Alberto Ciria. (1986). Argentina in 1983: Reflections on the Language of the Military and George Orwell. Canadian Journal of Latin American and Caribbean Studies / Revue Canadienne Des Études Latino-Américaines et Caraïbes, 11(21), 57–69. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/41799589
Andersen, Martin Edwin. (1993). Dossier secreto: Argentina’s Desaparecidos and the myth of the ‘Dirty War’. Westview Press.
Antonius C. G. M. Robben. (2005). How Traumatized Societies Remember: The Aftermath of Argentina’s Dirty War. Cultural Critique, 59, 120–164. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/4489199
Arancibia, J. A., & Mirkin, Z. (1992). Teatro argentino durante el Proceso, 1976-1983: ensayos cr⩴icos, entrevistas: Vol. Colecci⯮ Estudios hisp⡮icos. Editorial Vinciguerra.
Arditti, Rita. (1999). Searching for life: the grandmothers of the Plaza de Mayo and the disappeared children of Argentina. University of California Press.
Arenas Fernández, L., & Longoni, A. (2013). Instantáneas de la memoria: fotografía y dictadura en Argentina y América Latina (J. Blejmar, N. Fortuny, & L. I. García, Eds.). Libraria.
Based on a true story: Latin American history at the movies: Vol. Latin American silhouettes. (2005). SR Books.
Bassnett, Susan. (1990). Knives and angels: women writers in Latin America. Zed.
Bechis, M. (2005). Garage Olimpo [Videorecording]. Industria Argentina.
Bechis, Marco. (2005). Garage Olimpo [Videorecording]. Industria Argentina.
Bell, V. (2014). The art of post-dictatorship: ethics and aesthetics in transitional Argentina: Vol. Transitional justice. Routledge.
Betina, K. (2012). Contesting Memories: A Brief Recount of the Struggles to Talk About the Violent Past in Argentina. 4(8). https://digitalcommons.bowdoin.edu/dissidences/vol4/iss8/3/?utm_source=digitalcommons.bowdoin.edu%2Fdissidences%2Fvol4%2Fiss8%2F3&utm_medium=PDF&utm_campaign=PDFCoverPages
Bourgois, Philippe I. & Scheper-Hughes, Nancy. (2004). Violence in war and peace: Vol. Blackwell readers in anthropology. Blackwell.
Bouvard, Marguerite Guzman. (1994). Revolutionizing motherhood: the mothers of the Plaza de Mayo: Vol. Latin American silhouettes (1st SR Books ed). Scholarly Resources Inc.
Burucúa, Constanza. (2009). Confronting the ‘Dirty War’ in Argentine cinema, 1983-1993: memory and gender in historical representations: Vol. Colección Támesis. Serie A, Monografias. Tamesis.
Callejo, A. (1985). Literatura e irregularidad en ‘cambio de armas’, de Luisa Valenzuela. Revista Iberoamericana, 51(132). https://doi.org/10.5195/reviberoamer.1985.4072
Campanella, Juan José, Besuievsky, Mariela, Herrero, Gerardo, Darín, Ricardo, Villamil, Soledad, Rago, Pablo, Godino, Javier, Francella, Guillermo, Sacheri, Eduardo A., & Cameo Media. (2010). El secreto de sus ojos [Videorecording]. Cameo Media S. L.
Censura, violencia política y memoria colectiva: la historia oficial - Dialnet. (n.d.). http://dialnet.unirioja.es/servlet/articulo?codigo=2429252
Copertari, G., & Sitnisky, C. (Eds.). (2015). El estado de las cosas: cine latinoamericano en el nuevo milenio: Vol. ColecciÃ3n Nexos y diferencias. Iberoamericana.
Corbatta, J. (1999). Narrativas de la Guerra Sucia en Argentina: Piglia, Saer, Valenzuela, Puig. Corregidor.
Danusia L. Meson and Aida Bortnik. (1986). The Official Story: An Interview with Aida Bortnik. Cinéaste, 14(4), 30–35. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/41686824
Decir sí (Spanish production). (n.d.). https://www.youtube.com/watch?v=o8yUz0LMhC4
Decir Sí (TV Pública Argentina). (n.d.). https://www.youtube.com/watch?v=6SWjPhDHAts
Díaz, G. J., & Lagos-Pope, M.-I. (1996). La palabra en vilo: narrativa de Luisa Valenzuela: Vol. Serie Ensayo. Editorial Cuarto Propio.
Díaz, Gwendolyn Josie. (2002). Luisa Valenzuela sin máscara: Vol. Colección Literatura y crítica. Feminaria Editora.
