Alberto Ciria. 1986. ‘Argentina in 1983: Reflections on the Language of the Military and George Orwell’. Canadian Journal of Latin American and Caribbean Studies / Revue Canadienne Des Études Latino-Américaines et Caraïbes 11 (21): 57–69. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/41799589.
Andersen, Martin Edwin. 1993. Dossier Secreto: Argentina’s Desaparecidos and the Myth of the ‘Dirty War’. Westview Press.
Antonius C. G. M. Robben. 2005. ‘How Traumatized Societies Remember: The Aftermath of Argentina’s Dirty War’. Cultural Critique, no. 59: 120–64. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/4489199.
Arancibia, Juana Alcira, and Zulema Mirkin. 1992. Teatro Argentino Durante El Proceso, 1976-1983: Ensayos Cr⩴icos, Entrevistas. Colecci⯮ Estudios hisp⡮icos. Editorial Vinciguerra.
Arditti, Rita. 1999. Searching for Life: The Grandmothers of the Plaza de Mayo and the Disappeared Children of Argentina. University of California Press.
Arenas Fernández, Lizbeth, and Anna Longoni. 2013. Instantáneas de La Memoria: Fotografía y Dictadura En Argentina y América Latina. Edited by Jordana Blejmar, Natalia Fortuny, and Luis Ignacio García. Libraria.
Based on a True Story: Latin American History at the Movies. 2005. Latin American silhouettes. SR Books.
Bassnett, Susan. 1990. Knives and Angels: Women Writers in Latin America. Zed.
Bechis, Marco. 2005. Garage Olimpo. Industria Argentina. Videorecording.
Bechis, Marco. 2005. Garage Olimpo. Industria Argentina. Videorecording.
Bell, Vikki. 2014. The Art of Post-Dictatorship: Ethics and Aesthetics in Transitional Argentina. Transitional justice. Routledge.
Betina, Kaplan. 2012. Contesting Memories: A Brief Recount of the Struggles to Talk About the Violent Past in Argentina. 4 (8). https://digitalcommons.bowdoin.edu/dissidences/vol4/iss8/3/?utm_source=digitalcommons.bowdoin.edu%2Fdissidences%2Fvol4%2Fiss8%2F3&utm_medium=PDF&utm_campaign=PDFCoverPages.
Bourgois, Philippe I. and Scheper-Hughes, Nancy. 2004. Violence in War and Peace. Blackwell readers in anthropology. Blackwell.
Bouvard, Marguerite Guzman. 1994. Revolutionizing Motherhood: The Mothers of the Plaza de Mayo. 1st SR Books ed. Latin American silhouettes. Scholarly Resources Inc.
Burucúa, Constanza. 2009. Confronting the ‘Dirty War’ in Argentine Cinema, 1983-1993: Memory and Gender in Historical Representations. Colección Támesis. Serie A, Monografias. Tamesis.
Callejo, Alfonso. 1985. ‘Literatura e Irregularidad En “Cambio de Armas”, de Luisa Valenzuela’. Revista Iberoamericana 51 (132). https://doi.org/10.5195/reviberoamer.1985.4072.
Campanella, Juan José, Besuievsky, Mariela, Herrero, Gerardo, et al. 2010. El Secreto de Sus Ojos. Cameo Media S. L. Videorecording.
Censura, Violencia Política y Memoria Colectiva: La Historia Oficial - Dialnet. n.d. http://dialnet.unirioja.es/servlet/articulo?codigo=2429252.
Copertari, Gabriela, and Carolina Sitnisky, eds. 2015. El Estado de Las Cosas: Cine Latinoamericano En El Nuevo Milenio. ColecciÃ3n Nexos y diferencias. Iberoamericana.
Corbatta, Jorgelina. 1999. Narrativas de La Guerra Sucia En Argentina: Piglia, Saer, Valenzuela, Puig. Corregidor.
Danusia L. Meson and Aida Bortnik. 1986. ‘The Official Story: An Interview with Aida Bortnik’. Cinéaste 14 (4): 30–35. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/41686824.
‘Decir Sí (Spanish Production)’. n.d. https://www.youtube.com/watch?v=o8yUz0LMhC4.
‘Decir Sí (TV Pública Argentina)’. n.d. https://www.youtube.com/watch?v=6SWjPhDHAts.
Díaz, Gwendolyn Josie. 2002. Luisa Valenzuela Sin Máscara. Colección Literatura y crítica. Feminaria Editora.
Díaz, Gwendolyn Josie, and María-Inés Lagos-Pope. 1996. La Palabra En Vilo: Narrativa de Luisa Valenzuela. Serie Ensayo. Editorial Cuarto Propio.
