la Flor.
Giella, Miguel Angel. 1981. ‘Teatro Abierto: Fenómeno Socio-Teatral Argentino’’ 15 (1): 89–93. https://journals.ku.edu/index.php/latr/article/view/476/451.
———. 1991. Teatro Abierto 1981. Vol. Colecci⯮ Dramaturgos argentinos contempor⡮eos. Bs. As. [i.e. Buenos Aires]: Corregidor.
Gorostiza, Carlos. 1991. Teatro. Buenos Aires, Repⵢlica Argentina: Ediciones de la Flor.
Graham-Jones, Jean. 2000. Exorcising History: Argentine Theater under Dictatorship. Lewisburg, [Pa.]: Bucknell University Press.
Graziano, Frank. 1992. Divine Violence: Spectacle, Psychosexuality & Radical Christianity in the Argentine ‘Dirty War’. Boulder, Colo: Westview Press.
Guest, Iain. 1990. Behind the Disappearances: Argentina’s Dirty War against Human Rights and the United Nations. Vol. Pennsylvania studies in human rights. Philadelphia: University of Pennsylvania Press.
Gwendolyn Diaz. 1995. ‘Politics of the Body in Luisa Valenzuela’s “Cambio de Armas” and “Simetrias”’. World Literature Today 69 (4): 751–56. https://doi.org/10.2307/40151613.
Hart, Stephen M. 1995. ‘Is Women’s Writing in Spanish America Gender-Specific?’ MLN 110 (2): 335–52. https://doi.org/10.1353/mln.1995.0030.
Hart, Stephen M. 2004. A Companion to Latin American Film. Vol. Colección Támesis. Rochester, N.Y.: Tamesis.
Hortiguera, Hugo. 2012. ‘Perverse Fascinations and Atrocious Acts: An Approach to The Secret in Their Eyes by Juan José Campanella’. Studies in Latin American Popular Culture 30 (1): 110–23. https://doi.org/10.1353/sla.2012.0004.
Jaroslavsky, Andrés. 2004a. The Future of Memory: Children of the Dictatorship in Argentina Speak. London: Latin America Bureau.
———. 2004b. The Future of Memory: Children of the Dictatorship in Argentina Speak. London: Latin America Bureau.
Jehenson, Myriam Yvonne. 1999. ‘Staging Cultural Violence: Griselda Gambaro and Argentina’s “Dirty War.”’ Mosaic (Winnipeg) 32 (1). https://ezproxy.lib.gla.ac.uk/login?url=https://go.galegroup.com/ps/i.do?id=GALE%7CA54482284&v=2.1&u=glasuni&it=r&p=AONE&sw=w&asid=0c9c00fb43d6aca1f05a13354bd48448.
Jelin, Elizabeth. 2003. State Repression and the Struggles for Memory. London: Latin America Bureau.
Kaiser, Susana. 2005. Postmemories of Terror: A New Generation Copes with the Legacy of the ‘Dirty War’. Vol. Palgrave studies in oral history. New York: Palgrave Macmillan.
King, John. 2000. Magical Reels: A History of Cinema in Latin America. New ed. Vol. Critical studies in Latin American and Iberian cultures. London: Verso.
Ksenija Bilbija. 1992. ‘“LA PALABRA ASESINO” DE LUISA VALENZUELA: LA ENTRADA EN LA LENGUA’. Confluencia 8 (1): 159–64. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/27922140.
Larson, Catherine and Vargas, Margarita. 1998. Latin American Women Dramatists: Theater, Texts, and Theories. Bloomington: Indiana University Press.
Lessa, Francesca. 2013. Memory and Transitional Justice in Argentina and Uruguay: Against Impunity. Electronic resource. Vol. Memory politics and transitional justice. Basingstoke: Palgrave Macmillan. https://ezproxy.lib.gla.ac.uk/login?url=https://link.springer.com/book/10.1057/9781137269393.
Lessa, Francesca and Druliolle, Vincent. 2011. The Memory of State Terrorism in the Southern Cone: Argentina, Chile, and Uruguay. Electronic resource. Basingstoke: Palgrave Macmillan. http://ezproxy.lib.gla.ac.uk/login?url=http://www.palgraveconnect.com/doifinder/10.1057/9780230118621.
Lewis, Paul H. 2002. Guerrillas and Generals: The ‘Dirty War’ in Argentina. Electronic resource. Westport, Conn: Praeger. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=3000442.
