[1]
Taylor, Diana, Disappearing acts: spectacles of gender and nationalism in Argentina’s ‘dirty war’. Durham, N.C.: Duke University Press, 1997.
[2]
G. Gambaro, Teatro, 1a ed. Buenos Aires, Repⵢlica Argentina: Ediciones de la Flor, 1984.
[3]
C. Gorostiza, Teatro. Buenos Aires, Repⵢlica Argentina: Ediciones de la Flor, 1991.
[4]
Puenzo, Luis, Piñeyro, Marcelo, Bortnik, Aída, Koch Lorber Films, and Historias Cinematograficas Cinemania (Firm), ‘The official story’. Koch Lorber Films, Port Washington, NY, 2004.
[5]
Valenzuela, Luisa, Cuentos completos y uno más, 1. ed. México, D.F.: Alfaguara, 1999.
[6]
M. Bechis, ‘Garage Olimpo’. Industria Argentina, [Argentina], 2005.
[7]
Campanella, Juan José et al., ‘El secreto de sus ojos’. Cameo Media S. L., [Barcelona], 2010.
[8]
R. de la Serna et al., ‘Chronicle of an escape’. Genius Products, Santa Monica, CA, 2008.
[9]
D. Sheinin, Consent of the damned: ordinary Argentinians in the dirty war. Gainesville: University Press of Florida, 2013 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.5744/florida/9780813042398.001.0001
[10]
Ros, Ana, The post-dictatorship generation in Argentina, Chile, and Uruguay: collective memory and cultural production, First edition. New York: Palgrave Macmillan, 2012.
[11]
Andersen, Martin Edwin, Dossier secreto: Argentina’s Desaparecidos and the myth of the ‘Dirty War’. Boulder: Westview Press, 1993.
[12]
Jaroslavsky, Andrés, The future of memory: children of the dictatorship in Argentina speak. London: Latin America Bureau, 2004.
[13]
Graziano, Frank, Divine violence: spectacle, psychosexuality & radical Christianity in the Argentine ‘dirty war’. Boulder, Colo: Westview Press, 1992.
[14]
Guest, Iain, Behind the disappearances: Argentina’s dirty war against human rights and the United Nations, vol. Pennsylvania studies in human rights. Philadelphia: University of Pennsylvania Press, 1990.
[15]
Bourgois, Philippe I. and Scheper-Hughes, Nancy, Violence in war and peace, vol. Blackwell readers in anthropology. Malden, MA: Blackwell, 2004.
[16]
Lessa, Francesca and Druliolle, Vincent, The memory of state terrorism in the southern cone: Argentina, Chile, and Uruguay. Basingstoke: Palgrave Macmillan, 2011 [Online]. Available: http://ezproxy.lib.gla.ac.uk/login?url=http://www.palgraveconnect.com/doifinder/10.1057/9780230118621
[17]
Jelin, Elizabeth, State repression and the struggles for memory. London: Latin America Bureau, 2003.
[18]
Lessa, Francesca, Memory and transitional justice in Argentina and Uruguay: Against impunity, vol. Memory politics and transitional justice. Basingstoke: Palgrave Macmillan, 2013 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://link.springer.com/book/10.1057/9781137269393
[19]
Arditti, Rita, Searching for life: the grandmothers of the Plaza de Mayo and the disappeared children of Argentina. Berkeley: University of California Press, 1999.
[20]
Bouvard, Marguerite Guzman, Revolutionizing motherhood: the mothers of the Plaza de Mayo, 1st SR Books ed., vol. Latin American silhouettes. Wilmington, Del: Scholarly Resources Inc, 1994.
[21]
L. Evangelista, Voices of the survivors: testimony, mourning & memory in post-dictatorship Argentina (1983-1995), vol. Garland Reference Library of the Humanities. N.Y.: Garland, 1998.
[22]
M. Feitlowitz, A lexicon of terror: Argentina and the legacies of torture, Updated. New York: Oxford University Press, 2011.
[23]
Jaroslavsky, Andrés, The future of memory: children of the dictatorship in Argentina speak. London: Latin America Bureau, 2004.