Dufays, S. (2014). El niño en el cine Argentino de la postdictadura (1983-2008): alegoría y nostalgia: Vol. Colección Támesis. Tamesis.
El acompañamiento (film version of play). (n.d.). https://www.youtube.com/watch?v=-r69a8PY62k
Elena, A., & Díaz López, M. (2003). The cinema of Latin America. Wallflower Press. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=909593
Evangelista, L. (1998). Voices of the survivors: testimony, mourning & memory in post-dictatorship Argentina (1983-1995): Vol. Garland Reference Library of the Humanities. Garland.
Falicov, Tamara L. (2007). The cinematic tango: contemporary Argentine film: Vol. Wallflower film studies. Wallflower Press.
Feitlowitz, M. (2011). A lexicon of terror: Argentina and the legacies of torture (Updated). Oxford University Press.
Fernando Ainsa and Djelal Kadir. (1995). Journey to Luisa Valenzuela’s Land of Fear. World Literature Today, 69(4), 683–690. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/40151603
Fernando Reati. (1989). Argentine Political Violence and Artistic Representation in Films of the 1980’s. Latin American Literary Review, 17(34), 24–39. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/20119521
Finchelstein, F. & Oxford University Press. (2014). The ideological origins of the dirty war: fascism, populism, and dictatorship in twentieth century Argentina. Oxford University Press. http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1093/acprof:oso/9780199930241.001.0001
Fogliani, A. (2011). ART AS WITNESS: MEMORY OF CRISIS IN ARGENTINA’S DIRTY WAR (neue Ausg). VDM Verlag Dr. M赬ler.
Foster, David William. (1992). Contemporary Argentine cinema. University of Missouri Press.
Gambaro, G. (1984). Teatro (1a ed). Ediciones de la Flor.
Giella, M. A. (1981). Teatro Abierto: Fenómeno socio-teatral argentino’. 15(1), 89–93. https://journals.ku.edu/index.php/latr/article/view/476/451
Giella, M. A. (1991). Teatro Abierto 1981: Vol. Colecci⯮ Dramaturgos argentinos contempor⡮eos. Corregidor.
Gorostiza, C. (1991). Teatro. Ediciones de la Flor.
Graham-Jones, Jean. (2000). Exorcising history: Argentine theater under dictatorship. Bucknell University Press.
Graziano, Frank. (1992). Divine violence: spectacle, psychosexuality & radical Christianity in the Argentine ‘dirty war’. Westview Press.
Guest, Iain. (1990). Behind the disappearances: Argentina’s dirty war against human rights and the United Nations: Vol. Pennsylvania studies in human rights. University of Pennsylvania Press.
Gwendolyn Diaz. (1995). Politics of the Body in Luisa Valenzuela’s ‘Cambio de armas’ and ‘Simetrias’. World Literature Today, 69(4), 751–756. https://doi.org/10.2307/40151613
Hart, S. M. (1995). Is Women’s Writing in Spanish America Gender-Specific? MLN, 110(2), 335–352. https://doi.org/10.1353/mln.1995.0030
Hart, Stephen M. (2004). A companion to Latin American film: Vol. Colección Támesis. Tamesis.
Hortiguera, H. (2012). Perverse Fascinations and Atrocious Acts: An Approach to The Secret in Their Eyes by Juan José Campanella. Studies in Latin American Popular Culture, 30(1), 110–123. https://doi.org/10.1353/sla.2012.0004
Jaroslavsky, Andrés. (2004a). The future of memory: children of the dictatorship in Argentina speak. Latin America Bureau.
Jaroslavsky, Andrés. (2004b). The future of memory: children of the dictatorship in Argentina speak. Latin America Bureau.
Jehenson, M. Y. (1999). Staging cultural violence: Griselda Gambaro and Argentina’s ‘Dirty War.’ Mosaic (Winnipeg), 32(1). https://ezproxy.lib.gla.ac.uk/login?url=https://go.galegroup.com/ps/i.do?id=GALE%7CA54482284&v=2.1&u=glasuni&it=r&p=AONE&sw=w&asid=0c9c00fb43d6aca1f05a13354bd48448
Jelin, Elizabeth. (2003). State repression and the struggles for memory. Latin America Bureau.
Kaiser, S. (2005). Postmemories of terror: a new generation copes with the legacy of the ‘Dirty War’: Vol. Palgrave studies in oral history. Palgrave Macmillan.
King, John. (2000). Magical reels: a history of cinema in Latin America: Vol. Critical studies in Latin American and Iberian cultures (New ed). Verso.