Dufays, Sophie. 2014. El Niño En El Cine Argentino de La Postdictadura (1983-2008): Alegoría y Nostalgia. Colección Támesis. Tamesis.
‘El Acompañamiento (Film Version of Play)’. n.d. https://www.youtube.com/watch?v=-r69a8PY62k.
Elena, Alberto, and Marina Díaz López. 2003. The Cinema of Latin America. Wallflower Press. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=909593.
Evangelista, Liria. 1998. Voices of the Survivors: Testimony, Mourning & Memory in Post-Dictatorship Argentina (1983-1995). Garland Reference Library of the Humanities. Garland.
Falicov, Tamara L. 2007. The Cinematic Tango: Contemporary Argentine Film. Wallflower film studies. Wallflower Press.
Feitlowitz, Marguerite. 2011. A Lexicon of Terror: Argentina and the Legacies of Torture. Updated. Oxford University Press.
Fernando Ainsa and Djelal Kadir. 1995. ‘Journey to Luisa Valenzuela’s Land of Fear’. World Literature Today 69 (4): 683–90. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/40151603.
Fernando Reati. 1989. ‘Argentine Political Violence and Artistic Representation in Films of the 1980’s’. Latin American Literary Review 17 (34): 24–39. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/20119521.
Finchelstein, Federico and Oxford University Press. 2014. The Ideological Origins of the Dirty War: Fascism, Populism, and Dictatorship in Twentieth Century Argentina. Oxford University Press. http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1093/acprof:oso/9780199930241.001.0001.
Fogliani, Amy. 2011. ART AS WITNESS: MEMORY OF CRISIS IN ARGENTINA’S DIRTY WAR. Neue Ausg. VDM Verlag Dr. M赬ler.
Foster, David William. 1992. Contemporary Argentine Cinema. University of Missouri Press.
Gambaro, Griselda. 1984. Teatro. 1a ed. Ediciones de la Flor.
Giella, Miguel Angel. 1981. Teatro Abierto: Fenómeno Socio-Teatral Argentino’. 15 (1): 89–93. https://journals.ku.edu/index.php/latr/article/view/476/451.
Giella, Miguel Angel. 1991. Teatro Abierto 1981. Colecci⯮ Dramaturgos argentinos contempor⡮eos. Corregidor.
Gorostiza, Carlos. 1991. Teatro. Ediciones de la Flor.
Graham-Jones, Jean. 2000. Exorcising History: Argentine Theater under Dictatorship. Bucknell University Press.
Graziano, Frank. 1992. Divine Violence: Spectacle, Psychosexuality & Radical Christianity in the Argentine ‘Dirty War’. Westview Press.
Guest, Iain. 1990. Behind the Disappearances: Argentina’s Dirty War against Human Rights and the United Nations. Pennsylvania studies in human rights. University of Pennsylvania Press.
Gwendolyn Diaz. 1995. ‘Politics of the Body in Luisa Valenzuela’s “Cambio de Armas” and “Simetrias”’. World Literature Today 69 (4): 751–56. https://doi.org/10.2307/40151613.
Hart, Stephen M. 1995. ‘Is Women’s Writing in Spanish America Gender-Specific?’ MLN 110 (2): 335–52. https://doi.org/10.1353/mln.1995.0030.
Hart, Stephen M. 2004. A Companion to Latin American Film. Colección Támesis. Tamesis.
Hortiguera, Hugo. 2012. ‘Perverse Fascinations and Atrocious Acts: An Approach to The Secret in Their Eyes by Juan José Campanella’. Studies in Latin American Popular Culture 30 (1): 110–23. https://doi.org/10.1353/sla.2012.0004.
Jaroslavsky, Andrés. 2004a. The Future of Memory: Children of the Dictatorship in Argentina Speak. Latin America Bureau.
Jaroslavsky, Andrés. 2004b. The Future of Memory: Children of the Dictatorship in Argentina Speak. Latin America Bureau.
Jehenson, Myriam Yvonne. 1999. ‘Staging Cultural Violence: Griselda Gambaro and Argentina’s “Dirty War.”’ Mosaic (Winnipeg) 32 (1). https://ezproxy.lib.gla.ac.uk/login?url=https://go.galegroup.com/ps/i.do?id=GALE%7CA54482284&v=2.1&u=glasuni&it=r&p=AONE&sw=w&asid=0c9c00fb43d6aca1f05a13354bd48448.
Jelin, Elizabeth. 2003. State Repression and the Struggles for Memory. Latin America Bureau.
Kaiser, Susana. 2005. Postmemories of Terror: A New Generation Copes with the Legacy of the ‘Dirty War’. Palgrave studies in oral history. Palgrave Macmillan.
King, John. 2000. Magical Reels: A History of Cinema in Latin America. New ed. Critical studies in Latin American and Iberian cultures. Verso.
