1.
Taylor, Diana: Disappearing acts: spectacles of gender and nationalism in Argentina’s ‘dirty war’. Duke University Press, Durham, N.C. (1997).
2.
Gambaro, G.: Teatro. Ediciones de la Flor, Buenos Aires, Repⵢlica Argentina (1984).
3.
Gorostiza, C.: Teatro. Ediciones de la Flor, Buenos Aires, Repⵢlica Argentina (1991).
4.
Puenzo, Luis, Piñeyro, Marcelo, Bortnik, Aída, Koch Lorber Films, Historias Cinematograficas Cinemania (Firm): The official story, (2004).
5.
Valenzuela, Luisa: Cuentos completos y uno más. Alfaguara, México, D.F. (1999).
6.
Bechis, M.: Garage Olimpo, (2005).
7.
Campanella, Juan José, Besuievsky, Mariela, Herrero, Gerardo, Darín, Ricardo, Villamil, Soledad, Rago, Pablo, Godino, Javier, Francella, Guillermo, Sacheri, Eduardo A., Cameo Media: El secreto de sus ojos, (2010).
8.
Serna, R. de la, Casero, N., Delgado, L., Caetano, I.A., Student, E., Loyola, J., Kramer, O., Sigman, H., Tamburrini, C.M., Fernández, G., Tamburrini, C.M., IFC Films, First Take (Firm), Weinstein Company, Constantini Films, Latin American Film Company, K & S Films, Genius Products, Inc: Chronicle of an escape, (2008).
9.
Sheinin, D.: Consent of the damned: ordinary Argentinians in the dirty war. University Press of Florida, Gainesville (2013).
10.
Ros, Ana: The post-dictatorship generation in Argentina, Chile, and Uruguay: collective memory and cultural production. Palgrave Macmillan, New York (2012).
11.
Andersen, Martin Edwin: Dossier secreto: Argentina’s Desaparecidos and the myth of the ‘Dirty War’. Westview Press, Boulder (1993).
12.
Jaroslavsky, Andrés: The future of memory: children of the dictatorship in Argentina speak. Latin America Bureau, London (2004).
13.
Graziano, Frank: Divine violence: spectacle, psychosexuality & radical Christianity in the Argentine ‘dirty war’. Westview Press, Boulder, Colo (1992).
14.
Guest, Iain: Behind the disappearances: Argentina’s dirty war against human rights and the United Nations. University of Pennsylvania Press, Philadelphia (1990).
15.
Bourgois, Philippe I., Scheper-Hughes, Nancy: Violence in war and peace. Blackwell, Malden, MA (2004).
16.
Lessa, Francesca, Druliolle, Vincent: The memory of state terrorism in the southern cone: Argentina, Chile, and Uruguay. Palgrave Macmillan, Basingstoke (2011).
17.
Jelin, Elizabeth: State repression and the struggles for memory. Latin America Bureau, London (2003).
18.
Lessa, Francesca: Memory and transitional justice in Argentina and Uruguay: Against impunity. Palgrave Macmillan, Basingstoke (2013).
19.
Arditti, Rita: Searching for life: the grandmothers of the Plaza de Mayo and the disappeared children of Argentina. University of California Press, Berkeley (1999).
20.
Bouvard, Marguerite Guzman: Revolutionizing motherhood: the mothers of the Plaza de Mayo. Scholarly Resources Inc, Wilmington, Del (1994).
21.
Evangelista, L.: Voices of the survivors: testimony, mourning & memory in post-dictatorship Argentina (1983-1995). Garland, N.Y. (1998).
22.
Feitlowitz, M.: A lexicon of terror: Argentina and the legacies of torture. Oxford University Press, New York (2011).
23.
Jaroslavsky, Andrés: The future of memory: children of the dictatorship in Argentina speak. Latin America Bureau, London (2004).
24.
Lewis, P.H.: Guerrillas and generals: the ‘Dirty War’ in Argentina. Praeger, Westport, Conn (2002).
25.
Antonius C. G. M. Robben: How Traumatized Societies Remember: The Aftermath of Argentina’s Dirty War. Cultural Critique. 120–164 (2005).