[24]
P. H. Lewis, Guerrillas and generals: the ‘Dirty War’ in Argentina. Westport, Conn: Praeger, 2002 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=3000442
[25]
Antonius C. G. M. Robben, ‘How Traumatized Societies Remember: The Aftermath of Argentina’s Dirty War’, Cultural Critique, no. 59, pp. 120–164, 2005 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/4489199
[26]
J. Stockwell, Reframing the transitional justice paradigm: women’s affective memories in post-dictatorial Argentina, vol. Springer Series in Transitional Justice. Cham: Springer, 2014 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1007/978-3-319-03853-7
[27]
A. C. G. M. Robben, Political violence and trauma in Argentina, vol. The ethnography of political violence. Philadelphia, Pa: University of Pennsylvania Press, 2007.
[28]
A. C. G. M. Robben, Cultures under siege: collective violence and trauma, 1. publ., vol. Publications of the Society for Psychological Anthropology. Cambridge: Cambridge U. P., 2000.
[29]
H. Verbitsky, Confessions of an Argentine dirty warrior: a firsthand account of atrocity. Horacio Verbitsky, [New] ed. New York: New Press, 2005.
[30]
E. Zamorano, Peronistas revolucionarios: un an⡬isis pol⩴ico del apogeo y crisis de la organizaci⯮ Montoneros. Buenos Aires, Argentina: Distal, 2005.
[31]
Rock, David, Authoritarian Argentina: the nationalist movement, its history, and its impact. Berkeley, Calif: University of California Press, 1993.
[32]
M. Osiel, Mass atrocity, ordinary evil, and Hannah Arendt: criminal consciousness in Argentina’s Dirty War. New Haven: Yale University Press, 2001.
[33]
A. Fogliani, ART AS WITNESS: MEMORY OF CRISIS IN ARGENTINA’S DIRTY WAR, Neue Ausg. Saarbr赣ken: VDM Verlag Dr. M赬ler, 2011.
[34]
Alberto Ciria, ‘Argentina in 1983: Reflections on the Language of the Military and George Orwell’, Canadian Journal of Latin American and Caribbean Studies / Revue canadienne des études latino-américaines et caraïbes, vol. 11, no. 21, pp. 57–69, 1986 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/41799589
[35]
S. Kaiser, Postmemories of terror: a new generation copes with the legacy of the ‘Dirty War’, vol. Palgrave studies in oral history. New York: Palgrave Macmillan, 2005.
[36]
D. Sheinin, Consent of the damned: ordinary Argentinians in the dirty war. Gainesville: University Press of Florida, 2013 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.5744/florida/9780813042398.001.0001
[37]
G. Morello, The Catholic Church and Argentina’s dirty war, [First edition]. New York: Oxford University Press, 2015 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780190234270.001.0001
[38]
J. Stockwell and SpringerLink (Online service), Reframing the transitional justice paradigm: women’s affective memories in post-dictatorial Argentina, vol. Springer Series in Transitional Justice. Cham: Springer, 2014 [Online]. Available: http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1007/978-3-319-03853-7
[39]
F. Finchelstein and Oxford University Press, The ideological origins of the dirty war: fascism, populism, and dictatorship in twentieth century Argentina. New York: Oxford University Press, 2014 [Online]. Available: http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1093/acprof:oso/9780199930241.001.0001
[40]
V. Bell, The art of post-dictatorship: ethics and aesthetics in transitional Argentina, vol. Transitional justice. London: Routledge, 2014.
[41]
L. Arenas Fernández and A. Longoni, Instantáneas de la memoria: fotografía y dictadura en Argentina y América Latina. Buenos Aires: Libraria, 2013.
[42]
C. Sosa, Queering acts of mourning in the aftermath of Argentina’s dictatorship: the performances of blood, vol. Colección Támesis. Serie A: Monografías. Woodbridge, Suffolk: Tamesis, 2014.
[43]
M. A. Giella, Teatro Abierto 1981, vol. Colecci⯮ Dramaturgos argentinos contempor⡮eos. Bs. As. [i.e. Buenos Aires]: Corregidor, 1991.
