Alberto Ciria. ‘Argentina in 1983: Reflections on the Language of the Military and George Orwell’. Canadian Journal of Latin American and Caribbean Studies / Revue canadienne des études latino-américaines et caraïbes 11.21 (1986): 57–69. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/41799589>.
Andersen, Martin Edwin. Dossier Secreto: Argentina’s Desaparecidos and the Myth of the ‘Dirty War’. Boulder: Westview Press, 1993. Print.
Antonius C. G. M. Robben. ‘How Traumatized Societies Remember: The Aftermath of Argentina’s Dirty War’. Cultural Critique 59 (2005): 120–164. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/4489199>.
Arancibia, Juana Alcira, and Zulema Mirkin. Teatro Argentino Durante El Proceso, 1976-1983: Ensayos Cr⩴icos, Entrevistas. Colecci⯮ Estudios hisp⡮icos. Buenos Aires, Argentina: Editorial Vinciguerra, 1992. Print.
Arditti, Rita. Searching for Life: The Grandmothers of the Plaza de Mayo and the Disappeared Children of Argentina. Berkeley: University of California Press, 1999. Print.
Arenas Fernández, Lizbeth, and Anna Longoni. Instantáneas de La Memoria: Fotografía y Dictadura En Argentina y América Latina. Ed. Jordana Blejmar, Natalia Fortuny, and Luis Ignacio García. Buenos Aires: Libraria, 2013. Print.
Based on a True Story: Latin American History at the Movies. Latin American silhouettes. Lanham, MD: SR Books, 2005. Print.
Bassnett, Susan. Knives and Angels: Women Writers in Latin America. London: Zed, 1990. Print.
Bechis, Marco. ‘Garage Olimpo’. 2005 : n. pag. Print.
Bechis, Marco. ‘Garage Olimpo’. 2005 : n. pag. Print.
Bell, Vikki. The Art of Post-Dictatorship: Ethics and Aesthetics in Transitional Argentina. Transitional justice. London: Routledge, 2014. Print.
Betina, Kaplan. ‘Contesting Memories: A Brief Recount of the Struggles to Talk About the Violent Past in Argentina’. 4.8 (2012): n. pag. Web. <https://digitalcommons.bowdoin.edu/dissidences/vol4/iss8/3/?utm_source=digitalcommons.bowdoin.edu%2Fdissidences%2Fvol4%2Fiss8%2F3&utm_medium=PDF&utm_campaign=PDFCoverPages>.
Bourgois, Philippe I. and Scheper-Hughes, Nancy. Violence in War and Peace. Blackwell readers in anthropology. Malden, MA: Blackwell, 2004. Print.
Bouvard, Marguerite Guzman. Revolutionizing Motherhood: The Mothers of the Plaza de Mayo. 1st SR Books ed. Latin American silhouettes. Wilmington, Del: Scholarly Resources Inc, 1994. Print.
Burucúa, Constanza. Confronting the ‘Dirty War’ in Argentine Cinema, 1983-1993: Memory and Gender in Historical Representations. Colección Támesis. Serie A, Monografias. Woodbridge, Suffolk: Tamesis, 2009. Print.
Callejo, Alfonso. ‘Literatura e Irregularidad En “Cambio de Armas”, de Luisa Valenzuela’. Revista Iberoamericana 51.132 (1985): n. pag. Web.
Campanella, Juan José et al. ‘El Secreto de Sus Ojos’. 2010 : n. pag. Print.
‘Censura, Violencia Política y Memoria Colectiva: La Historia Oficial - Dialnet’. n. pag. Web. <http://dialnet.unirioja.es/servlet/articulo?codigo=2429252>.
Copertari, Gabriela, and Carolina Sitnisky, eds. El Estado de Las Cosas: Cine Latinoamericano En El Nuevo Milenio. ColecciÃ3n Nexos y diferencias. Madrid: Iberoamericana, 2015. Print.