Ksenija Bilbija. 1992. ‘“LA PALABRA ASESINO” DE LUISA VALENZUELA: LA ENTRADA EN LA LENGUA’. Confluencia 8 (1): 159–64. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/27922140.
Larson, Catherine and Vargas, Margarita. 1998. Latin American Women Dramatists: Theater, Texts, and Theories. Indiana University Press.
Lessa, Francesca. 2013. Memory and Transitional Justice in Argentina and Uruguay: Against Impunity. Memory politics and Transitional justice. Palgrave Macmillan. Electronic resource. https://ezproxy.lib.gla.ac.uk/login?url=https://link.springer.com/book/10.1057/9781137269393.
Lessa, Francesca and Druliolle, Vincent. 2011. The Memory of State Terrorism in the Southern Cone: Argentina, Chile, and Uruguay. Palgrave Macmillan. Electronic resource. http://ezproxy.lib.gla.ac.uk/login?url=http://www.palgraveconnect.com/doifinder/10.1057/9780230118621.
Lewis, Paul H. 2002. Guerrillas and Generals: The ‘Dirty War’ in Argentina. Praeger. Electronic resource. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=3000442.
López Laval, Hilda. 1995. Autoritarismo y Cultura: Argentina, 1976-1983. 1. ed. Colección Espiral hispano-Americana. Editorial Fundamentos.
Magnarelli, Sharon. 1987. ‘Luisa Valenzuela’s Cambio de Armas: Subversion and Narrative Weaponry’. Romance Quarterly 34 (1): 85–94. https://doi.org/10.1080/08831157.1987.11000424.
Magnarelli, Sharon. 1988. Reflections/Refractions: Reading Luisa Valenzuela. American university studies. P. Lang.
María-Inés Lagos-Pope. 1987. ‘Mujer y Política En “Cambio de Armas” de Luisa Valenzuela’. Hispamérica, no. 46: 71–83. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/20539245.
Martínez de Olcoz, Nieves. 1995. Cuerpo y Resistencia En El Reciente Teatro de Griselda Gambaro. 28 (2): 7–18. https://journals.ku.edu/index.php/latr/article/view/1053/1028.
Mary Janell Metzger. 1995. ‘“Oedipal with a Vengeance”: Narrative, Desire, and Violence in Luisa Valenzuela’s “Fourth Version”’. Tulsa Studies in Women’s Literature 14 (2): 295–307. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/463901.
‘Memoria Abierta’. n.d. http://www.memoriaabierta.org.ar/.
Méndez-Faith, Teresa. 1985. ‘Sobre El Uso y Abuso de Poder En La Producción Dramática de Griselda Gambaro’. Revista Iberoamericana 51 (132). https://doi.org/10.5195/reviberoamer.1985.4116.
Morello, Gustavo. 2015. The Catholic Church and Argentina’s Dirty War. [First edition]. Oxford University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780190234270.001.0001.
Osiel, Mark. 2001. Mass Atrocity, Ordinary Evil, and Hannah Arendt: Criminal Consciousness in Argentina’s Dirty War. Yale University Press.
PATRICIA RUBIO. 1989. ‘Fragmentation in Luisa Valenzuela’s Narrative’. Salmagundi, no. 82: 287–96. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/40548059.
Peris Blanes, Jaume. 2008. ‘Desplazamientos, Suturas y Elusiones: El Cuerpo Torturado En Tiempo de Revancha, La Noche de Los Lapices y Garage Olimpo’. Espéculo: Revista de Estudios Literarios, no. 40. https://hdl.handle.net/10550/28709.
Pitt, Kristin E. 2010. Body, Nation, and Narrative in the Americas. Palgrave Macmillan. Electronic resource. https://doi.org/10.1057/9780230115347.
Podalsky, Laura. 2011. The Politics of Affect and Emotion in Contemporary Latin American Cinema: Argentina, Brazil, Cuba, and Mexico. Palgrave Macmillan.
Puenzo, Luis, Piñeyro, Marcelo, Bortnik, Aída, Koch Lorber Films, and Historias Cinematograficas Cinemania (Firm). 2004. The Official Story. Koch Lorber Films. Videorecording.
Rix, Rob, Roberto Rodríguez-Saona, and Canning House Library (Hispanic & Luso Brazilian Councils). 1997. Changing Reels: Latin American Cinema against the Odds. Trinity and All Saints University College.
Robben, Antonius C. G. M. 2000. Cultures under Siege: Collective Violence and Trauma. 1. publ. Publications of the Society for Psychological Anthropology. Cambridge U. P.
Robben, Antonius C. G. M. 2007. Political Violence and Trauma in Argentina. The ethnography of political violence. University of Pennsylvania Press.
