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Taylor, Diana. Disappearing acts: spectacles of gender and nationalism in Argentina’s ‘dirty war’. Durham, N.C.: Duke University Press; 1997.
2.
Gambaro G. Teatro. 1a ed. Buenos Aires, Repⵢlica Argentina: Ediciones de la Flor; 1984.
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Gorostiza C. Teatro. Buenos Aires, Repⵢlica Argentina: Ediciones de la Flor; 1991.
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Puenzo, Luis, Piñeyro, Marcelo, Bortnik, Aída, Koch Lorber Films, Historias Cinematograficas Cinemania (Firm). The official story. Port Washington, NY: Koch Lorber Films; 2004.
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Valenzuela, Luisa. Cuentos completos y uno más. 1. ed. México, D.F.: Alfaguara; 1999.
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Bechis M. Garage Olimpo. [Argentina]: Industria Argentina; 2005.
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Campanella, Juan José, Besuievsky, Mariela, Herrero, Gerardo, Darín, Ricardo, Villamil, Soledad, Rago, Pablo, Godino, Javier, Francella, Guillermo, Sacheri, Eduardo A., Cameo Media. El secreto de sus ojos. [Barcelona]: Cameo Media S. L.; 2010.
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Serna R de la, Casero N, Delgado L, Caetano IA, Student E, Loyola J, Kramer O, Sigman H, Tamburrini CM, Fernández G, Tamburrini CM, IFC Films, First Take (Firm), Weinstein Company, Constantini Films, Latin American Film Company, K & S Films, Genius Products, Inc. Chronicle of an escape. Santa Monica, CA: Genius Products; 2008.
9.
Sheinin D. Consent of the damned: ordinary Argentinians in the dirty war [Internet]. Gainesville: University Press of Florida; 2013. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.5744/florida/9780813042398.001.0001
10.
Ros, Ana. The post-dictatorship generation in Argentina, Chile, and Uruguay: collective memory and cultural production. First edition. New York: Palgrave Macmillan; 2012.
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Andersen, Martin Edwin. Dossier secreto: Argentina’s Desaparecidos and the myth of the ‘Dirty War’. Boulder: Westview Press; 1993.
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Jaroslavsky, Andrés. The future of memory: children of the dictatorship in Argentina speak. London: Latin America Bureau; 2004.
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Graziano, Frank. Divine violence: spectacle, psychosexuality & radical Christianity in the Argentine ‘dirty war’. Boulder, Colo: Westview Press; 1992.
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Guest, Iain. Behind the disappearances: Argentina’s dirty war against human rights and the United Nations. Philadelphia: University of Pennsylvania Press; 1990.
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Bourgois, Philippe I., Scheper-Hughes, Nancy. Violence in war and peace. Malden, MA: Blackwell; 2004.
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Lessa, Francesca, Druliolle, Vincent. The memory of state terrorism in the southern cone: Argentina, Chile, and Uruguay [Internet]. Basingstoke: Palgrave Macmillan; 2011. Available from: http://ezproxy.lib.gla.ac.uk/login?url=http://www.palgraveconnect.com/doifinder/10.1057/9780230118621
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Jelin, Elizabeth. State repression and the struggles for memory. London: Latin America Bureau; 2003.
18.
Lessa, Francesca. Memory and transitional justice in Argentina and Uruguay: Against impunity [Internet]. Basingstoke: Palgrave Macmillan; 2013. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://link.springer.com/book/10.1057/9781137269393
19.
Arditti, Rita. Searching for life: the grandmothers of the Plaza de Mayo and the disappeared children of Argentina. Berkeley: University of California Press; 1999.
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Bouvard, Marguerite Guzman. Revolutionizing motherhood: the mothers of the Plaza de Mayo. 1st SR Books ed. Wilmington, Del: Scholarly Resources Inc; 1994.
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Evangelista L. Voices of the survivors: testimony, mourning & memory in post-dictatorship Argentina (1983-1995). N.Y.: Garland; 1998.
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Feitlowitz M. A lexicon of terror: Argentina and the legacies of torture. Updated. New York: Oxford University Press; 2011.
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Jaroslavsky, Andrés. The future of memory: children of the dictatorship in Argentina speak. London: Latin America Bureau; 2004.
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Lewis PH. Guerrillas and generals: the ‘Dirty War’ in Argentina [Internet]. Westport, Conn: Praeger; 2002. Available from: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=3000442
25.
Antonius C. G. M. Robben. How Traumatized Societies Remember: The Aftermath of Argentina’s Dirty War. Cultural Critique [Internet]. University of Minnesota Press; 2005;(59):120–164. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/4489199
26.