Ksenija Bilbija. (1992). ‘LA PALABRA ASESINO’ DE LUISA VALENZUELA: LA ENTRADA EN LA LENGUA. Confluencia, 8(1), 159–164. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/27922140
Larson, Catherine & Vargas, Margarita. (1998). Latin American women dramatists: theater, texts, and theories. Indiana University Press.
Lessa, Francesca. (2013). Memory and transitional justice in Argentina and Uruguay: Against impunity: Vol. Memory politics and transitional justice [Electronic resource]. Palgrave Macmillan. https://ezproxy.lib.gla.ac.uk/login?url=https://link.springer.com/book/10.1057/9781137269393
Lessa, Francesca & Druliolle, Vincent. (2011). The memory of state terrorism in the southern cone: Argentina, Chile, and Uruguay [Electronic resource]. Palgrave Macmillan. http://ezproxy.lib.gla.ac.uk/login?url=http://www.palgraveconnect.com/doifinder/10.1057/9780230118621
Lewis, P. H. (2002). Guerrillas and generals: the ‘Dirty War’ in Argentina [Electronic resource]. Praeger. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=3000442
López Laval, Hilda. (1995). Autoritarismo y cultura: Argentina, 1976-1983: Vol. Colección Espiral hispano-americana (1. ed). Editorial Fundamentos.
Magnarelli, S. (1987). Luisa Valenzuela’s Cambio de armas: Subversion and Narrative Weaponry. Romance Quarterly, 34(1), 85–94. https://doi.org/10.1080/08831157.1987.11000424
Magnarelli, Sharon. (1988). Reflections/refractions: reading Luisa Valenzuela: Vol. American university studies. P. Lang.
María-Inés Lagos-Pope. (1987). Mujer y política en ‘Cambio de armas’ de Luisa Valenzuela. Hispamérica, 46, 71–83. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/20539245
Martínez de Olcoz, N. (1995). Cuerpo y resistencia en el reciente teatro de Griselda Gambaro. 28(2), 7–18. https://journals.ku.edu/index.php/latr/article/view/1053/1028
Mary Janell Metzger. (1995). ‘Oedipal with a Vengeance’: Narrative, Desire, and Violence in Luisa Valenzuela’s ‘Fourth Version’. Tulsa Studies in Women’s Literature, 14(2), 295–307. http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/463901
Memoria Abierta. (n.d.). http://www.memoriaabierta.org.ar/
Méndez-Faith, T. (1985). Sobre el uso y abuso de poder en la producción dramática de Griselda Gambaro. Revista Iberoamericana, 51(132). https://doi.org/10.5195/reviberoamer.1985.4116
Morello, G. (2015). The Catholic Church and Argentina’s dirty war ([First edition]). Oxford University Press. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780190234270.001.0001
Osiel, M. (2001). Mass atrocity, ordinary evil, and Hannah Arendt: criminal consciousness in Argentina’s Dirty War. Yale University Press.
PATRICIA RUBIO. (1989). Fragmentation in Luisa Valenzuela’s Narrative. Salmagundi, 82, 287–296. https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/40548059
Peris Blanes, J. (2008). Desplazamientos, suturas y elusiones: el cuerpo torturado en Tiempo de Revancha, La Noche de los Lapices y Garage Olimpo. Espéculo: Revista de Estudios Literarios, 40. https://hdl.handle.net/10550/28709
Pitt, K. E. (2010). Body, nation, and narrative in the Americas [Electronic resource]. Palgrave Macmillan. https://doi.org/10.1057/9780230115347
Podalsky, Laura. (2011). The politics of affect and emotion in contemporary Latin American cinema: Argentina, Brazil, Cuba, and Mexico. Palgrave Macmillan.
Puenzo, Luis, Piñeyro, Marcelo, Bortnik, Aída, Koch Lorber Films, & Historias Cinematograficas Cinemania (Firm). (2004). The official story [Videorecording]. Koch Lorber Films.
Rix, R., Rodríguez-Saona, R., & Canning House Library (Hispanic & Luso Brazilian Councils). (1997). Changing reels: Latin American cinema against the odds. Trinity and All Saints University College.
Robben, A. C. G. M. (2000). Cultures under siege: collective violence and trauma: Vol. Publications of the Society for Psychological Anthropology (1. publ). Cambridge U. P.
Robben, A. C. G. M. (2007). Political violence and trauma in Argentina: Vol. The ethnography of political violence. University of Pennsylvania Press.
Rock, David. (1993). Authoritarian Argentina: the nationalist movement, its history, and its impact. University of California Press.