[44]
J. A. Arancibia and Z. Mirkin, Teatro argentino durante el Proceso, 1976-1983: ensayos cr⩴icos, entrevistas, vol. Colecci⯮ Estudios hisp⡮icos. Buenos Aires, Argentina: Editorial Vinciguerra, 1992.
[45]
Larson, Catherine and Vargas, Margarita, Latin American women dramatists: theater, texts, and theories. Bloomington: Indiana University Press, 1998.
[46]
Werth, Brenda G., Theatre, performance, and memory politics in Argentina. Basingstoke: Palgrave Macmillan, 2010 [Online]. Available: http://ezproxy.lib.gla.ac.uk/login?url=http://www.palgraveconnect.com/doifinder/10.1057/9780230114029
[47]
Bassnett, Susan, Knives and angels: women writers in Latin America. London: Zed, 1990.
[48]
Graham-Jones, Jean, Exorcising history: Argentine theater under dictatorship. Lewisburg, [Pa.]: Bucknell University Press, 2000.
[49]
M. Y. Jehenson, ‘Staging cultural violence: Griselda Gambaro and Argentina’s “Dirty War.”’, Mosaic (Winnipeg), vol. 32, no. 1, 1999 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://go.galegroup.com/ps/i.do?id=GALE%7CA54482284&v=2.1&u=glasuni&it=r&p=AONE&sw=w&asid=0c9c00fb43d6aca1f05a13354bd48448
[50]
López Laval, Hilda, Autoritarismo y cultura: Argentina, 1976-1983, 1. ed., vol. Colección Espiral hispano-americana. Madrid: Editorial Fundamentos, 1995.
[51]
T. Méndez-Faith, ‘Sobre el uso y abuso de poder en la producción dramática de Griselda Gambaro’, Revista Iberoamericana, vol. 51, no. 132, Apr. 1985, doi: 10.5195/reviberoamer.1985.4116.
[52]
R. Skloot, ‘“Where Does It Hurt?”: Genocide, the Theatre and the Human Body’, Theatre Research International, vol. 23, no. 01, Mar. 1998, doi: 10.1017/S0307883300018216.
[53]
I. Watson and S. Epstein, ‘Theatre after the Dictatorships: Developments in Chile and Argentina’, New Theatre Quarterly, vol. 11, no. 41, Feb. 1995, doi: 10.1017/S0266464X00008861.
[54]
M. A. Giella, ‘Teatro Abierto: Fenómeno socio-teatral argentino’’, vol. 15, no. 1, pp. 89–93, 1981 [Online]. Available: https://journals.ku.edu/index.php/latr/article/view/476/451
[55]
N. Martínez de Olcoz, ‘Cuerpo y resistencia en el reciente teatro de Griselda Gambaro’, vol. 28, no. 2, pp. 7–18, 1995 [Online]. Available: https://journals.ku.edu/index.php/latr/article/view/1053/1028
[56]
Díaz, Gwendolyn Josie, Luisa Valenzuela sin máscara, vol. Colección Literatura y crítica. Buenos Aires, República Argentina: Feminaria Editora, 2002.
[57]
Magnarelli, Sharon, Reflections/refractions: reading Luisa Valenzuela, vol. American university studies. New York: P. Lang, 1988.
[58]
K. E. Pitt, Body, nation, and narrative in the Americas. Basingstoke: Palgrave Macmillan, 2010 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://link.springer.com/book/10.1057/9780230115347
[59]
A. Callejo, ‘Literatura e irregularidad en “cambio de armas”, de Luisa Valenzuela’, Revista Iberoamericana, vol. 51, no. 132, Apr. 1985, doi: 10.5195/reviberoamer.1985.4072.
[60]
Gwendolyn Diaz, ‘Politics of the Body in Luisa Valenzuela’s “Cambio de armas” and “Simetrias”’, World Literature Today, vol. 69, no. 4, pp. 751–756, 1995, doi: 10.2307/40151613. [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/40151613
[61]
Fernando Ainsa and Djelal Kadir, ‘Journey to Luisa Valenzuela’s Land of Fear’, World Literature Today, vol. 69, no. 4, pp. 683–690, 1995 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/40151603
[62]
J. Corbatta, Narrativas de la Guerra Sucia en Argentina: Piglia, Saer, Valenzuela, Puig. Bs. As. [i.e. Buenos Aires]: Corregidor, 1999.