Stockwell J. Reframing the transitional justice paradigm: women’s affective memories in post-dictatorial Argentina [Internet]. Cham: Springer; 2014. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1007/978-3-319-03853-7
27.
Robben ACGM. Political violence and trauma in Argentina. Philadelphia, Pa: University of Pennsylvania Press; 2007.
28.
Robben ACGM. Cultures under siege: collective violence and trauma. 1. publ. Cambridge: Cambridge U. P.; 2000.
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Verbitsky H. Confessions of an Argentine dirty warrior: a firsthand account of atrocity. Horacio Verbitsky. [New] ed. New York: New Press; 2005.
30.
Zamorano E. Peronistas revolucionarios: un an⡬isis pol⩴ico del apogeo y crisis de la organizaci⯮ Montoneros. Buenos Aires, Argentina: Distal; 2005.
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Rock, David. Authoritarian Argentina: the nationalist movement, its history, and its impact. Berkeley, Calif: University of California Press; 1993.
32.
Osiel M. Mass atrocity, ordinary evil, and Hannah Arendt: criminal consciousness in Argentina’s Dirty War. New Haven: Yale University Press; 2001.
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Fogliani A. ART AS WITNESS: MEMORY OF CRISIS IN ARGENTINA’S DIRTY WAR. neue Ausg. Saarbr赣ken: VDM Verlag Dr. M赬ler; 2011.
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Alberto Ciria. Argentina in 1983: Reflections on the Language of the Military and George Orwell. Canadian Journal of Latin American and Caribbean Studies / Revue canadienne des études latino-américaines et caraïbes [Internet]. 1986;11(21):57–69. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/41799589
35.
Kaiser S. Postmemories of terror: a new generation copes with the legacy of the ‘Dirty War’. New York: Palgrave Macmillan; 2005.
36.
Sheinin D. Consent of the damned: ordinary Argentinians in the dirty war [Internet]. Gainesville: University Press of Florida; 2013. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.5744/florida/9780813042398.001.0001
37.
Morello G. The Catholic Church and Argentina’s dirty war [Internet]. [First edition]. New York: Oxford University Press; 2015. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780190234270.001.0001
38.
Stockwell J, SpringerLink (Online service). Reframing the transitional justice paradigm: women’s affective memories in post-dictatorial Argentina [Internet]. Cham: Springer; 2014. Available from: http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1007/978-3-319-03853-7
39.
Finchelstein F, Oxford University Press. The ideological origins of the dirty war: fascism, populism, and dictatorship in twentieth century Argentina [Internet]. New York: Oxford University Press; 2014. Available from: http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1093/acprof:oso/9780199930241.001.0001
40.
Bell V. The art of post-dictatorship: ethics and aesthetics in transitional Argentina. London: Routledge; 2014.
41.
Arenas Fernández L, Longoni A. Instantáneas de la memoria: fotografía y dictadura en Argentina y América Latina. Blejmar J, Fortuny N, García LI, editors. Buenos Aires: Libraria; 2013.
42.
Sosa C. Queering acts of mourning in the aftermath of Argentina’s dictatorship: the performances of blood. Woodbridge, Suffolk: Tamesis; 2014.
43.
Giella MA. Teatro Abierto 1981. Bs. As. [i.e. Buenos Aires]: Corregidor; 1991.
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Arancibia JA, Mirkin Z. Teatro argentino durante el Proceso, 1976-1983: ensayos cr⩴icos, entrevistas. Buenos Aires, Argentina: Editorial Vinciguerra; 1992.
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Larson, Catherine, Vargas, Margarita. Latin American women dramatists: theater, texts, and theories. Bloomington: Indiana University Press; 1998.
46.
Werth, Brenda G. Theatre, performance, and memory politics in Argentina [Internet]. Basingstoke: Palgrave Macmillan; 2010. Available from: http://ezproxy.lib.gla.ac.uk/login?url=http://www.palgraveconnect.com/doifinder/10.1057/9780230114029
47.
Bassnett, Susan. Knives and angels: women writers in Latin America. London: Zed; 1990.
48.
Graham-Jones, Jean. Exorcising history: Argentine theater under dictatorship. Lewisburg, [Pa.]: Bucknell University Press; 2000.
49.