26.
Stockwell, J.: Reframing the transitional justice paradigm: women’s affective memories in post-dictatorial Argentina. Springer, Cham (2014).
27.
Robben, A.C.G.M.: Political violence and trauma in Argentina. University of Pennsylvania Press, Philadelphia, Pa (2007).
28.
Robben, A.C.G.M.: Cultures under siege: collective violence and trauma. Cambridge U. P., Cambridge (2000).
29.
Verbitsky, H.: Confessions of an Argentine dirty warrior: a firsthand account of atrocity. Horacio Verbitsky. New Press, New York (2005).
30.
Zamorano, E.: Peronistas revolucionarios: un an⡬isis pol⩴ico del apogeo y crisis de la organizaci⯮ Montoneros. Distal, Buenos Aires, Argentina (2005).
31.
Rock, David: Authoritarian Argentina: the nationalist movement, its history, and its impact. University of California Press, Berkeley, Calif (1993).
32.
Osiel, M.: Mass atrocity, ordinary evil, and Hannah Arendt: criminal consciousness in Argentina’s Dirty War. Yale University Press, New Haven (2001).
33.
Fogliani, A.: ART AS WITNESS: MEMORY OF CRISIS IN ARGENTINA’S DIRTY WAR. VDM Verlag Dr. M赬ler, Saarbr赣ken (2011).
34.
Alberto Ciria: Argentina in 1983: Reflections on the Language of the Military and George Orwell. Canadian Journal of Latin American and Caribbean Studies / Revue canadienne des études latino-américaines et caraïbes. 11, 57–69 (1986).
35.
Kaiser, S.: Postmemories of terror: a new generation copes with the legacy of the ‘Dirty War’. Palgrave Macmillan, New York (2005).
36.
Sheinin, D.: Consent of the damned: ordinary Argentinians in the dirty war. University Press of Florida, Gainesville (2013).
37.
Morello, G.: The Catholic Church and Argentina’s dirty war. Oxford University Press, New York (2015).
38.
Stockwell, J., SpringerLink (Online service): Reframing the transitional justice paradigm: women’s affective memories in post-dictatorial Argentina. Springer, Cham (2014).
39.
Finchelstein, F., Oxford University Press: The ideological origins of the dirty war: fascism, populism, and dictatorship in twentieth century Argentina. Oxford University Press, New York (2014).
40.
Bell, V.: The art of post-dictatorship: ethics and aesthetics in transitional Argentina. Routledge, London (2014).
41.
Arenas Fernández, L., Longoni, A.: Instantáneas de la memoria: fotografía y dictadura en Argentina y América Latina. Libraria, Buenos Aires (2013).
42.
Sosa, C.: Queering acts of mourning in the aftermath of Argentina’s dictatorship: the performances of blood. Tamesis, Woodbridge, Suffolk (2014).
43.
Giella, M.A.: Teatro Abierto 1981. Corregidor, Bs. As. [i.e. Buenos Aires] (1991).
44.
Arancibia, J.A., Mirkin, Z.: Teatro argentino durante el Proceso, 1976-1983: ensayos cr⩴icos, entrevistas. Editorial Vinciguerra, Buenos Aires, Argentina (1992).
45.
Larson, Catherine, Vargas, Margarita: Latin American women dramatists: theater, texts, and theories. Indiana University Press, Bloomington (1998).
46.
Werth, Brenda G.: Theatre, performance, and memory politics in Argentina. Palgrave Macmillan, Basingstoke (2010).
47.
Bassnett, Susan: Knives and angels: women writers in Latin America. Zed, London (1990).
48.
Graham-Jones, Jean: Exorcising history: Argentine theater under dictatorship. Bucknell University Press, Lewisburg, [Pa.] (2000).
49.
Jehenson, M.Y.: Staging cultural violence: Griselda Gambaro and Argentina’s ‘Dirty War.’ Mosaic (Winnipeg). 32, (1999).
50.
López Laval, Hilda: Autoritarismo y cultura: Argentina, 1976-1983. Editorial Fundamentos, Madrid (1995).