Corbatta, Jorgelina. Narrativas de La Guerra Sucia En Argentina: Piglia, Saer, Valenzuela, Puig. Bs. As. [i.e. Buenos Aires]: Corregidor, 1999. Print.
Danusia L. Meson and Aida Bortnik. ‘The Official Story: An Interview with Aida Bortnik’. Cinéaste 14.4 (1986): 30–35. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/41686824>.
‘Decir Sí (Spanish Production)’. N.p., n.d. Web. <https://www.youtube.com/watch?v=o8yUz0LMhC4>.
‘Decir Sí (TV Pública Argentina)’. N.p., n.d. Web. <https://www.youtube.com/watch?v=6SWjPhDHAts>.
Díaz, Gwendolyn Josie. Luisa Valenzuela Sin Máscara. Colección Literatura y crítica. Buenos Aires, República Argentina: Feminaria Editora, 2002. Print.
Díaz, Gwendolyn Josie, and María-Inés Lagos-Pope. La Palabra En Vilo: Narrativa de Luisa Valenzuela. Serie Ensayo. Santiago de Chile: Editorial Cuarto Propio, 1996. Print.
Dufays, Sophie. El Niño En El Cine Argentino de La Postdictadura (1983-2008): Alegoría y Nostalgia. Colección Támesis. Woodbridge: Tamesis, 2014. Print.
‘El Acompañamiento (Film Version of Play)’. N.p., n.d. Web. <https://www.youtube.com/watch?v=-r69a8PY62k>.
Elena, Alberto, and Marina Díaz López. The Cinema of Latin America. London: Wallflower Press, 2003. Web. <https://ebookcentral.proquest.com/lib/gla/detail.action?docID=909593>.
Evangelista, Liria. Voices of the Survivors: Testimony, Mourning & Memory in Post-Dictatorship Argentina (1983-1995). Garland Reference Library of the Humanities. N.Y.: Garland, 1998. Print.
Falicov, Tamara L. The Cinematic Tango: Contemporary Argentine Film. Wallflower film studies. London: Wallflower Press, 2007. Print.
Feitlowitz, Marguerite. A Lexicon of Terror: Argentina and the Legacies of Torture. Updated. New York: Oxford University Press, 2011. Print.
Fernando Ainsa and Djelal Kadir. ‘Journey to Luisa Valenzuela’s Land of Fear’. World Literature Today 69.4 (1995): 683–690. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/40151603>.
Fernando Reati. ‘Argentine Political Violence and Artistic Representation in Films of the 1980’s’. Latin American Literary Review 17.34 (1989): 24–39. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/20119521>.
Finchelstein, Federico and Oxford University Press. The Ideological Origins of the Dirty War: Fascism, Populism, and Dictatorship in Twentieth Century Argentina. New York: Oxford University Press, 2014. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1093/acprof:oso/9780199930241.001.0001>.
Fogliani, Amy. ART AS WITNESS: MEMORY OF CRISIS IN ARGENTINA’S DIRTY WAR. neue Ausg. Saarbr赣ken: VDM Verlag Dr. M赬ler, 2011. Print.
Foster, David William. Contemporary Argentine Cinema. Columbia: University of Missouri Press, 1992. Print.
Gambaro, Griselda. Teatro. 1a ed. Buenos Aires, Repⵢlica Argentina: Ediciones de la Flor, 1984. Print.
Giella, Miguel Angel. Teatro Abierto 1981. Colecci⯮ Dramaturgos argentinos contempor⡮eos. Bs. As. [i.e. Buenos Aires]: Corregidor, 1991. Print.
---. ‘Teatro Abierto: Fenómeno Socio-Teatral Argentino’’. 15.1 (1981): 89–93. Web. <https://journals.ku.edu/index.php/latr/article/view/476/451>.
Gorostiza, Carlos. Teatro. Buenos Aires, Repⵢlica Argentina: Ediciones de la Flor, 1991. Print.
Graham-Jones, Jean. Exorcising History: Argentine Theater under Dictatorship. Lewisburg, [Pa.]: Bucknell University Press, 2000. Print.
