1
Taylor, Diana. Disappearing acts: spectacles of gender and nationalism in Argentina’s ‘dirty war’. Durham, N.C.: : Duke University Press 1997.
2
Gambaro G. Teatro. 1a ed. Buenos Aires, Repⵢlica Argentina: : Ediciones de la Flor 1984.
3
Gorostiza C. Teatro. Buenos Aires, Repⵢlica Argentina: : Ediciones de la Flor 1991.
4
Puenzo, Luis, Piñeyro, Marcelo, Bortnik, Aída, et al. The official story. 2004.
5
Valenzuela, Luisa. Cuentos completos y uno más. 1. ed. México, D.F.: : Alfaguara 1999.
6
Bechis M. Garage Olimpo. 2005.
7
Campanella, Juan José, Besuievsky, Mariela, Herrero, Gerardo, et al. El secreto de sus ojos. 2010.
8
Serna R de la, Casero N, Delgado L, et al. Chronicle of an escape. 2008.
9
Sheinin D. Consent of the damned: ordinary Argentinians in the dirty war. Gainesville: : University Press of Florida 2013. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.5744/florida/9780813042398.001.0001
10
Ros, Ana. The post-dictatorship generation in Argentina, Chile, and Uruguay: collective memory and cultural production. First edition. New York: : Palgrave Macmillan 2012.
11
Andersen, Martin Edwin. Dossier secreto: Argentina’s Desaparecidos and the myth of the ‘Dirty War’. Boulder: : Westview Press 1993.
12
Jaroslavsky, Andrés. The future of memory: children of the dictatorship in Argentina speak. London: : Latin America Bureau 2004.
13
Graziano, Frank. Divine violence: spectacle, psychosexuality & radical Christianity in the Argentine ‘dirty war’. Boulder, Colo: : Westview Press 1992.
14
Guest, Iain. Behind the disappearances: Argentina’s dirty war against human rights and the United Nations. Philadelphia: : University of Pennsylvania Press 1990.
15
Bourgois, Philippe I., Scheper-Hughes, Nancy. Violence in war and peace. Malden, MA: : Blackwell 2004.
16
Lessa, Francesca, Druliolle, Vincent. The memory of state terrorism in the southern cone: Argentina, Chile, and Uruguay. Basingstoke: : Palgrave Macmillan 2011. http://ezproxy.lib.gla.ac.uk/login?url=http://www.palgraveconnect.com/doifinder/10.1057/9780230118621
17
Jelin, Elizabeth. State repression and the struggles for memory. London: : Latin America Bureau 2003.
18
Lessa, Francesca. Memory and transitional justice in Argentina and Uruguay: Against impunity. Basingstoke: : Palgrave Macmillan 2013. https://ezproxy.lib.gla.ac.uk/login?url=https://link.springer.com/book/10.1057/9781137269393
19
Arditti, Rita. Searching for life: the grandmothers of the Plaza de Mayo and the disappeared children of Argentina. Berkeley: : University of California Press 1999.
20
Bouvard, Marguerite Guzman. Revolutionizing motherhood: the mothers of the Plaza de Mayo. 1st SR Books ed. Wilmington, Del: : Scholarly Resources Inc 1994.
21
Evangelista L. Voices of the survivors: testimony, mourning & memory in post-dictatorship Argentina (1983-1995). N.Y.: : Garland 1998.
22
Feitlowitz M. A lexicon of terror: Argentina and the legacies of torture. Updated. New York: : Oxford University Press 2011.
23
Jaroslavsky, Andrés. The future of memory: children of the dictatorship in Argentina speak. London: : Latin America Bureau 2004.
24
Lewis PH. Guerrillas and generals: the ‘Dirty War’ in Argentina. Westport, Conn: : Praeger 2002. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=3000442
25
Antonius C. G. M. Robben. How Traumatized Societies Remember: The Aftermath of Argentina’s Dirty War. Cultural Critique 2005;:120–64.https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/4489199
26
Stockwell J. Reframing the transitional justice paradigm: women’s affective memories in post-dictatorial Argentina. Cham: : Springer 2014. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1007/978-3-319-03853-7
27
Robben ACGM. Political violence and trauma in Argentina. Philadelphia, Pa: : University of Pennsylvania Press 2007.
28
Robben ACGM. Cultures under siege: collective violence and trauma. 1. publ. Cambridge: : Cambridge U. P. 2000.