Jehenson MY. Staging cultural violence: Griselda Gambaro and Argentina’s ‘Dirty War.’ Mosaic (Winnipeg) [Internet]. 1999;32(1). Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://go.galegroup.com/ps/i.do?id=GALE%7CA54482284&v=2.1&u=glasuni&it=r&p=AONE&sw=w&asid=0c9c00fb43d6aca1f05a13354bd48448
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López Laval, Hilda. Autoritarismo y cultura: Argentina, 1976-1983. 1. ed. Madrid: Editorial Fundamentos; 1995.
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Méndez-Faith T. Sobre el uso y abuso de poder en la producción dramática de Griselda Gambaro. Revista Iberoamericana. 1985 Apr 20;51(132).
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Skloot R. ‘Where Does It Hurt?’: Genocide, the Theatre and the Human Body. Theatre Research International. 1998 Mar;23(01).
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Watson I, Epstein S. Theatre after the Dictatorships: Developments in Chile and Argentina. New Theatre Quarterly. 1995 Feb;11(41).
54.
Giella MA. Teatro Abierto: Fenómeno socio-teatral argentino’. Latin American Theatre Review; 1981;15(1):89–93. Available from: https://journals.ku.edu/index.php/latr/article/view/476/451
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Martínez de Olcoz N. Cuerpo y resistencia en el reciente teatro de Griselda Gambaro. Latin American Theatre Review; 1995;28(2):7–18. Available from: https://journals.ku.edu/index.php/latr/article/view/1053/1028
56.
Díaz, Gwendolyn Josie. Luisa Valenzuela sin máscara. Buenos Aires, República Argentina: Feminaria Editora; 2002.
57.
Magnarelli, Sharon. Reflections/refractions: reading Luisa Valenzuela. New York: P. Lang; 1988.
58.
Pitt KE. Body, nation, and narrative in the Americas [Internet]. Basingstoke: Palgrave Macmillan; 2010. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://link.springer.com/book/10.1057/9780230115347
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Callejo A. Literatura e irregularidad en ‘cambio de armas’, de Luisa Valenzuela. Revista Iberoamericana. 1985 Apr 20;51(132).
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Gwendolyn Diaz. Politics of the Body in Luisa Valenzuela’s ‘Cambio de armas’ and ‘Simetrias’. World Literature Today [Internet]. University of Oklahoma; 1995;69(4):751–756. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/40151613
61.
Fernando Ainsa and Djelal Kadir. Journey to Luisa Valenzuela’s Land of Fear. World Literature Today [Internet]. University of Oklahoma; 1995;69(4):683–690. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/40151603
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Corbatta J. Narrativas de la Guerra Sucia en Argentina: Piglia, Saer, Valenzuela, Puig. Bs. As. [i.e. Buenos Aires]: Corregidor; 1999.
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Díaz GJ, Lagos-Pope MI. La palabra en vilo: narrativa de Luisa Valenzuela. Santiago de Chile: Editorial Cuarto Propio; 1996.
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Hart SM. Is Women’s Writing in Spanish America Gender-Specific? MLN. 1995;110(2):335–352.
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María-Inés Lagos-Pope. Mujer y política en ‘Cambio de armas’ de Luisa Valenzuela. Hispamérica [Internet]. Saul Sosnowski; 1987;(46):71–83. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/20539245
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PATRICIA RUBIO. Fragmentation in Luisa Valenzuela’s Narrative. Salmagundi [Internet]. Skidmore College; 1989;(82):287–296. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/40548059
67.
Tierney-Tello, Mary Beth. Allegories of transgression and transformation: experimental fiction by women writing under dictatorship. Albany: State University of New York Press; 1996.
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Magnarelli S. Luisa Valenzuela’s Cambio de armas: Subversion and Narrative Weaponry. Romance Quarterly. 1987 Feb;34(1):85–94.
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Ksenija Bilbija. ‘LA PALABRA ASESINO’ DE LUISA VALENZUELA: LA ENTRADA EN LA LENGUA. Confluencia [Internet]. University of Northern Colorado; 1992;8(1):159–164. Available from: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/27922140
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Mary Janell Metzger. ‘Oedipal with a Vengeance’: Narrative, Desire, and Violence in Luisa Valenzuela’s ‘Fourth Version’. Tulsa Studies in Women’s Literature [Internet]. University of Tulsa; 1995;14(2):295–307. Available from: http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/463901
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Burucúa, Constanza. Confronting the ‘Dirty War’ in Argentine cinema, 1983-1993: memory and gender in historical representations. Woodbridge, Suffolk: Tamesis; 2009.
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Hart, Stephen M. A companion to Latin American film. Rochester, N.Y.: Tamesis; 2004.