51.
Méndez-Faith, T.: Sobre el uso y abuso de poder en la producción dramática de Griselda Gambaro. Revista Iberoamericana. 51, (1985). https://doi.org/10.5195/reviberoamer.1985.4116.
52.
Skloot, R.: ‘Where Does It Hurt?’: Genocide, the Theatre and the Human Body. Theatre Research International. 23, (1998). https://doi.org/10.1017/S0307883300018216.
53.
Watson, I., Epstein, S.: Theatre after the Dictatorships: Developments in Chile and Argentina. New Theatre Quarterly. 11, (1995). https://doi.org/10.1017/S0266464X00008861.
54.
Giella, M.A.: Teatro Abierto: Fenómeno socio-teatral argentino’. 15, 89–93 (1981).
55.
Martínez de Olcoz, N.: Cuerpo y resistencia en el reciente teatro de Griselda Gambaro. 28, 7–18 (1995).
56.
Díaz, Gwendolyn Josie: Luisa Valenzuela sin máscara. Feminaria Editora, Buenos Aires, República Argentina (2002).
57.
Magnarelli, Sharon: Reflections/refractions: reading Luisa Valenzuela. P. Lang, New York (1988).
58.
Pitt, K.E.: Body, nation, and narrative in the Americas. Palgrave Macmillan, Basingstoke (2010). https://doi.org/10.1057/9780230115347.
59.
Callejo, A.: Literatura e irregularidad en ‘cambio de armas’, de Luisa Valenzuela. Revista Iberoamericana. 51, (1985). https://doi.org/10.5195/reviberoamer.1985.4072.
60.
Gwendolyn Diaz: Politics of the Body in Luisa Valenzuela’s ‘Cambio de armas’ and ‘Simetrias’. World Literature Today. 69, 751–756 (1995). https://doi.org/10.2307/40151613.
61.
Fernando Ainsa and Djelal Kadir: Journey to Luisa Valenzuela’s Land of Fear. World Literature Today. 69, 683–690 (1995).
62.
Corbatta, J.: Narrativas de la Guerra Sucia en Argentina: Piglia, Saer, Valenzuela, Puig. Corregidor, Bs. As. [i.e. Buenos Aires] (1999).
63.
Díaz, G.J., Lagos-Pope, M.-I.: La palabra en vilo: narrativa de Luisa Valenzuela. Editorial Cuarto Propio, Santiago de Chile (1996).
64.
Hart, S.M.: Is Women’s Writing in Spanish America Gender-Specific? MLN. 110, 335–352 (1995). https://doi.org/10.1353/mln.1995.0030.
65.
María-Inés Lagos-Pope: Mujer y política en ‘Cambio de armas’ de Luisa Valenzuela. Hispamérica. 71–83 (1987).
66.
PATRICIA RUBIO: Fragmentation in Luisa Valenzuela’s Narrative. Salmagundi. 287–296 (1989).
67.
Tierney-Tello, Mary Beth: Allegories of transgression and transformation: experimental fiction by women writing under dictatorship. State University of New York Press, Albany (1996).
68.
Magnarelli, S.: Luisa Valenzuela’s Cambio de armas: Subversion and Narrative Weaponry. Romance Quarterly. 34, 85–94 (1987). https://doi.org/10.1080/08831157.1987.11000424.
69.
Ksenija Bilbija: ‘LA PALABRA ASESINO’ DE LUISA VALENZUELA: LA ENTRADA EN LA LENGUA. Confluencia. 8, 159–164 (1992).
70.
Mary Janell Metzger: ‘Oedipal with a Vengeance’: Narrative, Desire, and Violence in Luisa Valenzuela’s ‘Fourth Version’. Tulsa Studies in Women’s Literature. 14, 295–307 (1995).
71.
Burucúa, Constanza: Confronting the ‘Dirty War’ in Argentine cinema, 1983-1993: memory and gender in historical representations. Tamesis, Woodbridge, Suffolk (2009).
72.
Hart, Stephen M.: A companion to Latin American film. Tamesis, Rochester, N.Y. (2004).
73.