29
Verbitsky H. Confessions of an Argentine dirty warrior: a firsthand account of atrocity. Horacio Verbitsky. [New] ed. New York: : New Press 2005.
30
Zamorano E. Peronistas revolucionarios: un an⡬isis pol⩴ico del apogeo y crisis de la organizaci⯮ Montoneros. Buenos Aires, Argentina: : Distal 2005.
31
Rock, David. Authoritarian Argentina: the nationalist movement, its history, and its impact. Berkeley, Calif: : University of California Press 1993.
32
Osiel M. Mass atrocity, ordinary evil, and Hannah Arendt: criminal consciousness in Argentina’s Dirty War. New Haven: : Yale University Press 2001.
33
Fogliani A. ART AS WITNESS: MEMORY OF CRISIS IN ARGENTINA’S DIRTY WAR. neue Ausg. Saarbr赣ken: : VDM Verlag Dr. M赬ler 2011.
34
Alberto Ciria. Argentina in 1983: Reflections on the Language of the Military and George Orwell. Canadian Journal of Latin American and Caribbean Studies / Revue canadienne des études latino-américaines et caraïbes 1986;11:57–69.https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/41799589
35
Kaiser S. Postmemories of terror: a new generation copes with the legacy of the ‘Dirty War’. New York: : Palgrave Macmillan 2005.
36
Sheinin D. Consent of the damned: ordinary Argentinians in the dirty war. Gainesville: : University Press of Florida 2013. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.5744/florida/9780813042398.001.0001
37
Morello G. The Catholic Church and Argentina’s dirty war. [First edition]. New York: : Oxford University Press 2015. https://ezproxy.lib.gla.ac.uk/login?url=https://dx.doi.org/10.1093/acprof:oso/9780190234270.001.0001
38
Stockwell J, SpringerLink (Online service). Reframing the transitional justice paradigm: women’s affective memories in post-dictatorial Argentina. Cham: : Springer 2014. http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1007/978-3-319-03853-7
39
Finchelstein F, Oxford University Press. The ideological origins of the dirty war: fascism, populism, and dictatorship in twentieth century Argentina. New York: : Oxford University Press 2014. http://ezproxy.lib.gla.ac.uk/login?url=http://dx.doi.org/10.1093/acprof:oso/9780199930241.001.0001
40
Bell V. The art of post-dictatorship: ethics and aesthetics in transitional Argentina. London: : Routledge 2014.
41
Arenas Fernández L, Longoni A. Instantáneas de la memoria: fotografía y dictadura en Argentina y América Latina. Buenos Aires: : Libraria 2013.
42
Sosa C. Queering acts of mourning in the aftermath of Argentina’s dictatorship: the performances of blood. Woodbridge, Suffolk: : Tamesis 2014.
43
Giella MA. Teatro Abierto 1981. Bs. As. [i.e. Buenos Aires]: : Corregidor 1991.
44
Arancibia JA, Mirkin Z. Teatro argentino durante el Proceso, 1976-1983: ensayos cr⩴icos, entrevistas. Buenos Aires, Argentina: : Editorial Vinciguerra 1992.
45
Larson, Catherine, Vargas, Margarita. Latin American women dramatists: theater, texts, and theories. Bloomington: : Indiana University Press 1998.
46
Werth, Brenda G. Theatre, performance, and memory politics in Argentina. Basingstoke: : Palgrave Macmillan 2010. http://ezproxy.lib.gla.ac.uk/login?url=http://www.palgraveconnect.com/doifinder/10.1057/9780230114029
47
Bassnett, Susan. Knives and angels: women writers in Latin America. London: : Zed 1990.
48
Graham-Jones, Jean. Exorcising history: Argentine theater under dictatorship. Lewisburg, [Pa.]: : Bucknell University Press 2000.
49
Jehenson MY. Staging cultural violence: Griselda Gambaro and Argentina’s ‘Dirty War.’ Mosaic (Winnipeg) 1999;32.https://ezproxy.lib.gla.ac.uk/login?url=https://go.galegroup.com/ps/i.do?id=GALE%7CA54482284&v=2.1&u=glasuni&it=r&p=AONE&sw=w&asid=0c9c00fb43d6aca1f05a13354bd48448
50
López Laval, Hilda. Autoritarismo y cultura: Argentina, 1976-1983. 1. ed. Madrid: : Editorial Fundamentos 1995.