Graziano, Frank. Divine Violence: Spectacle, Psychosexuality & Radical Christianity in the Argentine ‘Dirty War’. Boulder, Colo: Westview Press, 1992. Print.
Guest, Iain. Behind the Disappearances: Argentina’s Dirty War against Human Rights and the United Nations. Pennsylvania studies in human rights. Philadelphia: University of Pennsylvania Press, 1990. Print.
Gwendolyn Diaz. ‘Politics of the Body in Luisa Valenzuela’s “Cambio de Armas” and “Simetrias”’. World Literature Today 69.4 (1995): 751–756. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/40151613>.
Hart, Stephen M. A Companion to Latin American Film. Colección Támesis. Rochester, N.Y.: Tamesis, 2004. Print.
Hart, Stephen M. ‘Is Women’s Writing in Spanish America Gender-Specific?’ MLN 110.2 (1995): 335–352. Web.
Hortiguera, Hugo. ‘Perverse Fascinations and Atrocious Acts: An Approach to The Secret in Their Eyes by Juan José Campanella’. Studies in Latin American Popular Culture 30.1 (2012): 110–123. Web.
Jaroslavsky, Andrés. The Future of Memory: Children of the Dictatorship in Argentina Speak. London: Latin America Bureau, 2004. Print.
---. The Future of Memory: Children of the Dictatorship in Argentina Speak. London: Latin America Bureau, 2004. Print.
Jehenson, Myriam Yvonne. ‘Staging Cultural Violence: Griselda Gambaro and Argentina’s “Dirty War.”’ Mosaic (Winnipeg) 32.1 (1999): n. pag. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://go.galegroup.com/ps/i.do?id=GALE%7CA54482284&amp;v=2.1&amp;u=glasuni&amp;it=r&amp;p=AONE&amp;sw=w&amp;asid=0c9c00fb43d6aca1f05a13354bd48448>.
Jelin, Elizabeth. State Repression and the Struggles for Memory. London: Latin America Bureau, 2003. Print.
Kaiser, Susana. Postmemories of Terror: A New Generation Copes with the Legacy of the ‘Dirty War’. Palgrave studies in oral history. New York: Palgrave Macmillan, 2005. Print.
King, John. Magical Reels: A History of Cinema in Latin America. New ed. Critical studies in Latin American and Iberian cultures. London: Verso, 2000. Print.
Ksenija Bilbija. ‘“LA PALABRA ASESINO” DE LUISA VALENZUELA: LA ENTRADA EN LA LENGUA’. Confluencia 8.1 (1992): 159–164. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/27922140>.
Larson, Catherine and Vargas, Margarita. Latin American Women Dramatists: Theater, Texts, and Theories. Bloomington: Indiana University Press, 1998. Print.
Lessa, Francesca. Memory and Transitional Justice in Argentina and Uruguay: Against Impunity. Memory politics and transitional justice. Basingstoke: Palgrave Macmillan, 2013. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://link.springer.com/book/10.1057/9781137269393>.
Lessa, Francesca and Druliolle, Vincent. The Memory of State Terrorism in the Southern Cone: Argentina, Chile, and Uruguay. Basingstoke: Palgrave Macmillan, 2011. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://www.palgraveconnect.com/doifinder/10.1057/9780230118621>.
Lewis, Paul H. Guerrillas and Generals: The ‘Dirty War’ in Argentina. Westport, Conn: Praeger, 2002. Web. <https://ebookcentral.proquest.com/lib/gla/detail.action?docID=3000442>.
López Laval, Hilda. Autoritarismo y Cultura: Argentina, 1976-1983. 1. ed. Colección Espiral hispano-americana. Madrid: Editorial Fundamentos, 1995. Print.
Magnarelli, Sharon. ‘Luisa Valenzuela’s Cambio de Armas: Subversion and Narrative Weaponry’. Romance Quarterly 34.1 (1987): 85–94. Web.