[63]
G. J. Díaz and M.-I. Lagos-Pope, La palabra en vilo: narrativa de Luisa Valenzuela, vol. Serie Ensayo. Santiago de Chile: Editorial Cuarto Propio, 1996.
[64]
S. M. Hart, ‘Is Women’s Writing in Spanish America Gender-Specific?’, MLN, vol. 110, no. 2, pp. 335–352, 1995, doi: 10.1353/mln.1995.0030.
[65]
María-Inés Lagos-Pope, ‘Mujer y política en “Cambio de armas” de Luisa Valenzuela’, Hispamérica, no. 46, pp. 71–83, 1987 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/20539245
[66]
PATRICIA RUBIO, ‘Fragmentation in Luisa Valenzuela’s Narrative’, Salmagundi, no. 82, pp. 287–296, 1989 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/40548059
[67]
Tierney-Tello, Mary Beth, Allegories of transgression and transformation: experimental fiction by women writing under dictatorship. Albany: State University of New York Press, 1996.
[68]
S. Magnarelli, ‘Luisa Valenzuela’s Cambio de armas: Subversion and Narrative Weaponry’, Romance Quarterly, vol. 34, no. 1, pp. 85–94, Feb. 1987, doi: 10.1080/08831157.1987.11000424.
[69]
Ksenija Bilbija, ‘“LA PALABRA ASESINO” DE LUISA VALENZUELA: LA ENTRADA EN LA LENGUA’, Confluencia, vol. 8, no. 1, pp. 159–164, 1992 [Online]. Available: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/27922140
[70]
Mary Janell Metzger, ‘“Oedipal with a Vengeance”: Narrative, Desire, and Violence in Luisa Valenzuela’s “Fourth Version”’, Tulsa Studies in Women’s Literature, vol. 14, no. 2, pp. 295–307, 1995 [Online]. Available: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/463901
[71]
Burucúa, Constanza, Confronting the ‘Dirty War’ in Argentine cinema, 1983-1993: memory and gender in historical representations, vol. Colección Támesis. Serie A, Monografias. Woodbridge, Suffolk: Tamesis, 2009.
[72]
Hart, Stephen M., A companion to Latin American film, vol. Colección Támesis. Rochester, N.Y.: Tamesis, 2004.
[73]
Bechis, Marco, ‘Garage Olimpo’. Industria Argentina, [Argentina], 2005.
[74]
A. Elena and M. Díaz López, The cinema of Latin America. London: Wallflower Press, 2003 [Online]. Available: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=909593
[75]
Falicov, Tamara L., The cinematic tango: contemporary Argentine film, vol. Wallflower film studies. London: Wallflower Press, 2007.
[76]
Foster, David William, Contemporary Argentine cinema. Columbia: University of Missouri Press, 1992.
[77]
King, John, Magical reels: a history of cinema in Latin America, New ed., vol. Critical studies in Latin American and Iberian cultures. London: Verso, 2000.
[78]
Danusia L. Meson and Aida Bortnik, ‘The Official Story: An Interview with Aida Bortnik’, Cinéaste, vol. 14, no. 4, pp. 30–35, 1986 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/41686824
[79]
Fernando Reati, ‘Argentine Political Violence and Artistic Representation in Films of the 1980’s’, Latin American Literary Review, vol. 17, no. 34, pp. 24–39, 1989 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/20119521
[80]
R. Rix, R. Rodríguez-Saona, and Canning House Library (Hispanic & Luso Brazilian Councils), Changing reels: Latin American cinema against the odds. Leeds [England]: Trinity and All Saints University College, 1997.
[81]
S. Schwarzb诣k and I. A. Caetano, Estudio cr⩴ico sobre Cr⯮ica de una fuga, 1. ed., vol. Colecci⯮ Nuevo cine argentino. Buenos Aires: Picnic Editorial, 2007.