Bechis, Marco: Garage Olimpo, (2005).
74.
Elena, A., Díaz López, M.: The cinema of Latin America. Wallflower Press, London (2003).
75.
Falicov, Tamara L.: The cinematic tango: contemporary Argentine film. Wallflower Press, London (2007).
76.
Foster, David William: Contemporary Argentine cinema. University of Missouri Press, Columbia (1992).
77.
King, John: Magical reels: a history of cinema in Latin America. Verso, London (2000).
78.
Danusia L. Meson and Aida Bortnik: The Official Story: An Interview with Aida Bortnik. Cinéaste. 14, 30–35 (1986).
79.
Fernando Reati: Argentine Political Violence and Artistic Representation in Films of the 1980’s. Latin American Literary Review. 17, 24–39 (1989).
80.
Rix, R., Rodríguez-Saona, R., Canning House Library (Hispanic & Luso Brazilian Councils): Changing reels: Latin American cinema against the odds. Trinity and All Saints University College, Leeds [England] (1997).
81.
Schwarzb诣k, S., Caetano, I.A.: Estudio cr⩴ico sobre Cr⯮ica de una fuga. Picnic Editorial, Buenos Aires (2007).
82.
Podalsky, Laura: The politics of affect and emotion in contemporary Latin American cinema: Argentina, Brazil, Cuba, and Mexico. Palgrave Macmillan, New York (2011).
83.
Based on a true story: Latin American history at the movies. SR Books, Lanham, MD (2005).
84.
Taylor, L.: Image and Irony in ‘The Official Story’. Literature/Film QuarterlyLiterature/Film Quarterly. 17,.
85.
Tomlinson, E.: Mapping the Land of ‘I-don’t remember’: For a Re-evaluation of La historia oficial. Bulletin of Hispanic Studies. 81, 215–228 (2004). https://doi.org/10.3828/bhs.81.2.5.
86.
Censura, violencia política y memoria colectiva: la historia oficial - Dialnet.
87.
Peris Blanes, J.: Desplazamientos, suturas y elusiones: el cuerpo torturado en Tiempo de Revancha, La Noche de los Lapices y Garage Olimpo. Espéculo: Revista de Estudios Literarios. (2008).
88.
Betina, K.: Contesting Memories: A Brief Recount of the Struggles to Talk About the Violent Past in Argentina. 4, (2012).
89.
Vierira, P.: Torture and the Sublime. The Ethics of Physical Pain in Garage Olimpo. 1, (2006).
90.
Tabanelli, R.: The violence of history in Marco Bechis’s Argentina. New Cinemas: Journal of Contemporary Film. 9, 127–146 (2012). https://doi.org/10.1386/ncin.9.2-3.127_1.
91.
Dufays, S.: El niño en el cine Argentino de la postdictadura (1983-2008): alegoría y nostalgia. Tamesis, Woodbridge (2014).
92.
Hortiguera, H.: Perverse Fascinations and Atrocious Acts: An Approach to The Secret in Their Eyes by Juan José Campanella. Studies in Latin American Popular Culture. 30, 110–123 (2012). https://doi.org/10.1353/sla.2012.0004.
93.
Copertari, G., Sitnisky, C. eds: El estado de las cosas: cine latinoamericano en el nuevo milenio. Iberoamericana, Madrid (2015).
94.
Vieira, P.I.: Seeing politics otherwise: vision in Latin American and Iberian fiction. University of Toronto Press, Toronto, Ontario (2011).
95.
Memoria Abierta, http://www.memoriaabierta.org.ar/.
96.
Decir sí (Spanish production), https://www.youtube.com/watch?v=o8yUz0LMhC4.
97.
Decir Sí (TV Pública Argentina), https://www.youtube.com/watch?v=6SWjPhDHAts.
98.
YouTube video of performance of El acompanamiento, https://www.youtube.com/watch?v=-r69a8PY62k.
99.
TV Pública | Teatro Abierto, http://www.tvpublica.com.ar/programa/teatro-abierto/.
100.
El acompañamiento (film version of play), https://www.youtube.com/watch?v=-r69a8PY62k.