51
Méndez-Faith T. Sobre el uso y abuso de poder en la producción dramática de Griselda Gambaro. Revista Iberoamericana 1985;51. doi:10.5195/reviberoamer.1985.4116
52
Skloot R. ‘Where Does It Hurt?’: Genocide, the Theatre and the Human Body. Theatre Research International 1998;23. doi:10.1017/S0307883300018216
53
Watson I, Epstein S. Theatre after the Dictatorships: Developments in Chile and Argentina. New Theatre Quarterly 1995;11. doi:10.1017/S0266464X00008861
54
Giella MA. Teatro Abierto: Fenómeno socio-teatral argentino’. 1981;15:89–93.https://journals.ku.edu/index.php/latr/article/view/476/451
55
Martínez de Olcoz N. Cuerpo y resistencia en el reciente teatro de Griselda Gambaro. 1995;28:7–18.https://journals.ku.edu/index.php/latr/article/view/1053/1028
56
Díaz, Gwendolyn Josie. Luisa Valenzuela sin máscara. Buenos Aires, República Argentina: : Feminaria Editora 2002.
57
Magnarelli, Sharon. Reflections/refractions: reading Luisa Valenzuela. New York: : P. Lang 1988.
58
Pitt KE. Body, nation, and narrative in the Americas. Basingstoke: : Palgrave Macmillan 2010. doi:10.1057/9780230115347
59
Callejo A. Literatura e irregularidad en ‘cambio de armas’, de Luisa Valenzuela. Revista Iberoamericana 1985;51. doi:10.5195/reviberoamer.1985.4072
60
Gwendolyn Diaz. Politics of the Body in Luisa Valenzuela’s ‘Cambio de armas’ and ‘Simetrias’. World Literature Today 1995;69:751–6. doi:10.2307/40151613
61
Fernando Ainsa and Djelal Kadir. Journey to Luisa Valenzuela’s Land of Fear. World Literature Today 1995;69:683–90.https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/40151603
62
Corbatta J. Narrativas de la Guerra Sucia en Argentina: Piglia, Saer, Valenzuela, Puig. Bs. As. [i.e. Buenos Aires]: : Corregidor 1999.
63
Díaz GJ, Lagos-Pope M-I. La palabra en vilo: narrativa de Luisa Valenzuela. Santiago de Chile: : Editorial Cuarto Propio 1996.
64
Hart SM. Is Women’s Writing in Spanish America Gender-Specific? MLN 1995;110:335–52. doi:10.1353/mln.1995.0030
65
María-Inés Lagos-Pope. Mujer y política en ‘Cambio de armas’ de Luisa Valenzuela. Hispamérica 1987;:71–83.https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/20539245
66
PATRICIA RUBIO. Fragmentation in Luisa Valenzuela’s Narrative. Salmagundi 1989;:287–96.https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/40548059
67
Tierney-Tello, Mary Beth. Allegories of transgression and transformation: experimental fiction by women writing under dictatorship. Albany: : State University of New York Press 1996.
68
Magnarelli S. Luisa Valenzuela’s Cambio de armas: Subversion and Narrative Weaponry. Romance Quarterly 1987;34:85–94. doi:10.1080/08831157.1987.11000424
69
Ksenija Bilbija. ‘LA PALABRA ASESINO’ DE LUISA VALENZUELA: LA ENTRADA EN LA LENGUA. Confluencia 1992;8:159–64.http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/27922140
70
Mary Janell Metzger. ‘Oedipal with a Vengeance’: Narrative, Desire, and Violence in Luisa Valenzuela’s ‘Fourth Version’. Tulsa Studies in Women’s Literature 1995;14:295–307.http://ezproxy.lib.gla.ac.uk/login?url=http://www.jstor.org/stable/463901
71
Burucúa, Constanza. Confronting the ‘Dirty War’ in Argentine cinema, 1983-1993: memory and gender in historical representations. Woodbridge, Suffolk: : Tamesis 2009.
72
Hart, Stephen M. A companion to Latin American film. Rochester, N.Y.: : Tamesis 2004.
73
Bechis, Marco. Garage Olimpo. 2005.
74
Elena A, Díaz López M. The cinema of Latin America. London: : Wallflower Press 2003. https://ebookcentral.proquest.com/lib/gla/detail.action?docID=909593
75
Falicov, Tamara L. The cinematic tango: contemporary Argentine film. London: : Wallflower Press 2007.