[82]
Podalsky, Laura, The politics of affect and emotion in contemporary Latin American cinema: Argentina, Brazil, Cuba, and Mexico. New York: Palgrave Macmillan, 2011.
[83]
Based on a true story: Latin American history at the movies, vol. Latin American silhouettes. Lanham, MD: SR Books, 2005.
[84]
L. Taylor, ‘Image and Irony in “The Official Story”’, Literature/Film QuarterlyLiterature/Film Quarterly, vol. 17, no. 3 [Online]. Available: https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/1297360511/EC2C68DDBC7646A1PQ/12?accountid=14540
[85]
E. Tomlinson, ‘Mapping the Land of “I-don’t remember”: For a Re-evaluation of La historia oficial’, Bulletin of Hispanic Studies, vol. 81, no. 2, pp. 215–228, Jun. 2004, doi: 10.3828/bhs.81.2.5.
[86]
‘Censura, violencia política y memoria colectiva: la historia oficial - Dialnet’ [Online]. Available: http://dialnet.unirioja.es/servlet/articulo?codigo=2429252
[87]
J. Peris Blanes, ‘Desplazamientos, suturas y elusiones: el cuerpo torturado en Tiempo de Revancha, La Noche de los Lapices y Garage Olimpo’, Espéculo: Revista de Estudios Literarios, no. 40, 2008 [Online]. Available: https://hdl.handle.net/10550/28709
[88]
K. Betina, ‘Contesting Memories: A Brief Recount of the Struggles to Talk About the Violent Past in Argentina’, vol. 4, no. 8, 2012 [Online]. Available: https://digitalcommons.bowdoin.edu/dissidences/vol4/iss8/3/?utm_source=digitalcommons.bowdoin.edu%2Fdissidences%2Fvol4%2Fiss8%2F3&utm_medium=PDF&utm_campaign=PDFCoverPages
[89]
P. Vierira, ‘Torture and the Sublime. The Ethics of Physical Pain in Garage Olimpo’, vol. 1, no. 2, 2006 [Online]. Available: https://digitalcommons.bowdoin.edu/dissidences/vol1/iss2/10/
[90]
R. Tabanelli, ‘The violence of history in Marco Bechis’s Argentina’, New Cinemas: Journal of Contemporary Film, vol. 9, no. 2, pp. 127–146, Nov. 2012, doi: 10.1386/ncin.9.2-3.127_1.
[91]
S. Dufays, El niño en el cine Argentino de la postdictadura (1983-2008): alegoría y nostalgia, vol. Colección Támesis. Woodbridge: Tamesis, 2014.
[92]
H. Hortiguera, ‘Perverse Fascinations and Atrocious Acts: An Approach to The Secret in Their Eyes by Juan José Campanella’, Studies in Latin American Popular Culture, vol. 30, no. 1, pp. 110–123, 2012, doi: 10.1353/sla.2012.0004.
[93]
G. Copertari and C. Sitnisky, Eds., El estado de las cosas: cine latinoamericano en el nuevo milenio, vol. ColecciÃ3n Nexos y diferencias. Madrid: Iberoamericana, 2015.
[94]
P. I. Vieira, Seeing politics otherwise: vision in Latin American and Iberian fiction, vol. University of Toronto romance series. Toronto, Ontario: University of Toronto Press, 2011.
[95]
‘Memoria Abierta’. [Online]. Available: http://www.memoriaabierta.org.ar/
[96]
‘Decir sí (Spanish production)’. [Online]. Available: https://www.youtube.com/watch?v=o8yUz0LMhC4
[97]
‘Decir Sí (TV Pública Argentina)’. [Online]. Available: https://www.youtube.com/watch?v=6SWjPhDHAts
[98]
‘YouTube video of performance of El acompanamiento’. [Online]. Available: https://www.youtube.com/watch?v=-r69a8PY62k
[99]
‘TV Pública | Teatro Abierto’. [Online]. Available: http://www.tvpublica.com.ar/programa/teatro-abierto/
[100]
‘El acompañamiento (film version of play)’. [Online]. Available: https://www.youtube.com/watch?v=-r69a8PY62k