Magnarelli, Sharon. Reflections/Refractions: Reading Luisa Valenzuela. American university studies. New York: P. Lang, 1988. Print.
María-Inés Lagos-Pope. ‘Mujer y Política En “Cambio de Armas” de Luisa Valenzuela’. Hispamérica 46 (1987): 71–83. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/20539245>.
Martínez de Olcoz, Nieves. ‘Cuerpo y Resistencia En El Reciente Teatro de Griselda Gambaro’. 28.2 (1995): 7–18. Web. <https://journals.ku.edu/index.php/latr/article/view/1053/1028>.
Mary Janell Metzger. ‘“Oedipal with a Vengeance”: Narrative, Desire, and Violence in Luisa Valenzuela’s “Fourth Version”’. Tulsa Studies in Women’s Literature 14.2 (1995): 295–307. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/463901>.
‘Memoria Abierta’. N.p., n.d. Web. <http://www.memoriaabierta.org.ar/>.
Méndez-Faith, Teresa. ‘Sobre El Uso y Abuso de Poder En La Producción Dramática de Griselda Gambaro’. Revista Iberoamericana 51.132 (1985): n. pag. Web.
Morello, Gustavo. The Catholic Church and Argentina’s Dirty War. [First edition]. New York: Oxford University Press, 2015. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780190234270.001.0001>.
Osiel, Mark. Mass Atrocity, Ordinary Evil, and Hannah Arendt: Criminal Consciousness in Argentina’s Dirty War. New Haven: Yale University Press, 2001. Print.
PATRICIA RUBIO. ‘Fragmentation in Luisa Valenzuela’s Narrative’. Salmagundi 82 (1989): 287–296. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/40548059>.
Peris Blanes, Jaume. ‘Desplazamientos, Suturas y Elusiones: El Cuerpo Torturado En Tiempo de Revancha, La Noche de Los Lapices y Garage Olimpo’. Espéculo: Revista de Estudios Literarios 40 (2008): n. pag. Web. <https://hdl.handle.net/10550/28709>.
Pitt, Kristin E. Body, Nation, and Narrative in the Americas. Basingstoke: Palgrave Macmillan, 2010. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://link.springer.com/book/10.1057/9780230115347>.
Podalsky, Laura. The Politics of Affect and Emotion in Contemporary Latin American Cinema: Argentina, Brazil, Cuba, and Mexico. New York: Palgrave Macmillan, 2011. Print.
Puenzo, Luis et al. ‘The Official Story’. 2004 : n. pag. Print.
Rix, Rob, Roberto Rodríguez-Saona, and Canning House Library (Hispanic & Luso Brazilian Councils). Changing Reels: Latin American Cinema against the Odds. Leeds [England]: Trinity and All Saints University College, 1997. Print.
Robben, Antonius C. G. M. Cultures under Siege: Collective Violence and Trauma. 1. publ. Publications of the Society for Psychological Anthropology. Cambridge: Cambridge U. P., 2000. Print.
---. Political Violence and Trauma in Argentina. The ethnography of political violence. Philadelphia, Pa: University of Pennsylvania Press, 2007. Print.
Rock, David. Authoritarian Argentina: The Nationalist Movement, Its History, and Its Impact. Berkeley, Calif: University of California Press, 1993. Print.
Ros, Ana. The Post-Dictatorship Generation in Argentina, Chile, and Uruguay: Collective Memory and Cultural Production. First edition. New York: Palgrave Macmillan, 2012. Print.
Schwarzb诣k, Silvia, and Israel Adri⡮ Caetano. Estudio Cr⩴ico Sobre Cr⯮ica de Una Fuga. 1. ed. Colecci⯮ Nuevo cine argentino. Buenos Aires: Picnic Editorial, 2007. Print.
Serna, Rodrigo de la et al. ‘Chronicle of an Escape’. 2008 : n. pag. Print.
Sheinin, David. Consent of the Damned: Ordinary Argentinians in the Dirty War. Gainesville: University Press of Florida, 2013. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.5744/florida/9780813042398.001.0001>.