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Bechis, Marco. Garage Olimpo. [Argentina]: Industria Argentina; 2005.
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Elena A, Díaz López M. The cinema of Latin America [Internet]. London: Wallflower Press; 2003. Available from: https://ebookcentral.proquest.com/lib/gla/detail.action?docID=909593
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Falicov, Tamara L. The cinematic tango: contemporary Argentine film. London: Wallflower Press; 2007.
76.
Foster, David William. Contemporary Argentine cinema. Columbia: University of Missouri Press; 1992.
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King, John. Magical reels: a history of cinema in Latin America. New ed. London: Verso; 2000.
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Danusia L. Meson and Aida Bortnik. The Official Story: An Interview with Aida Bortnik. Cinéaste [Internet]. Cineaste Publishers, Inc; 1986;14(4):30–35. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/41686824
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Fernando Reati. Argentine Political Violence and Artistic Representation in Films of the 1980’s. Latin American Literary Review [Internet]. Latin American Literary Review; 1989;17(34):24–39. Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/20119521
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Rix R, Rodríguez-Saona R, Canning House Library (Hispanic & Luso Brazilian Councils). Changing reels: Latin American cinema against the odds. Leeds [England]: Trinity and All Saints University College; 1997.
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Schwarzb诣k S, Caetano IA. Estudio cr⩴ico sobre Cr⯮ica de una fuga. 1. ed. Buenos Aires: Picnic Editorial; 2007.
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Podalsky, Laura. The politics of affect and emotion in contemporary Latin American cinema: Argentina, Brazil, Cuba, and Mexico. New York: Palgrave Macmillan; 2011.
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Based on a true story: Latin American history at the movies. Lanham, MD: SR Books; 2005.
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Taylor L. Image and Irony in ‘The Official Story’. Literature/Film QuarterlyLiterature/Film Quarterly [Internet]. Salisbury State College.; 17(3). Available from: https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/1297360511/EC2C68DDBC7646A1PQ/12?accountid=14540
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Tomlinson E. Mapping the Land of ‘I-don’t remember’: For a Re-evaluation of La historia oficial. Bulletin of Hispanic Studies. 2004 June;81(2):215–228.
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Peris Blanes J. Desplazamientos, suturas y elusiones: el cuerpo torturado en Tiempo de Revancha, La Noche de los Lapices y Garage Olimpo. Espéculo: Revista de Estudios Literarios [Internet]. Especulo; 2008;(40). Available from: https://hdl.handle.net/10550/28709
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Betina K. Contesting Memories: A Brief Recount of the Struggles to Talk About the Violent Past in Argentina. 2012;4(8). Available from: https://digitalcommons.bowdoin.edu/dissidences/vol4/iss8/3/?utm_source=digitalcommons.bowdoin.edu%2Fdissidences%2Fvol4%2Fiss8%2F3&utm_medium=PDF&utm_campaign=PDFCoverPages
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Vierira P. Torture and the Sublime. The Ethics of Physical Pain in Garage Olimpo. 2006;1(2). Available from: https://digitalcommons.bowdoin.edu/dissidences/vol1/iss2/10/
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Tabanelli R. The violence of history in Marco Bechis’s Argentina. New Cinemas: Journal of Contemporary Film. 2012 Nov 20;9(2):127–146.
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Dufays S. El niño en el cine Argentino de la postdictadura (1983-2008): alegoría y nostalgia. Woodbridge: Tamesis; 2014.
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Hortiguera H. Perverse Fascinations and Atrocious Acts: An Approach to The Secret in Their Eyes by Juan José Campanella. Studies in Latin American Popular Culture. 2012;30(1):110–123.
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Copertari G, Sitnisky C, editors. El estado de las cosas: cine latinoamericano en el nuevo milenio. Madrid: Iberoamericana; 2015.
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Vieira PI. Seeing politics otherwise: vision in Latin American and Iberian fiction. Toronto, Ontario: University of Toronto Press; 2011.
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Memoria Abierta [Internet]. Available from: http://www.memoriaabierta.org.ar/
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Decir sí (Spanish production) [Internet]. Available from: https://www.youtube.com/watch?v=o8yUz0LMhC4
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Decir Sí (TV Pública Argentina) [Internet]. Available from: https://www.youtube.com/watch?v=6SWjPhDHAts
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YouTube video of performance of El acompanamiento [Internet]. Available from: https://www.youtube.com/watch?v=-r69a8PY62k
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El acompañamiento (film version of play) [Internet]. Available from: https://www.youtube.com/watch?v=-r69a8PY62k