Rock, David. 1993. Authoritarian Argentina: The Nationalist Movement, Its History, and Its Impact. University of California Press.
Ros, Ana. 2012. The Post-Dictatorship Generation in Argentina, Chile, and Uruguay: Collective Memory and Cultural Production. First edition. Palgrave Macmillan.
Schwarzb诣k, Silvia, and Israel Adri⡮ Caetano. 2007. Estudio Cr⩴ico Sobre Cr⯮ica de Una Fuga. 1. ed. Colecci⯮ Nuevo cine argentino. Picnic Editorial.
Serna, Rodrigo de la, Nazareno Casero, Lautaro Delgado, et al. 2008. Chronicle of an Escape. Genius Products.
Sheinin, David. 2013a. Consent of the Damned: Ordinary Argentinians in the Dirty War. University Press of Florida. Electronic resource. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.5744/florida/9780813042398.001.0001.
Sheinin, David. 2013b. Consent of the Damned: Ordinary Argentinians in the Dirty War. University Press of Florida. Electronic resource. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.5744/florida/9780813042398.001.0001.
Skloot, Robert. 1998. ‘“Where Does It Hurt?”: Genocide, the Theatre and the Human Body’. Theatre Research International 23 (01). https://doi.org/10.1017/S0307883300018216.
Sosa, Cecilia. 2014. Queering Acts of Mourning in the Aftermath of Argentina’s Dictatorship: The Performances of Blood. Colección Támesis. Serie A: Monografías. Tamesis.
Stockwell, Jill. 2014. Reframing the Transitional Justice Paradigm: Women’s Affective Memories in Post-Dictatorial Argentina. Springer Series in Transitional Justice. Springer. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1007/978-3-319-03853-7.
Stockwell, Jill and SpringerLink (Online service). 2014. Reframing the Transitional Justice Paradigm: Women’s Affective Memories in Post-Dictatorial Argentina. Springer Series in Transitional Justice. Springer. http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1007/978-3-319-03853-7.
Tabanelli, Roberta. 2012. ‘The Violence of History in Marco Bechis’s Argentina’. New Cinemas: Journal of Contemporary Film 9 (2): 127–46. https://doi.org/10.1386/ncin.9.2-3.127_1.
Taylor, Diana. 1997. Disappearing Acts: Spectacles of Gender and Nationalism in Argentina’s ‘Dirty War’. Duke University Press.
Taylor, Low. n.d. ‘Image and Irony in “The Official Story”’. Literature/Film QuarterlyLiterature/Film Quarterly 17 (3). https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/1297360511/EC2C68DDBC7646A1PQ/12?accountid=14540.
Tierney-Tello, Mary Beth. 1996. Allegories of Transgression and Transformation: Experimental Fiction by Women Writing under Dictatorship. State University of New York Press.
Tomlinson, Emily. 2004. ‘Mapping the Land of “I-Don’t Remember”: For a Re-Evaluation of La Historia Oficial’. Bulletin of Hispanic Studies 81 (2): 215–28. https://doi.org/10.3828/bhs.81.2.5.
‘TV Pública | Teatro Abierto’. n.d. http://www.tvpublica.com.ar/programa/teatro-abierto/.
Valenzuela, Luisa. 1999. Cuentos Completos y Uno Más. 1. ed. Alfaguara.
Verbitsky, Horacio. 2005. Confessions of an Argentine Dirty Warrior: A Firsthand Account of Atrocity. Horacio Verbitsky. [New] ed. New Press.
Vieira, Patricia I. 2011. Seeing Politics Otherwise: Vision in Latin American and Iberian Fiction. University of Toronto romance series. University of Toronto Press.
Vierira, Patricia. 2006. Torture and the Sublime. The Ethics of Physical Pain in Garage Olimpo. 1 (2). https://digitalcommons.bowdoin.edu/dissidences/vol1/iss2/10/.
Watson, Ian, and Susana Epstein. 1995. ‘Theatre after the Dictatorships: Developments in Chile and Argentina’. New Theatre Quarterly 11 (41). https://doi.org/10.1017/S0266464X00008861.
Werth, Brenda G. 2010. Theatre, Performance, and Memory Politics in Argentina. Palgrave Macmillan. Electronic resource. http://ezproxy.lib.gla.ac.uk/login?url=http://www.palgraveconnect.com/doifinder/10.1057/9780230114029.
YouTube Video of Performance of El Acompanamiento. n.d. https://www.youtube.com/watch?v=-r69a8PY62k.
Zamorano, Eduardo. 2005. Peronistas Revolucionarios: Un An⡬isis Pol⩴ico Del Apogeo y Crisis de La Organizaci⯮ Montoneros. Distal.