López Laval, Hilda. 1995. Autoritarismo y Cultura: Argentina, 1976-1983. 1. ed. Vol. Colección Espiral hispano-americana. Madrid: Editorial Fundamentos.
Magnarelli, Sharon. 1987. ‘Luisa Valenzuela’s Cambio de Armas: Subversion and Narrative Weaponry’. Romance Quarterly 34 (1): 85–94. https://doi.org/10.1080/08831157.1987.11000424.
Magnarelli, Sharon. 1988. Reflections/Refractions: Reading Luisa Valenzuela. Vol. American university studies. New York: P. Lang.
María-Inés Lagos-Pope. 1987. ‘Mujer y Política En “Cambio de Armas” de Luisa Valenzuela’. Hispamérica, no. 46: 71–83. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/20539245.
Martínez de Olcoz, Nieves. 1995. ‘Cuerpo y Resistencia En El Reciente Teatro de Griselda Gambaro’ 28 (2): 7–18. https://journals.ku.edu/index.php/latr/article/view/1053/1028.
Mary Janell Metzger. 1995. ‘“Oedipal with a Vengeance”: Narrative, Desire, and Violence in Luisa Valenzuela’s “Fourth Version”’. Tulsa Studies in Women’s Literature 14 (2): 295–307. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/463901.
‘Memoria Abierta’. n.d. http://www.memoriaabierta.org.ar/.
Méndez-Faith, Teresa. 1985. ‘Sobre El Uso y Abuso de Poder En La Producción Dramática de Griselda Gambaro’. Revista Iberoamericana 51 (132). https://doi.org/10.5195/reviberoamer.1985.4116.
Morello, Gustavo. 2015. The Catholic Church and Argentina’s Dirty War. [First edition]. New York: Oxford University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780190234270.001.0001.
Osiel, Mark. 2001. Mass Atrocity, Ordinary Evil, and Hannah Arendt: Criminal Consciousness in Argentina’s Dirty War. New Haven: Yale University Press.
PATRICIA RUBIO. 1989. ‘Fragmentation in Luisa Valenzuela’s Narrative’. Salmagundi, no. 82: 287–96. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/40548059.
Peris Blanes, Jaume. 2008. ‘Desplazamientos, Suturas y Elusiones: El Cuerpo Torturado En Tiempo de Revancha, La Noche de Los Lapices y Garage Olimpo’. Espéculo: Revista de Estudios Literarios, no. 40. https://hdl.handle.net/10550/28709.
Pitt, Kristin E. 2010. Body, Nation, and Narrative in the Americas. Electronic resource. Basingstoke: Palgrave Macmillan. https://doi.org/10.1057/9780230115347.
Podalsky, Laura. 2011. The Politics of Affect and Emotion in Contemporary Latin American Cinema: Argentina, Brazil, Cuba, and Mexico. New York: Palgrave Macmillan.
Puenzo, Luis, Piñeyro, Marcelo, Bortnik, Aída, Koch Lorber Films, and Historias Cinematograficas Cinemania (Firm). 2004. ‘The Official Story’. Videorecording. Port Washington, NY: Koch Lorber Films.
Rix, Rob, Roberto Rodríguez-Saona, and Canning House Library (Hispanic & Luso Brazilian Councils). 1997. Changing Reels: Latin American Cinema against the Odds. Leeds [England]: Trinity and All Saints University College.
Robben, Antonius C. G. M. 2000. Cultures under Siege: Collective Violence and Trauma. 1. publ. Vol. Publications of the Society for Psychological Anthropology. Cambridge: Cambridge U. P.
———. 2007. Political Violence and Trauma in Argentina. Vol. The ethnography of political violence. Philadelphia, Pa: University of Pennsylvania Press.
Rock, David. 1993. Authoritarian Argentina: The Nationalist Movement, Its History, and Its Impact. Berkeley, Calif: University of California Press.
Ros, Ana. 2012. The Post-Dictatorship Generation in Argentina, Chile, and Uruguay: Collective Memory and Cultural Production. First edition. New York: Palgrave Macmillan.
Schwarzb诣k, Silvia, and Israel Adri⡮ Caetano. 2007. Estudio Cr⩴ico Sobre Cr⯮ica de Una Fuga. 1. ed. Vol. Colecci⯮ Nuevo cine argentino. Buenos Aires: Picnic Editorial.