---. Consent of the Damned: Ordinary Argentinians in the Dirty War. Gainesville: University Press of Florida, 2013. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.5744/florida/9780813042398.001.0001>.
Skloot, Robert. ‘“Where Does It Hurt?”: Genocide, the Theatre and the Human Body’. Theatre Research International 23.01 (1998): n. pag. Web.
Sosa, Cecilia. Queering Acts of Mourning in the Aftermath of Argentina’s Dictatorship: The Performances of Blood. Colección Támesis. Serie A: Monografías. Woodbridge, Suffolk: Tamesis, 2014. Print.
Stockwell, Jill. Reframing the Transitional Justice Paradigm: Women’s Affective Memories in Post-Dictatorial Argentina. Springer Series in Transitional Justice. Cham: Springer, 2014. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1007/978-3-319-03853-7>.
Stockwell, Jill and SpringerLink (Online service). Reframing the Transitional Justice Paradigm: Women’s Affective Memories in Post-Dictatorial Argentina. Springer Series in Transitional Justice. Cham: Springer, 2014. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1007/978-3-319-03853-7>.
Tabanelli, Roberta. ‘The Violence of History in Marco Bechis’s Argentina’. New Cinemas: Journal of Contemporary Film 9.2 (2012): 127–146. Web.
Taylor, Diana. Disappearing Acts: Spectacles of Gender and Nationalism in Argentina’s ‘Dirty War’. Durham, N.C.: Duke University Press, 1997. Print.
Taylor, Low. ‘Image and Irony in “The Official Story”’. Literature/Film QuarterlyLiterature/Film Quarterly 17.3 n. pag. Web. <https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/1297360511/EC2C68DDBC7646A1PQ/12?accountid=14540>.
Tierney-Tello, Mary Beth. Allegories of Transgression and Transformation: Experimental Fiction by Women Writing under Dictatorship. Albany: State University of New York Press, 1996. Print.
Tomlinson, Emily. ‘Mapping the Land of “I-Don’t Remember”: For a Re-Evaluation of La Historia Oficial’. Bulletin of Hispanic Studies 81.2 (2004): 215–228. Web.
‘TV Pública | Teatro Abierto’. N.p., n.d. Web. <http://www.tvpublica.com.ar/programa/teatro-abierto/>.
Valenzuela, Luisa. Cuentos Completos y Uno Más. 1. ed. México, D.F.: Alfaguara, 1999. Print.
Verbitsky, Horacio. Confessions of an Argentine Dirty Warrior: A Firsthand Account of Atrocity. Horacio Verbitsky. [New] ed. New York: New Press, 2005. Print.
Vieira, Patricia I. Seeing Politics Otherwise: Vision in Latin American and Iberian Fiction. University of Toronto romance series. Toronto, Ontario: University of Toronto Press, 2011. Print.
Vierira, Patricia. ‘Torture and the Sublime. The Ethics of Physical Pain in Garage Olimpo’. 1.2 (2006): n. pag. Web. <https://digitalcommons.bowdoin.edu/dissidences/vol1/iss2/10/>.
Watson, Ian, and Susana Epstein. ‘Theatre after the Dictatorships: Developments in Chile and Argentina’. New Theatre Quarterly 11.41 (1995): n. pag. Web.
Werth, Brenda G. Theatre, Performance, and Memory Politics in Argentina. Basingstoke: Palgrave Macmillan, 2010. Web. <http://ezproxy.lib.gla.ac.uk/login?url=http://www.palgraveconnect.com/doifinder/10.1057/9780230114029>.
‘YouTube Video of Performance of El Acompanamiento’. Web. <https://www.youtube.com/watch?v=-r69a8PY62k>.
Zamorano, Eduardo. Peronistas Revolucionarios: Un An⡬isis Pol⩴ico Del Apogeo y Crisis de La Organizaci⯮ Montoneros. Buenos Aires, Argentina: Distal, 2005. Print.