Ros, Ana. (2012). The post-dictatorship generation in Argentina, Chile, and Uruguay: collective memory and cultural production (First edition). Palgrave Macmillan.
Schwarzb诣k, S., & Caetano, I. A. (2007). Estudio cr⩴ico sobre Cr⯮ica de una fuga: Vol. Colecci⯮ Nuevo cine argentino (1. ed). Picnic Editorial.
Serna, R. de la, Casero, N., Delgado, L., Caetano, I. A., Student, E., Loyola, J., Kramer, O., Sigman, H., Tamburrini, C. M., Fernández, G., Tamburrini, C. M., IFC Films, First Take (Firm), Weinstein Company, Constantini Films, Latin American Film Company, K & S Films, & Genius Products, Inc. (2008). Chronicle of an escape. Genius Products.
Sheinin, D. (2013a). Consent of the damned: ordinary Argentinians in the dirty war [Electronic resource]. University Press of Florida. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.5744/florida/9780813042398.001.0001
Sheinin, D. (2013b). Consent of the damned: ordinary Argentinians in the dirty war [Electronic resource]. University Press of Florida. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.5744/florida/9780813042398.001.0001
Skloot, R. (1998). ‘Where Does It Hurt?’: Genocide, the Theatre and the Human Body. Theatre Research International, 23(01). https://doi.org/10.1017/S0307883300018216
Sosa, C. (2014). Queering acts of mourning in the aftermath of Argentina’s dictatorship: the performances of blood: Vol. Colección Támesis. Serie A: Monografías. Tamesis.
Stockwell, J. (2014). Reframing the transitional justice paradigm: women’s affective memories in post-dictatorial Argentina: Vol. Springer Series in Transitional Justice. Springer. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1007/978-3-319-03853-7
Stockwell, J. & SpringerLink (Online service). (2014). Reframing the transitional justice paradigm: women’s affective memories in post-dictatorial Argentina: Vol. Springer Series in Transitional Justice. Springer. http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1007/978-3-319-03853-7
Tabanelli, R. (2012). The violence of history in Marco Bechis’s Argentina. New Cinemas: Journal of Contemporary Film, 9(2), 127–146. https://doi.org/10.1386/ncin.9.2-3.127_1
Taylor, Diana. (1997). Disappearing acts: spectacles of gender and nationalism in Argentina’s ‘dirty war’. Duke University Press.
Taylor, L. (n.d.). Image and Irony in ‘The Official Story’. Literature/Film QuarterlyLiterature/Film Quarterly, 17(3). https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/1297360511/EC2C68DDBC7646A1PQ/12?accountid=14540
Tierney-Tello, Mary Beth. (1996). Allegories of transgression and transformation: experimental fiction by women writing under dictatorship. State University of New York Press.
Tomlinson, E. (2004). Mapping the Land of ‘I-don’t remember’: For a Re-evaluation of La historia oficial. Bulletin of Hispanic Studies, 81(2), 215–228. https://doi.org/10.3828/bhs.81.2.5
TV Pública | Teatro Abierto. (n.d.). http://www.tvpublica.com.ar/programa/teatro-abierto/
Valenzuela, Luisa. (1999). Cuentos completos y uno más (1. ed). Alfaguara.
Verbitsky, H. (2005). Confessions of an Argentine dirty warrior: a firsthand account of atrocity. Horacio Verbitsky ([New] ed). New Press.
Vieira, P. I. (2011). Seeing politics otherwise: vision in Latin American and Iberian fiction: Vol. University of Toronto romance series. University of Toronto Press.
Vierira, P. (2006). Torture and the Sublime. The Ethics of Physical Pain in Garage Olimpo. 1(2). https://digitalcommons.bowdoin.edu/dissidences/vol1/iss2/10/
Watson, I., & Epstein, S. (1995). Theatre after the Dictatorships: Developments in Chile and Argentina. New Theatre Quarterly, 11(41). https://doi.org/10.1017/S0266464X00008861
Werth, Brenda G. (2010). Theatre, performance, and memory politics in Argentina [Electronic resource]. Palgrave Macmillan. http://ezproxy.lib.gla.ac.uk/login?url=http://www.palgraveconnect.com/doifinder/10.1057/9780230114029
YouTube video of performance of El acompanamiento. (n.d.). https://www.youtube.com/watch?v=-r69a8PY62k
Zamorano, E. (2005). Peronistas revolucionarios: un an⡬isis pol⩴ico del apogeo y crisis de la organizaci⯮ Montoneros. Distal.