Serna, Rodrigo de la, Nazareno Casero, Lautaro Delgado, Israel Adrián Caetano, Esteban Student, Julián Loyola, Oscar Kramer, et al. 2008. ‘Chronicle of an Escape’. Santa Monica, CA: Genius Products.
Sheinin, David. 2013a. Consent of the Damned: Ordinary Argentinians in the Dirty War. Electronic resource. Gainesville: University Press of Florida. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.5744/florida/9780813042398.001.0001.
———. 2013b. Consent of the Damned: Ordinary Argentinians in the Dirty War. Electronic resource. Gainesville: University Press of Florida. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.5744/florida/9780813042398.001.0001.
Skloot, Robert. 1998. ‘“Where Does It Hurt?”: Genocide, the Theatre and the Human Body’. Theatre Research International 23 (01). https://doi.org/10.1017/S0307883300018216.
Sosa, Cecilia. 2014. Queering Acts of Mourning in the Aftermath of Argentina’s Dictatorship: The Performances of Blood. Vol. Colección Támesis. Serie A: Monografías. Woodbridge, Suffolk: Tamesis.
Stockwell, Jill. 2014. Reframing the Transitional Justice Paradigm: Women’s Affective Memories in Post-Dictatorial Argentina. Vol. Springer Series in Transitional Justice. Cham: Springer. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1007/978-3-319-03853-7.
Stockwell, Jill and SpringerLink (Online service). 2014. Reframing the Transitional Justice Paradigm: Women’s Affective Memories in Post-Dictatorial Argentina. Vol. Springer Series in Transitional Justice. Cham: Springer. http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1007/978-3-319-03853-7.
Tabanelli, Roberta. 2012. ‘The Violence of History in Marco Bechis’s Argentina’. New Cinemas: Journal of Contemporary Film 9 (2): 127–46. https://doi.org/10.1386/ncin.9.2-3.127_1.
Taylor, Diana. 1997. Disappearing Acts: Spectacles of Gender and Nationalism in Argentina’s ‘Dirty War’. Durham, N.C.: Duke University Press.
Taylor, Low. n.d. ‘Image and Irony in “The Official Story”’. Literature/Film QuarterlyLiterature/Film Quarterly 17 (3). https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/1297360511/EC2C68DDBC7646A1PQ/12?accountid=14540.
Tierney-Tello, Mary Beth. 1996. Allegories of Transgression and Transformation: Experimental Fiction by Women Writing under Dictatorship. Albany: State University of New York Press.
Tomlinson, Emily. 2004. ‘Mapping the Land of “I-Don’t Remember”: For a Re-Evaluation of La Historia Oficial’. Bulletin of Hispanic Studies 81 (2): 215–28. https://doi.org/10.3828/bhs.81.2.5.
‘TV Pública | Teatro Abierto’. n.d. http://www.tvpublica.com.ar/programa/teatro-abierto/.
Valenzuela, Luisa. 1999. Cuentos Completos y Uno Más. 1. ed. México, D.F.: Alfaguara.
Verbitsky, Horacio. 2005. Confessions of an Argentine Dirty Warrior: A Firsthand Account of Atrocity. Horacio Verbitsky. [New] ed. New York: New Press.
Vieira, Patricia I. 2011. Seeing Politics Otherwise: Vision in Latin American and Iberian Fiction. Vol. University of Toronto romance series. Toronto, Ontario: University of Toronto Press.
Vierira, Patricia. 2006. ‘Torture and the Sublime. The Ethics of Physical Pain in Garage Olimpo’ 1 (2). https://digitalcommons.bowdoin.edu/dissidences/vol1/iss2/10/.
Watson, Ian, and Susana Epstein. 1995. ‘Theatre after the Dictatorships: Developments in Chile and Argentina’. New Theatre Quarterly 11 (41). https://doi.org/10.1017/S0266464X00008861.
Werth, Brenda G. 2010. Theatre, Performance, and Memory Politics in Argentina. Electronic resource. Basingstoke: Palgrave Macmillan. http://ezproxy.lib.gla.ac.uk/login?url=http://www.palgraveconnect.com/doifinder/10.1057/9780230114029.
‘YouTube Video of Performance of El Acompanamiento’. n.d. https://www.youtube.com/watch?v=-r69a8PY62k.
Zamorano, Eduardo. 2005. Peronistas Revolucionarios: Un An⡬isis Pol⩴ico Del Apogeo y Crisis de La Organizaci⯮ Montoneros. Buenos Aires, Argentina: Distal.