76
Foster, David William. Contemporary Argentine cinema. Columbia: : University of Missouri Press 1992.
77
King, John. Magical reels: a history of cinema in Latin America. New ed. London: : Verso 2000.
78
Danusia L. Meson and Aida Bortnik. The Official Story: An Interview with Aida Bortnik. Cinéaste 1986;14:30–5.https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/41686824
79
Fernando Reati. Argentine Political Violence and Artistic Representation in Films of the 1980’s. Latin American Literary Review 1989;17:24–39.https://ezproxy.lib.gla.ac.uk/login?url=https://www.jstor.org/stable/20119521
80
Rix R, Rodríguez-Saona R, Canning House Library (Hispanic & Luso Brazilian Councils). Changing reels: Latin American cinema against the odds. Leeds [England]: : Trinity and All Saints University College 1997.
81
Schwarzb诣k S, Caetano IA. Estudio cr⩴ico sobre Cr⯮ica de una fuga. 1. ed. Buenos Aires: : Picnic Editorial 2007.
82
Podalsky, Laura. The politics of affect and emotion in contemporary Latin American cinema: Argentina, Brazil, Cuba, and Mexico. New York: : Palgrave Macmillan 2011.
83
Based on a true story: Latin American history at the movies. Lanham, MD: : SR Books 2005.
84
Taylor L. Image and Irony in ‘The Official Story’. Literature/Film QuarterlyLiterature/Film Quarterly;17.https://ezproxy.lib.gla.ac.uk/login?url=https://search.proquest.com/docview/1297360511/EC2C68DDBC7646A1PQ/12?accountid=14540
85
Tomlinson E. Mapping the Land of ‘I-don’t remember’: For a Re-evaluation of La historia oficial. Bulletin of Hispanic Studies 2004;81:215–28. doi:10.3828/bhs.81.2.5
86
Censura, violencia política y memoria colectiva: la historia oficial - Dialnet. http://dialnet.unirioja.es/servlet/articulo?codigo=2429252
87
Peris Blanes J. Desplazamientos, suturas y elusiones: el cuerpo torturado en Tiempo de Revancha, La Noche de los Lapices y Garage Olimpo. Espéculo: Revista de Estudios Literarios Published Online First: 2008.https://hdl.handle.net/10550/28709
88
Betina K. Contesting Memories: A Brief Recount of the Struggles to Talk About the Violent Past in Argentina. 2012;4.https://digitalcommons.bowdoin.edu/dissidences/vol4/iss8/3/?utm_source=digitalcommons.bowdoin.edu%2Fdissidences%2Fvol4%2Fiss8%2F3&utm_medium=PDF&utm_campaign=PDFCoverPages
89
Vierira P. Torture and the Sublime. The Ethics of Physical Pain in Garage Olimpo. 2006;1.https://digitalcommons.bowdoin.edu/dissidences/vol1/iss2/10/
90
Tabanelli R. The violence of history in Marco Bechis’s Argentina. New Cinemas: Journal of Contemporary Film 2012;9:127–46. doi:10.1386/ncin.9.2-3.127_1
91
Dufays S. El niño en el cine Argentino de la postdictadura (1983-2008): alegoría y nostalgia. Woodbridge: : Tamesis 2014.
92
Hortiguera H. Perverse Fascinations and Atrocious Acts: An Approach to The Secret in Their Eyes by Juan José Campanella. Studies in Latin American Popular Culture 2012;30:110–23. doi:10.1353/sla.2012.0004
93
Copertari G, Sitnisky C, editors. El estado de las cosas: cine latinoamericano en el nuevo milenio. Madrid: : Iberoamericana 2015.
94
Vieira PI. Seeing politics otherwise: vision in Latin American and Iberian fiction. Toronto, Ontario: : University of Toronto Press 2011.
95
Memoria Abierta. http://www.memoriaabierta.org.ar/
96
Decir sí (Spanish production). https://www.youtube.com/watch?v=o8yUz0LMhC4
97
Decir Sí (TV Pública Argentina). https://www.youtube.com/watch?v=6SWjPhDHAts
98
YouTube video of performance of El acompanamiento. https://www.youtube.com/watch?v=-r69a8PY62k
99
TV Pública | Teatro Abierto. http://www.tvpublica.com.ar/programa/teatro-abierto/
100
El acompañamiento (film version of play). https://www.youtube.com/watch?v=-r69a8PY62k
